2009 New Issue Favourites
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Scroll through our Favourite New Concert and Jazz Band titles or click below to jump to the Grade you're interested in. When you've found a selection you like click on the title, now on the product page press the DEMOS button (if applicable) to listen to a sample of the Chart. From this page you can also add the selection to your cart.
Concert Band Jazz Band
Grade 0.5 Grade 2.5 Very Easy
Grade 1 Grade 3 Easy
Grade 1.5 Grade 3.5 Medium
Grade 2 Grade 4+ Medium/Advanced
Concert Band
Callisto
Timothy Johnson
A dark and expansive opening leads to the powerful main theme as we explore the moon of a distant planet. An assortment of colorful percussion instruments helps evoke the mysterious second-largest moon of Jupiter. It's a powerful work that is easily within the grasp of young bands. This will be a great contrast piece on your concert. This provides a great cross-curricular tie-in with science, specifically the study of Galileo.
Cameroon
Robert W. Smith and Michael Story
This striking exotic work will engage your percussion section while offering a mysteriously provokative melody for the wind players. Once the captivating pulse is established, the sweet melody is introduced.
Hexagony
Ben Hawkins
As the title implies, this concert/festival work for the beginning band uses only the first six notes introduced in most band methods. The composer has created an intriguing work using dynamic contrasts and flowing melodic lines. Unique and educationally sound, "Hexagony" is a very musical work that will have an impact in the development of your beginning band!
Bryce Canyon Overture
Mark Williams
This bold work depicts the geological wonder of the rock formations in the Bryce Canyon area of southern Utah. Opening with a fanfare, the composition moves through a variety of moods including a reflective 3/4 middle section. This is an excellent program selection for first- and second-year bands.
Dark Odyssey
Rob Grice
"Dark Odyssey" is an aggressive young band composition with powerful dissonant harmonies and driving rhythms that your students will love to rehearse and perform. This dramatic work will capture the imagination of the audience and students alike.
Final Impact
Roland Barrett
Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
Market in Marrakesh
Tim Fisher
Marrakesh is a large city in southwestern Morocco in the foothills of the Atlas Mountains. Marrakesh, which was once the capital of Morocco, is a very old city and has the largest traditional market in Morocco. The piece evokes images of market day with camel trains, merchants and important rulers all coming to buy and sell goods.
March of the Cardinals
Douglas A. Bradley
Add triumphant flair to your next concert! Students won't stop tapping their feet to this energetic march. Featuring simple rhythmic syncopations and active lines in almost all the sections, it's sure to delight beginning students and audiences alike.
Monroe County Crossing
Stephen Bulla
Melodies from a signal moment in United States history! Stephen Bulla has skillfully crafted this notable band arrangement from actual songs of the “underground railroad” era. It's always great to make history as tangible as possible for our students – team up with the history department for an unforgettable unit! This excellent arrangement helps to bring the past alive.
Seaway Festival March
John O'Reilly
This sparkling march was written to commemorate the fiftieth anniversary of the St. Lawrence Seaway in Northern New York State. Syncopated rhythms, catchy melodies and interesting percussion make this an ideal march for developing young bands.
Shepherd's Hey
arr. Patrick Roszell
This very familiar traditional British folk song scored for your beginners begins with a simple melodic statement. The arrangement builds in intensity and tempo through the final musical punctuation. Subtle intricacies are clearly demonstrated with the addition of characteristic countermelodic material. A solid choice, your beginning band will sound polished and professional!
Through the Mist
Brian Balmages
Simple themes combine with complex harmonies to create a uniquely artistic work at this level. Designed to be playable by very young musicians, the work is also quite suitable for more mature groups (who can also consider adding a substantial amount of rubato for the ultimate artistic experience with minimal technique).
Two Chinese Folk Songs
arr. John O'Reilly
The two folksongs in this arrangement are contrasting in style but they both share the characteristic pentatonic scale that is a staple of Chinese and other Asian cultures. Jasmine Flower musically portrays the lovely scent and beauty of the flower that is often worn in the hair of Asian women. Feng Yang Ge is a much livelier song that combines the pentatonic scale with syncopated rhythms. “Feng Yang” is a region in the Anhui Province of China and “Ge” means song.
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Walden Pond
Mike Hannickel
Lovely, simple counter-lines accentuate the flowing and drifting melody. An ideal choice for a festival contest, Walden Pond allows each section to be important and expressive in assorted ways, letting you clearly show the adjudicators your young band's range of capabilities. As a concert piece it works as a lovely contrast to the other works you choose to program.
Black is the Color...
arr. Robert Sheldon
Black Is the Color (of My True Love's Hair) is a traditional folksong first known in the Appalachian Mountains region of United States in 1915, but most probably originated from Scotland. It is about a girl who is waiting for her lover to return from sea.
Gaudeamus
Jim Territo
This triumphant original work paints a picture of elegant kings and days of yore, yet remains accessible to young ensembles.
Huron Trail
Sean O'Loughlin
Huron Trail is an energetic piece for developing bands. The music reflects the rich tradition of tribal music from centuries ago. It depicts the challenges of the early settlers and the perils that lay along the frontier. Percussion is an integral part of this musical tradition and is featured extensively in this piece.
In Dreams
Ryan Meeboer
In Dreams is a musical representation of exactly what our dreams are like: peaceful, calming, horrific, and unpredictable; yet, there is always something to remember about them when we wake up. This piece reflects that by manipulating a memorable eighth note motif through various styles, feels, tempos and instrumentation. This is a great piece for young musicians and has a slightly different feel with its use of harmony.
Looking Past the Shadows
Richard L. Saucedo
Featuring a flowing lyric style and beautiful harmonies, this composition for beginning groups allows you to teach phrasing and musicality in a rewarding setting. With easy rhythms and moderate ranges, this is very attainable for young players.
Moore Street Rag
Steve Hodges
Moore Street Rag is an energetic piece that was composed for the young band to enjoy the various elements of ragtime music. Each section is featured playing the syncopated melodies and countermelodies and the low brass and woodwinds provide the steady rhythmic bass line. The trombones present the initial melody and are prominently featured throughout. With precise articulation patterns and many chromatic motives, this fresh tribute to ragtime music will be fun for the young musician to rehearse and will be a hit with the audience as well!
Scenes from an Ocean Voyage
Brian Balmages
This spectacular four-movement work paints extraordinary pictures of sea life. Movement include Introduction – Into the Great Blue Sea, The Prowling Shark, Dolphins at Play and Whale Sighting. Wonderfully programmatic with a wide array of effects and imagery, this work is orchestrated to sound much more difficult than its grade level indicates. Perform the entire work or just a few movements – they all stand on their own.
Two Renaissance Sketches
Todd Stalter
Though entirely original, the melodies of Two Renaissance Sketches come alive with their modal harmonies and tasteful, dance-like percussion accompaniments which are typical of the period. A stately courtly dance and a lively jig give almost everyone in the band a chance to play the melody, and can be an excellent introduction to the sounds and style of Renaissance music.
Wonders of the Universe
Rob Grice
Einstein’s statement "Imagination is more powerful that knowledge" was the inspiration for this new young band composition by Rob Grice. Interesting melodies and harmonies create a feeling of soaring through the universe with no boundaries to your imagination.
Afterburn
Randall D. Standridge
When watching a jet in the sky, one imagines the rush the pilot must feel when kicking in the afterburners, that sudden burst of speed. This piece seeks to capture the emotions of flight in a supercharged jet plane: excitement at takeoff, awe at the beauty of the earth, and an adrenaline burst of joy when the afterburners kick in.
Arabian Dances
Roland Barrett
Join Roland Barrett on this multicultural musical journey depicting a nighttime celebration dancing around a roaring campfire. The work opens featuring a brief clarinet solo setting the stage and the bold dance commences. A real treat for your entire band is the relentless energy depicted combining characteristic melodies with energetic hand clapping.
Gothic Legend
James L. Hosay
Mysterious and unique! Creeping footsteps and distant shadows; menacing melodies in a dark mode; rhythmic intensity and dynamic excitement – all combine to make Gothic Legend a piece that will keep your audience on the edge of their seats. There is no doubt that your musicians will love playing this spooky and different piece.
Irish Jig for Young Feet
Travis J. Weller
Teach 6/8 with this easy work in the style of the popular Irish folk dance. The infectious melody works its way around the entire ensemble as the musical celebration unfolds. Wind players have an opportunity to tap their feet in response to several percussion statements, creating a delightful interplay. An excellent way to experience Irish dance music with young musicians!
It Had Better Be Tonight (Meglio stasera)
Henry Mancini, arr. Roy Phillippe
A classic pop tune from the pen of Henry Mancini has enjoyed new life with the energy infused by Michael Bublé on his "Call Me Irresponsible" CD. Roy Phillippe has transferred this energy in his young band arrangement. Complete with salsa-style percussion, this is one hot chart.
Two Places
Simon Reade
This work was composed to mark the Bicentennial of the settlement at Risdon Cove and Hobart Town in 2004 and seeks to represent two contrasting Tasmanian locations, both of which hold significance to the composer and Tasmanians in general. The Truganni Memorial on Bruny Island to the south of Tasmania is situated on a small hill on the neck of the island – a place where shearwaters and penguins gather in great numbers each evening. Peoples' Park in Strahan on the west coast of Tasmania is a simple park which hosted family picnics, brass band performances and happy relaxed weekend at the turn of the 20th century.
Arrows of Lightning
Marco Pütz
Arrows of Lightning is a work in four movements by the Luxembourg composer Marco Pütz. American Indian songs and poems, which includes a song that translates as “Arrows of Lightning,” served as the inspiration for this composition. In this song, the arrows were charmed by means of singing and dancing so that they would go faster – as fast as lightning. The scoring enables this piece to be performed by a band without a full contingent of players.
Celebration and Song
Robert Sheldon
With a rhythmic drive and tuneful melody, this concert overture engages the listener from the first measure. Colorful scoring and tasteful percussion bring the opening section to life. The plaintive lyrical section follows, featuring solos and soaring accompanimental lines. A return to the original theme brings the piece to a close with a rousing high-energy conclusion.
Conquest
Nolan E. Schmit
In five evocative sections depicting the siege of a medieval castle, this riveting composition features cinematic themes and intense rhythmic ostinati. Designed to meet the needs of an ensemble with a large percussion section, it's guaranteed to engage all young percussionists.
Festivo
Vaclav Nelhybel, arr. Douglas E. Wagner
A perennial favorite on concert and contest programs for decades, Nelhybel's Festivo has been re-scored to target the young band. Accessible to a wider variety of ensembles, this reduction is a welcomed addition to band literature.
Lullabye
Randall D. Standridge
Nearly all sections of the band get to perform the singing melody in this heartfelt waltz for concert band. Beautiful in its simplicity, this is one of the most gorgeous tunes yet from the pen of a young writer much noted for the lyricism of his melodies. It unfolds from a unison, unaccompanied clarinet melody, through a series of key changes, to an expansive moment of tutti high drama that is breathtaking in its beauty, and finally going to sleep with a melancholy statement from the percussion and a whispered “shhh” from the wind players.
Meeting at Tryon Palace
Richard L. Saucedo
Described by the composer as “bombastic, but with a groove” this work for young players opens with striking percussion statements. The band enters gradually, first with unison figures along with the percussion, and then additional layers. A contrasting slow section with flowing lines and minor harmonies sets the stage for the dramatic final section. A great way to showcase your percussion section.
The Red Baron
Erik Morales
Based on a famous World War I German fighter pilot, this work feeds off of the raw emotion of open-air cockpit combat. A haunting opening effectively uses voices to portray a great red triplane emerging from a misty cloudbank in preparation for battle. As the pace of music intensifies, the plane is ambushed from behind and roaring trombone glissandos help paint a picture of aviation chaos as the planes dive through the air.
Adagio Cantabile (from 'Sonata Pathétique')
Ludwig van Beethoven, arr. Larry Daehn
Written in 1798, when Beethoven was twenty-eight years old, his Sonata No. 8, Op. 13, became the most famous of all his thirty-two sonatas. The Adagio Cantabile is one of the most beautiful pieces he ever wrote. Introduce your players to Beethoven's heartfelt music and let them sing! (Cantabile!)
Barn Dance
Carl Strommen
It is suggested that there was an actual piece called "Dancing in the Barn" that gave rise to the term "barn dance." These were generally community events that included square dancing, Morris and Contra, and English country dancing. The theme in Barn Dance is in country-and-western style with a broad gospel-like introduction.
Canadian Folk Trilogy
arr. Vince Gassi
Canadian Folk Trilogy offers a refreshing setting of three popular Canadian Folk songs. Kicking things off is an enjoyable adaptation of “Donkey Riding.” Singing this tune helped sailors to pass the time as they used the donkey engine to load timber onto the decks of ships in Canadian ports. “Inuit Lullaby” slows the pace with a simple but beautiful melody set in three bar phrases. Finally, we conclude with a rollicking version of “I's the B'y" (I’m the Boy), a traditional Newfoundland folk song.
Celtic Voyage
Melanie Donahue
Inspired by the many hardships of the Irish immigrants, this piece brings hope of a new world, a new lease on life and a second chance. The piece begins with the sound of the ocean in the background (played by the ocean drum) while a solo flute plays the main theme. As the piece develops the theme represents several scenes: first, the knowledge that life needs to change due to the famine and hardships of the time; second, the immigrants begin their move to America; third, the arrival in America and seeing the Statue of Liberty, which is the climactic moment of the piece; and finally, ending with the same idea in the beginning of the piece but now as memory and longing for Ireland.
Driven
David Jones
Driven was composed for the Hillbrook Anglican School Wind Symphony and premiered by the ensemble at The Old Museum, Brisbane in March 2007 in a joint concert with the Queensland Youth Orchestra Wind Ensemble. The work was written with a specific group of young musicians in mind. It was an attempt to showcase the collective natural talents, individual personalities and developing abilities of the students involved in the band (all the way down to their ability to make the loudest possible whip).
Rhythm of the Nations (Ipharadisi)
David Marlatt
This is a fun and rhythmic South African folk song. The arrangement could be performed with or without choir or it could involve members of the band singing. The optional repeats can be used to shorten, extend or add new textures as the conductor sees fit. Sections could also be repeated as many times as desired to allow for extensive hand drumming by the percussion section, members of the band or even selected members of the audience! The choir part is very straight ahead and could be learned and memorized quickly.
Liadov Fanfare
Brian Beck
Based on themes by Anatoly Liadov, this bold fanfare provides a terrific way to open your next concert. The stately melodies by this well-known Russian composer provide an uplifting and majestic setting for this stunning work by composer Brian Beck.
Magic Valley
Scott Watson
Magic Valley is based on an original melody in the style of a hymn tune, first presented simply, then developed over the course of the piece to a stirring, majestic climax. The hymn tune and its treatment reflect the beautiful landscape, remarkable people and faith-inspiring creation of South Central Idaho.
Montana
Jan van der Roost
From the beginning, the stately and celebratory character of this march is clearly heard. The introduction of the main theme takes place in a medium register, resulting in a noble tone. A lyrical trio melody provides contrast. The march closes in a festive mood of celebration.
A Northern Odyssey
Bill Melton
This is one of the most exciting new works to come out in recent years. Written in overture style, it is certain to be on many contest lists in the very near future. The first trumpet's highest note is G. The third clarinets stay below the break while the first and second clarinets play above.
On the March
Ronald C. Knoener
From the first strains of this jaunty theme, you know that you're going to love this march! Dedicated to the 33rd Illinois Volunteer Regiment Band of Bloomington, this is the latest of Mr. Knoener's captivating regimental marches.
Scenes from Terezin
Jack Stamp
The Terezin Concentration Camp was the home for over 150,000 Jews during the Holocaust. The poetry created by the children living there inspired Jack Stamp to compose these Scenes from Terezin. The four movements of this poignant work are bound together by a recurring motive. For the most part, the music is not happy or uplifting, but meant to portray a dark tie in world history, and remind us to pause and be thankful for our freedom.
To Those We Remember
Lauren Keiser
A moving tribute to all of the men and women that we have lost in service to our country. Composer Lauren Keiser has weaved a tapestry of heart-wrenching music based on the familiar "Taps." It is both emotional and full of musical pathos.
Village Sketches
Jacob de Haan
Village Sketches is a musical story in three connected movements. Each movement describes a scene from a Dutch Village close to Germany. The first movement begins with a traditional relay run with hints of cross border antics. In the middle movement, a colorful village procession is portrayed. The final movement describes the lively border market and festivities at Whitsuntide. Full of many musical colours, Village Sketches is a wonderful way to showcase your band.
Yorkton
Victor López
Inspired by the diverse culture found in Yorkton, this original overture cultivates an energetic driving rhythm intertwined with charming melodic material. Occasional compound meter enhances the contemporary flair in the work. Passionately emotional, this work really sparkles. A worthy choice for contest and concert programming.
Canonic Fantasy
Bill Calhoun
As the title implies, Canonic Fantasy is based on a harmonic canon that forms the basis for this excellent new concert band work. It begins slowly and dramatically and then weaves into a bold and dynamic allegro.
Chesapeake
Jerry Brubaker
Inspired by the beautiful and bountiful Chesapeake Bay in the Maryland and Virginia areas of the United States, Jerry Brubaker begins this odyssey on a quiet morn, with sounds of gulls riding the winds above gentle waves. The sections of this suite are entitled "Chantey," "Power," and "Sail and Festival." Chesapeake has become a classic piece of band literature.
An Epic Expedition
Rick DeJonge
Feature for brass quintet (Gr. 3 band/Gr. 5 brass quintet). Originally composed for the Boston Brass and middle school band. Clarinets in two parts, both of which play above the break. First trumpet's highest note is an F, with a high G only at the end of the piece.
Fantasy on Early American Tunes
Kevin Mixon
A concert rhapsody based on three early American tunes. You will hear the influence of the church hymn in this setting, but it also contains brass fanfares, woodwind flourishes, and exciting climaxes that make this piece an excellent selection for contest/festival performance.
Pan American (Spanish March)
Karl L. King, arr. Andy Clark
An impressive new arrangement by Andy Clark of one of Karl L. King’s most distinctive marches. This arrangement retains all of the charm and Spanish flavor of the original while it utilizes a reduced instrumentation which makes it sound great with smaller bands. An outstanding choice for concert or contest performances.
Reflections on an English Hymn
Carl Strommen
Based on the English hymn Jerusalem , this poignant song is given a lush new treatment by composer Carl Strommen. It would be the perfect selection to break up a concert or contest performance and to show the more expressive side of your ensemble.
Cantique de Jean Racine
Gabriel Fauré, arr. Monty R. Musgrave
Cantique de Jean Racine was composed by Fauré in 1865. This magnificent setting for winds retains all the glory and color of the full chorus and orchestra version, complete with harp and string bass.
The Cossack
William Rimmer, arr. David Marlatt
This is an incredibly popular concert march in the British brass band world. Arranged here for the modern concert band, this will soon become a favorite with concert bands as well. Bold brass writing and colorful woodwind runs gives something fun for everyone to do.
Concerto for Prince Johann
J.S. Bach, arr. Larry Daehn
Prince Johann Ernst of Weimar composed about twenty instrumental works, was a friend of Bach and Telemann, and died at the very young age of nineteen. He is remembered today because Bach arranged six of his concertos for organ. This transcription for band shows the youthful exuberance of the Prince and the creativity of his young friend, J.S. Bach.
Procession of the Sorcerers
Robert Buckley
Imagine a procession of wizards and witches, clowns and jugglers, magicians and troubadours, goblins, dragons, fairies and sprites, accompanied by colourful wagons, unicorns, stilt walkers and unicycles. All have one goal – the castle of the great Merlin. A multitude of melodies interweave, some ornamented, some medieval, as they eventually reach their final destination.
Three Klezmer Miniatures
Philip Sparke
Klezmer music originated in the “'shtetl” (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as “klezmorim,” had performed at celebrations, particularly weddings, since the early Middle Ages. Three Klezmer Miniatures uses the following traditional tunes: 1. Sham Harei Golan (There are the Mountains of Golan) and Nigun Shel Yossi, a circle dance. 2. Tumbalalaika, a Russian Jewish love song. 3. Hava Nagila, perhaps the most famous of all Jewish folk dances; the title means “let us rejoice.” Bring the spirit of Klezmer to your next concert with this exciting piece.
Wedding March
Jan van der Roost
Wedding March is, as the name suggests, a festive composition that the composer wrote for the wedding of a good friend. Performed at the 2008 Midwest Band and Orchestra Clinic in Chicago, this piece clearly reflects influences of Mendelssohn and Elgar. It is written in a festive setting, but a beautiful cantabile trio, that is very characteristic of the works of Jan van der Roost, is wonderfully included. An optional organ part is included for those who chose to add a little gloss to their performance.
Arabian Dances
Brian Balmages
Explore Middle Eastern sounds with this work that combines authentic traditional melodies and rhythms with original music. After a haunting opening, authentic Middle Eastern percussion instruments create the groove that accompanies the folk song Ala Dal'ona. As the orchestration builds, original themes are intertwined before the percussion ensemble becomes the focus of the third section. The final melody, Tafta Hindi, develops until it morphs into an ostinato over a magnificent presentation of the original theme that is found throughout the work. A riveting ending brings this thrilling work to a dynamic close!
Grace Will Lead Me Home
Vincent Oppido
A moving tribute to honour the memory of a student slain in the Virginia Tech tragedy, Grace Will Lead Me Home features a setting of "Amazing Grace" as its centerpiece. This work is solidly and inventively scored for intermediate bands by new Kjos composer Vincent Oppido.
Romany Life (from “The Fortune Teller”)
Victor Herbert, arr. Larry Daehn
Victor Herbert's rousing tribute to gypsy life comes bounding off the pages in this exciting band showpiece. Joyous tunes embellished with wild woodwind/xylophone countermelodies make this the ultimate crowd-pleaser!
Jazz Band
Dorian Journey
Dean Sorenson
A great way to introduce the Dorian mode to young players. This modal chart features a moderate tempo and moderate ranges all around. A part of the Jazz in Concert Series, Dorian Journey is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
Listen Here!
Doug Beach & George Shutack
Call and response has always been an important part of the jazz idiom - and this chart utilizes this technique which makes for great fun for the players and the audience. Any soloist can be featured.
The Night of the Coyote
Bruce Pearson
This swinging chart has it all – swinging melody lines, open solos, and a roaring shout chorus. It is a terrific introduction to the blues for young bands. A part of the Jazz in Concert Series, The Night of the Coyote is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
Straight Up
Jim Cifelli
The straight-ahead shuffle packs a wallop! A minor blues progression makes for swinging melody lines and very approachable solos. A part of the Jazz in Concert Series, Straight Up is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
A Band's Gotta Do What a Band's Gotta Do
Paul Clark
Just like John Wayne said, “A band's gotta do what a band's gotta do”, your band will have lots of fun doing it with this great mid-level chart in the happy, swinging Basie tradition. Following the opening piano solo (written), everybody plays the unison melody. The saxes then take over with background punches in the brass. The open solo section for any instrument is over a simple blues in F. A very cool soli for tenors, bari, bones and bass sets up a finish that will have everybody tapping their feet and clapping their hands.
Blue Train (Blue Trane)
John Coltrane, arr. Paul Murtha
Composed and recorded by jazz legend John Coltrane, this medium tempo blues tune features an easy-to-play melody and solid tutti-style rhythms for the ensemble. In addition, the blues changes and moderate tempo make it a comfortable setting for developing soloists.
The Blues Walk
Clifford Brown, arr. Paul Murtha
Every band needs to experience the blues! Here's a classic riff tune by Clifford Brown set in a terrific arrangement for developing bands. Great for learning to improvise, and the ensemble figures are repetitive and easy to learn.
Cubano Chant
Ray Bryant, arr. Mike Story
This “gotta-have-it” chart is a very catchy Latin melody scored in a hip yet playable arrangement that is exceptional in every way. Some nice piano lines echoed by the ensemble, written solos for tenor sax, trumpet and trombone, easy ranges and solid writing throughout.
Chili Pepper 101
Doug Beach & George Shutack
With the release of this chart, beginning jazz bands finally have a chance to jump on the famous Chili Pepper bandwagon. Featuring all the rhythmic and melodic elements that have made its predecessors so popular, it's playable by 12-17 pieces.
The Creeper
Neal Hefti, arr. Roy Phillippe
This cool swing chart has a tempo that's right on target, around 120 bpm. No solos, just ensemble with modest brass ranges with 1st trumpet range to written E-flat, top space. And don't forget to check out the "misterioso" bridge section.
Elijah Rocks
arr. Chris Sharp
This interpretation of the classic spiritual is just right for younger groups. Lots of unison writing and modest ranges make it an easy introduction to rock and swing styles. The solo section features room for your drummer to play an ad lib or written solo.
Follow My Lead
Les Sabina
Why not add this terrific tenor sax feature to your next program? Notated rhythms, abundant articulation and dynamic markings, and the “as is” or ad lib tenor solo are highlights in this medium-fast swing chart for developing groups. It’s playable with as few as 9 pieces and expandable all the way to a 17-piece big band and beyond (optional flute, clarinet, horn in F, tuba and vibes parts are also included). A guitar chord chart by Jim Greeson is included in each set.
Get Smart
Irving Szathmary, arr. Roger Holmes
With its tongue-in-cheek spy music flavor, this familiar TV theme from the '60s (and summer movie sensation) will be a memorable selection for your band and audiences alike.
Grit Your Teeth
Neil Yorke-Slader
Commissioned by the Ottawa-Carleton District School Board Intermediate Music Subject Council for their 2008 Grade 8 All-Star Jazz Ensemble, this catchy swing chart will be a hit with your young jazz musicians! Rhythm parts are fully notated. For maximum educational value, solo chords are provided for all instruments. Written ranges: trumpet G5, trombone F4.
Jericho
arr. Mike Lewis
Just about everyone has heard the melody to “Joshua Fought the Battle of Jericho,” right? Arranger Mike Lewis took this traditional melody and scored it for the young band. With a rubato sax and piano intro, Mike moves his chart right into an easy swing feel. There are no individual improvised solos, just ensemble with some section work, with some nice parts for the trombones. Optional parts are included but this chart will sound full with reduced instrumentation. Easy ranges, accessible rhythms and the rubato ending can be as dramatic as you like.
Pescados frescos
Armando Rivera
Here’s a great new chart with an infectious montuno-style groove. In addition to flexible instrumentation that makes the music playable by big or not-so-big bands, you’ll find plenty of helpful articulations and notated rhythm parts. The composer offers detailed rehearsal suggestions designed to streamline preparation. Although scored with accessibility in mind, the piece teaches sectional independence, balance, blend, and dynamic contrast. Scored with Kendor Konvertible instrumentation for 9-17 players, each set also includes a guitar chord chart by Jim Greeson and optional parts for flute, clarinet, horn in F, tuba, and vibes.
Sway (Quién será)
Pablo Beltrán Ruiz, arr. Rick Stitzel
This smooth Latin favourite has been around for more than 50 years and recorded countless times, including recently by Michael Bublé. The easy rhythms and infectious groove make this a great choice for beginning bands.
Undecided
Sid Robins & Charlie Shavers, arr. Michael Sweeney
Over the years this classic standard from the '30s has been recorded by countless jazz artists and big bands. Here in the hands of Michael Sweeney is a medium swing chart designed for young players that features a nice mix of feature spots for saxes as well as brass. Includes short written or ad lib solos for alto sax and trumpet.
Black Pearls
arr. Dave Mills
This up tempo Latin jazz waltz burns from start to finish. While the rhythm section grooves, the brass and saxes blow a rousing fanfare before the saxes introduce the melody. The trumpets join in to reinforce the melody and heighten the intensity before the fanfare theme returns. The improvised solo section features changes for 1st Alto Sax, 4th Trumpet and 1st Trombone. After the solo section it’s time to really heat up as each section introduces a new theme and rhythmic figure that fit together like a jigsaw puzzle of a bull fight in progress. The saxes state the melody one more time before the fanfare leads into a short drum solo to culminate the piece.
Chameleon
Herbie Hancock, arr. Victor López
Finally, there is a Herbie Hancock piece for the younger band! From Hancock’s famous Headhunter recording, here is a great opportunity to play the biggest jazz-rock hit of all time. The melody is first played by alto, tenor, trumpet and trombone, then by the trumpet section. Next up is a flexible open solo section with a solo line written for all the winds, so anyone or everyone can solo! Top note for lead trumpet is written G on top of the staff.
Cheesecake
Dexter Gordon, arr. Rick Stitzel
This catchy jazz standard from Dexter Gordon is masterfully arranged for younger players by Rick Stitzel. Featuring the saxes on the head, brass on the bridge, plus a solo for tenor and a full ensemble shout chorus, this medium swing chart will make your band sound great!
Double Play
Carl Strommen
This is a medium blues shuffle in the Basie style, with emphasis on the rhythm section in the intro.
Dreamin' Out Loud
Bob Washut
"Dreamin’ Out Loud" is a very accessible calypso chart that is reminiscent of Sonny Rollins’ well-known calypso tunes. An introductory chorale gives way to a happy, toe-tapping groove over which a tuneful melody is presented. The basic chord progression will accommodate multiple soloists. Great vehicle for exploring different rhythms and providing variety to a concert or festival program.
Energy Crisis
arr. Rick Woolworth
Electric bass, piano and guitar share the groovy bass line to get the mood started in this “funk-a-licious” chart. Horns and rhythm section continue to develop rhythmic hits around the bass line before the saxes soli on the melody. There is room for your drummer to show off with a few solo fills at the end of two more choruses of the theme before the solo section features written or improvised solos by 1st tenor sax, 2nd trumpet or 1st trombone. Another drum solo takes us from the solo section to the re-introduction of the funky fresh theme. The tune closes as the band riffs again, adding rhythmic figures to peak with a powerful ending.
Fancy Pants
Sammy Nestico
Brought back to the forefront of the jazz library, this is a funky blues original that audiences and bands will love, just like we did when we played it as students.
Front Burner
Sammy Nestico
Typical of the Basie/Nestico writing partnership, this is a medium blues shuffle in the Basie style. You won’t want to miss this great classic chart!
High Fives
Howard Rowe
There will be high fives all around at your next performance when you showcase your group performing this unique chart that features a 5/4 melody with a gospel flavor. Also features a section in 4/4 with an open solo section and lots of spirited ensemble work. Suggested solos are included.
Killer on the Keys
Larry Neeck
A smokin’ rock ‘n rollin’ romp, "Killer on the Keys" features your keyboard player, à la Jerry Lee Lewis, the "Killer" himself. All the riffs and solos are completely written out so that your budding keyboardist will feel right at home with the bluesy rock ‘n roll shuffle style. Although the keys are featured, this full-sounding arrangement has plenty of licks for the rest of the band, including a section for solos (written solos are included).
Lester Leaps In
Lester Young, arr. Rich Sigler
This great tune by legendary saxophonist Lester Young is a simple and familiar melody that lends itself to many well known jazz quotes and licks. A tenor sax solo is written out and the lead trumpet range is written to G on top of the staff. Arranger Rich Sigler incorporates some clever musical devices to create an interesting yet accessible chart.
Now's the Time
Charlie Parker, arr. Allen Gray
One of Charlie Parker’s most recognizable compositions, this tune has been a jam session standard for many years. The chart opens with the saxes stating the melody followed by another chorus of the melody with hits from the brass. The solo section is open for improvisation over this 12-bar blues in F and features some subtle background figures in the brass and saxes. Coming out of the solo section, the saxes play a chorus harmonizing a quote from Bird’s original solo. The chart ends with a restatement of the melody with brass hits galore to build to a rousing finale.
Out of the Doghouse
Erik Morales
A swing shuffle groove with a hint of gospel, this chart is simply fun to play with a sax soli, some independent bari sax lines and optional (written) solos for alto, tenor and guitar. Lead trumpet range is to written A above the staff. It also has an optional ending with lead trumpet notes up to C.
Sugar Blues
Clyde McCoy, arr. Andy Clark
Andy Clark’s superb new arrangement of this popular swing era classic is perfect for developing bands. Starts out as a trumpet solo (written) in a slow blues tempo and then segues into a classic big band shuffle feel that lets the whole band shine. Solidly scored and full of vitality, this fun arrangement brings new life to Clyde McCoy’s timeless tune.
Scroll through our Favourite New Concert and Jazz Band titles or click below to jump to the Grade you're interested in. When you've found a selection you like click on the title, now on the product page press the DEMOS button (if applicable) to listen to a sample of the Chart. From this page you can also add the selection to your cart.
Concert Band Jazz Band
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Concert Band
Callisto
Timothy Johnson
A dark and expansive opening leads to the powerful main theme as we explore the moon of a distant planet. An assortment of colorful percussion instruments helps evoke the mysterious second-largest moon of Jupiter. It's a powerful work that is easily within the grasp of young bands. This will be a great contrast piece on your concert. This provides a great cross-curricular tie-in with science, specifically the study of Galileo.
Cameroon
Robert W. Smith and Michael Story
This striking exotic work will engage your percussion section while offering a mysteriously provokative melody for the wind players. Once the captivating pulse is established, the sweet melody is introduced.
Hexagony
Ben Hawkins
As the title implies, this concert/festival work for the beginning band uses only the first six notes introduced in most band methods. The composer has created an intriguing work using dynamic contrasts and flowing melodic lines. Unique and educationally sound, "Hexagony" is a very musical work that will have an impact in the development of your beginning band!
Bryce Canyon Overture
Mark Williams
This bold work depicts the geological wonder of the rock formations in the Bryce Canyon area of southern Utah. Opening with a fanfare, the composition moves through a variety of moods including a reflective 3/4 middle section. This is an excellent program selection for first- and second-year bands.
Dark Odyssey
Rob Grice
"Dark Odyssey" is an aggressive young band composition with powerful dissonant harmonies and driving rhythms that your students will love to rehearse and perform. This dramatic work will capture the imagination of the audience and students alike.
Final Impact
Roland Barrett
Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
Market in Marrakesh
Tim Fisher
Marrakesh is a large city in southwestern Morocco in the foothills of the Atlas Mountains. Marrakesh, which was once the capital of Morocco, is a very old city and has the largest traditional market in Morocco. The piece evokes images of market day with camel trains, merchants and important rulers all coming to buy and sell goods.
March of the Cardinals
Douglas A. Bradley
Add triumphant flair to your next concert! Students won't stop tapping their feet to this energetic march. Featuring simple rhythmic syncopations and active lines in almost all the sections, it's sure to delight beginning students and audiences alike.
Monroe County Crossing
Stephen Bulla
Melodies from a signal moment in United States history! Stephen Bulla has skillfully crafted this notable band arrangement from actual songs of the “underground railroad” era. It's always great to make history as tangible as possible for our students – team up with the history department for an unforgettable unit! This excellent arrangement helps to bring the past alive.
Seaway Festival March
John O'Reilly
This sparkling march was written to commemorate the fiftieth anniversary of the St. Lawrence Seaway in Northern New York State. Syncopated rhythms, catchy melodies and interesting percussion make this an ideal march for developing young bands.
Shepherd's Hey
arr. Patrick Roszell
This very familiar traditional British folk song scored for your beginners begins with a simple melodic statement. The arrangement builds in intensity and tempo through the final musical punctuation. Subtle intricacies are clearly demonstrated with the addition of characteristic countermelodic material. A solid choice, your beginning band will sound polished and professional!
Through the Mist
Brian Balmages
Simple themes combine with complex harmonies to create a uniquely artistic work at this level. Designed to be playable by very young musicians, the work is also quite suitable for more mature groups (who can also consider adding a substantial amount of rubato for the ultimate artistic experience with minimal technique).
Two Chinese Folk Songs
arr. John O'Reilly
The two folksongs in this arrangement are contrasting in style but they both share the characteristic pentatonic scale that is a staple of Chinese and other Asian cultures. Jasmine Flower musically portrays the lovely scent and beauty of the flower that is often worn in the hair of Asian women. Feng Yang Ge is a much livelier song that combines the pentatonic scale with syncopated rhythms. “Feng Yang” is a region in the Anhui Province of China and “Ge” means song.
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Walden Pond
Mike Hannickel
Lovely, simple counter-lines accentuate the flowing and drifting melody. An ideal choice for a festival contest, Walden Pond allows each section to be important and expressive in assorted ways, letting you clearly show the adjudicators your young band's range of capabilities. As a concert piece it works as a lovely contrast to the other works you choose to program.
Black is the Color...
arr. Robert Sheldon
Black Is the Color (of My True Love's Hair) is a traditional folksong first known in the Appalachian Mountains region of United States in 1915, but most probably originated from Scotland. It is about a girl who is waiting for her lover to return from sea.
Gaudeamus
Jim Territo
This triumphant original work paints a picture of elegant kings and days of yore, yet remains accessible to young ensembles.
Huron Trail
Sean O'Loughlin
Huron Trail is an energetic piece for developing bands. The music reflects the rich tradition of tribal music from centuries ago. It depicts the challenges of the early settlers and the perils that lay along the frontier. Percussion is an integral part of this musical tradition and is featured extensively in this piece.
In Dreams
Ryan Meeboer
In Dreams is a musical representation of exactly what our dreams are like: peaceful, calming, horrific, and unpredictable; yet, there is always something to remember about them when we wake up. This piece reflects that by manipulating a memorable eighth note motif through various styles, feels, tempos and instrumentation. This is a great piece for young musicians and has a slightly different feel with its use of harmony.
Looking Past the Shadows
Richard L. Saucedo
Featuring a flowing lyric style and beautiful harmonies, this composition for beginning groups allows you to teach phrasing and musicality in a rewarding setting. With easy rhythms and moderate ranges, this is very attainable for young players.
Moore Street Rag
Steve Hodges
Moore Street Rag is an energetic piece that was composed for the young band to enjoy the various elements of ragtime music. Each section is featured playing the syncopated melodies and countermelodies and the low brass and woodwinds provide the steady rhythmic bass line. The trombones present the initial melody and are prominently featured throughout. With precise articulation patterns and many chromatic motives, this fresh tribute to ragtime music will be fun for the young musician to rehearse and will be a hit with the audience as well!
Scenes from an Ocean Voyage
Brian Balmages
This spectacular four-movement work paints extraordinary pictures of sea life. Movement include Introduction – Into the Great Blue Sea, The Prowling Shark, Dolphins at Play and Whale Sighting. Wonderfully programmatic with a wide array of effects and imagery, this work is orchestrated to sound much more difficult than its grade level indicates. Perform the entire work or just a few movements – they all stand on their own.
Two Renaissance Sketches
Todd Stalter
Though entirely original, the melodies of Two Renaissance Sketches come alive with their modal harmonies and tasteful, dance-like percussion accompaniments which are typical of the period. A stately courtly dance and a lively jig give almost everyone in the band a chance to play the melody, and can be an excellent introduction to the sounds and style of Renaissance music.
Wonders of the Universe
Rob Grice
Einstein’s statement "Imagination is more powerful that knowledge" was the inspiration for this new young band composition by Rob Grice. Interesting melodies and harmonies create a feeling of soaring through the universe with no boundaries to your imagination.
Afterburn
Randall D. Standridge
When watching a jet in the sky, one imagines the rush the pilot must feel when kicking in the afterburners, that sudden burst of speed. This piece seeks to capture the emotions of flight in a supercharged jet plane: excitement at takeoff, awe at the beauty of the earth, and an adrenaline burst of joy when the afterburners kick in.
Arabian Dances
Roland Barrett
Join Roland Barrett on this multicultural musical journey depicting a nighttime celebration dancing around a roaring campfire. The work opens featuring a brief clarinet solo setting the stage and the bold dance commences. A real treat for your entire band is the relentless energy depicted combining characteristic melodies with energetic hand clapping.
Gothic Legend
James L. Hosay
Mysterious and unique! Creeping footsteps and distant shadows; menacing melodies in a dark mode; rhythmic intensity and dynamic excitement – all combine to make Gothic Legend a piece that will keep your audience on the edge of their seats. There is no doubt that your musicians will love playing this spooky and different piece.
Irish Jig for Young Feet
Travis J. Weller
Teach 6/8 with this easy work in the style of the popular Irish folk dance. The infectious melody works its way around the entire ensemble as the musical celebration unfolds. Wind players have an opportunity to tap their feet in response to several percussion statements, creating a delightful interplay. An excellent way to experience Irish dance music with young musicians!
It Had Better Be Tonight (Meglio stasera)
Henry Mancini, arr. Roy Phillippe
A classic pop tune from the pen of Henry Mancini has enjoyed new life with the energy infused by Michael Bublé on his "Call Me Irresponsible" CD. Roy Phillippe has transferred this energy in his young band arrangement. Complete with salsa-style percussion, this is one hot chart.
Two Places
Simon Reade
This work was composed to mark the Bicentennial of the settlement at Risdon Cove and Hobart Town in 2004 and seeks to represent two contrasting Tasmanian locations, both of which hold significance to the composer and Tasmanians in general. The Truganni Memorial on Bruny Island to the south of Tasmania is situated on a small hill on the neck of the island – a place where shearwaters and penguins gather in great numbers each evening. Peoples' Park in Strahan on the west coast of Tasmania is a simple park which hosted family picnics, brass band performances and happy relaxed weekend at the turn of the 20th century.
Arrows of Lightning
Marco Pütz
Arrows of Lightning is a work in four movements by the Luxembourg composer Marco Pütz. American Indian songs and poems, which includes a song that translates as “Arrows of Lightning,” served as the inspiration for this composition. In this song, the arrows were charmed by means of singing and dancing so that they would go faster – as fast as lightning. The scoring enables this piece to be performed by a band without a full contingent of players.
Celebration and Song
Robert Sheldon
With a rhythmic drive and tuneful melody, this concert overture engages the listener from the first measure. Colorful scoring and tasteful percussion bring the opening section to life. The plaintive lyrical section follows, featuring solos and soaring accompanimental lines. A return to the original theme brings the piece to a close with a rousing high-energy conclusion.
Conquest
Nolan E. Schmit
In five evocative sections depicting the siege of a medieval castle, this riveting composition features cinematic themes and intense rhythmic ostinati. Designed to meet the needs of an ensemble with a large percussion section, it's guaranteed to engage all young percussionists.
Festivo
Vaclav Nelhybel, arr. Douglas E. Wagner
A perennial favorite on concert and contest programs for decades, Nelhybel's Festivo has been re-scored to target the young band. Accessible to a wider variety of ensembles, this reduction is a welcomed addition to band literature.
Lullabye
Randall D. Standridge
Nearly all sections of the band get to perform the singing melody in this heartfelt waltz for concert band. Beautiful in its simplicity, this is one of the most gorgeous tunes yet from the pen of a young writer much noted for the lyricism of his melodies. It unfolds from a unison, unaccompanied clarinet melody, through a series of key changes, to an expansive moment of tutti high drama that is breathtaking in its beauty, and finally going to sleep with a melancholy statement from the percussion and a whispered “shhh” from the wind players.
Meeting at Tryon Palace
Richard L. Saucedo
Described by the composer as “bombastic, but with a groove” this work for young players opens with striking percussion statements. The band enters gradually, first with unison figures along with the percussion, and then additional layers. A contrasting slow section with flowing lines and minor harmonies sets the stage for the dramatic final section. A great way to showcase your percussion section.
The Red Baron
Erik Morales
Based on a famous World War I German fighter pilot, this work feeds off of the raw emotion of open-air cockpit combat. A haunting opening effectively uses voices to portray a great red triplane emerging from a misty cloudbank in preparation for battle. As the pace of music intensifies, the plane is ambushed from behind and roaring trombone glissandos help paint a picture of aviation chaos as the planes dive through the air.
Adagio Cantabile (from 'Sonata Pathétique')
Ludwig van Beethoven, arr. Larry Daehn
Written in 1798, when Beethoven was twenty-eight years old, his Sonata No. 8, Op. 13, became the most famous of all his thirty-two sonatas. The Adagio Cantabile is one of the most beautiful pieces he ever wrote. Introduce your players to Beethoven's heartfelt music and let them sing! (Cantabile!)
Barn Dance
Carl Strommen
It is suggested that there was an actual piece called "Dancing in the Barn" that gave rise to the term "barn dance." These were generally community events that included square dancing, Morris and Contra, and English country dancing. The theme in Barn Dance is in country-and-western style with a broad gospel-like introduction.
Canadian Folk Trilogy
arr. Vince Gassi
Canadian Folk Trilogy offers a refreshing setting of three popular Canadian Folk songs. Kicking things off is an enjoyable adaptation of “Donkey Riding.” Singing this tune helped sailors to pass the time as they used the donkey engine to load timber onto the decks of ships in Canadian ports. “Inuit Lullaby” slows the pace with a simple but beautiful melody set in three bar phrases. Finally, we conclude with a rollicking version of “I's the B'y" (I’m the Boy), a traditional Newfoundland folk song.
Celtic Voyage
Melanie Donahue
Inspired by the many hardships of the Irish immigrants, this piece brings hope of a new world, a new lease on life and a second chance. The piece begins with the sound of the ocean in the background (played by the ocean drum) while a solo flute plays the main theme. As the piece develops the theme represents several scenes: first, the knowledge that life needs to change due to the famine and hardships of the time; second, the immigrants begin their move to America; third, the arrival in America and seeing the Statue of Liberty, which is the climactic moment of the piece; and finally, ending with the same idea in the beginning of the piece but now as memory and longing for Ireland.
Driven
David Jones
Driven was composed for the Hillbrook Anglican School Wind Symphony and premiered by the ensemble at The Old Museum, Brisbane in March 2007 in a joint concert with the Queensland Youth Orchestra Wind Ensemble. The work was written with a specific group of young musicians in mind. It was an attempt to showcase the collective natural talents, individual personalities and developing abilities of the students involved in the band (all the way down to their ability to make the loudest possible whip).
Rhythm of the Nations (Ipharadisi)
David Marlatt
This is a fun and rhythmic South African folk song. The arrangement could be performed with or without choir or it could involve members of the band singing. The optional repeats can be used to shorten, extend or add new textures as the conductor sees fit. Sections could also be repeated as many times as desired to allow for extensive hand drumming by the percussion section, members of the band or even selected members of the audience! The choir part is very straight ahead and could be learned and memorized quickly.
Liadov Fanfare
Brian Beck
Based on themes by Anatoly Liadov, this bold fanfare provides a terrific way to open your next concert. The stately melodies by this well-known Russian composer provide an uplifting and majestic setting for this stunning work by composer Brian Beck.
Magic Valley
Scott Watson
Magic Valley is based on an original melody in the style of a hymn tune, first presented simply, then developed over the course of the piece to a stirring, majestic climax. The hymn tune and its treatment reflect the beautiful landscape, remarkable people and faith-inspiring creation of South Central Idaho.
Montana
Jan van der Roost
From the beginning, the stately and celebratory character of this march is clearly heard. The introduction of the main theme takes place in a medium register, resulting in a noble tone. A lyrical trio melody provides contrast. The march closes in a festive mood of celebration.
A Northern Odyssey
Bill Melton
This is one of the most exciting new works to come out in recent years. Written in overture style, it is certain to be on many contest lists in the very near future. The first trumpet's highest note is G. The third clarinets stay below the break while the first and second clarinets play above.
On the March
Ronald C. Knoener
From the first strains of this jaunty theme, you know that you're going to love this march! Dedicated to the 33rd Illinois Volunteer Regiment Band of Bloomington, this is the latest of Mr. Knoener's captivating regimental marches.
Scenes from Terezin
Jack Stamp
The Terezin Concentration Camp was the home for over 150,000 Jews during the Holocaust. The poetry created by the children living there inspired Jack Stamp to compose these Scenes from Terezin. The four movements of this poignant work are bound together by a recurring motive. For the most part, the music is not happy or uplifting, but meant to portray a dark tie in world history, and remind us to pause and be thankful for our freedom.
To Those We Remember
Lauren Keiser
A moving tribute to all of the men and women that we have lost in service to our country. Composer Lauren Keiser has weaved a tapestry of heart-wrenching music based on the familiar "Taps." It is both emotional and full of musical pathos.
Village Sketches
Jacob de Haan
Village Sketches is a musical story in three connected movements. Each movement describes a scene from a Dutch Village close to Germany. The first movement begins with a traditional relay run with hints of cross border antics. In the middle movement, a colorful village procession is portrayed. The final movement describes the lively border market and festivities at Whitsuntide. Full of many musical colours, Village Sketches is a wonderful way to showcase your band.
Yorkton
Victor López
Inspired by the diverse culture found in Yorkton, this original overture cultivates an energetic driving rhythm intertwined with charming melodic material. Occasional compound meter enhances the contemporary flair in the work. Passionately emotional, this work really sparkles. A worthy choice for contest and concert programming.
Canonic Fantasy
Bill Calhoun
As the title implies, Canonic Fantasy is based on a harmonic canon that forms the basis for this excellent new concert band work. It begins slowly and dramatically and then weaves into a bold and dynamic allegro.
Chesapeake
Jerry Brubaker
Inspired by the beautiful and bountiful Chesapeake Bay in the Maryland and Virginia areas of the United States, Jerry Brubaker begins this odyssey on a quiet morn, with sounds of gulls riding the winds above gentle waves. The sections of this suite are entitled "Chantey," "Power," and "Sail and Festival." Chesapeake has become a classic piece of band literature.
An Epic Expedition
Rick DeJonge
Feature for brass quintet (Gr. 3 band/Gr. 5 brass quintet). Originally composed for the Boston Brass and middle school band. Clarinets in two parts, both of which play above the break. First trumpet's highest note is an F, with a high G only at the end of the piece.
Fantasy on Early American Tunes
Kevin Mixon
A concert rhapsody based on three early American tunes. You will hear the influence of the church hymn in this setting, but it also contains brass fanfares, woodwind flourishes, and exciting climaxes that make this piece an excellent selection for contest/festival performance.
Pan American (Spanish March)
Karl L. King, arr. Andy Clark
An impressive new arrangement by Andy Clark of one of Karl L. King’s most distinctive marches. This arrangement retains all of the charm and Spanish flavor of the original while it utilizes a reduced instrumentation which makes it sound great with smaller bands. An outstanding choice for concert or contest performances.
Reflections on an English Hymn
Carl Strommen
Based on the English hymn Jerusalem , this poignant song is given a lush new treatment by composer Carl Strommen. It would be the perfect selection to break up a concert or contest performance and to show the more expressive side of your ensemble.
Cantique de Jean Racine
Gabriel Fauré, arr. Monty R. Musgrave
Cantique de Jean Racine was composed by Fauré in 1865. This magnificent setting for winds retains all the glory and color of the full chorus and orchestra version, complete with harp and string bass.
The Cossack
William Rimmer, arr. David Marlatt
This is an incredibly popular concert march in the British brass band world. Arranged here for the modern concert band, this will soon become a favorite with concert bands as well. Bold brass writing and colorful woodwind runs gives something fun for everyone to do.
Concerto for Prince Johann
J.S. Bach, arr. Larry Daehn
Prince Johann Ernst of Weimar composed about twenty instrumental works, was a friend of Bach and Telemann, and died at the very young age of nineteen. He is remembered today because Bach arranged six of his concertos for organ. This transcription for band shows the youthful exuberance of the Prince and the creativity of his young friend, J.S. Bach.
Procession of the Sorcerers
Robert Buckley
Imagine a procession of wizards and witches, clowns and jugglers, magicians and troubadours, goblins, dragons, fairies and sprites, accompanied by colourful wagons, unicorns, stilt walkers and unicycles. All have one goal – the castle of the great Merlin. A multitude of melodies interweave, some ornamented, some medieval, as they eventually reach their final destination.
Three Klezmer Miniatures
Philip Sparke
Klezmer music originated in the “'shtetl” (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as “klezmorim,” had performed at celebrations, particularly weddings, since the early Middle Ages. Three Klezmer Miniatures uses the following traditional tunes: 1. Sham Harei Golan (There are the Mountains of Golan) and Nigun Shel Yossi, a circle dance. 2. Tumbalalaika, a Russian Jewish love song. 3. Hava Nagila, perhaps the most famous of all Jewish folk dances; the title means “let us rejoice.” Bring the spirit of Klezmer to your next concert with this exciting piece.
Wedding March
Jan van der Roost
Wedding March is, as the name suggests, a festive composition that the composer wrote for the wedding of a good friend. Performed at the 2008 Midwest Band and Orchestra Clinic in Chicago, this piece clearly reflects influences of Mendelssohn and Elgar. It is written in a festive setting, but a beautiful cantabile trio, that is very characteristic of the works of Jan van der Roost, is wonderfully included. An optional organ part is included for those who chose to add a little gloss to their performance.
Arabian Dances
Brian Balmages
Explore Middle Eastern sounds with this work that combines authentic traditional melodies and rhythms with original music. After a haunting opening, authentic Middle Eastern percussion instruments create the groove that accompanies the folk song Ala Dal'ona. As the orchestration builds, original themes are intertwined before the percussion ensemble becomes the focus of the third section. The final melody, Tafta Hindi, develops until it morphs into an ostinato over a magnificent presentation of the original theme that is found throughout the work. A riveting ending brings this thrilling work to a dynamic close!
Grace Will Lead Me Home
Vincent Oppido
A moving tribute to honour the memory of a student slain in the Virginia Tech tragedy, Grace Will Lead Me Home features a setting of "Amazing Grace" as its centerpiece. This work is solidly and inventively scored for intermediate bands by new Kjos composer Vincent Oppido.
Romany Life (from “The Fortune Teller”)
Victor Herbert, arr. Larry Daehn
Victor Herbert's rousing tribute to gypsy life comes bounding off the pages in this exciting band showpiece. Joyous tunes embellished with wild woodwind/xylophone countermelodies make this the ultimate crowd-pleaser!
Jazz Band
Dorian Journey
Dean Sorenson
A great way to introduce the Dorian mode to young players. This modal chart features a moderate tempo and moderate ranges all around. A part of the Jazz in Concert Series, Dorian Journey is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
Listen Here!
Doug Beach & George Shutack
Call and response has always been an important part of the jazz idiom - and this chart utilizes this technique which makes for great fun for the players and the audience. Any soloist can be featured.
The Night of the Coyote
Bruce Pearson
This swinging chart has it all – swinging melody lines, open solos, and a roaring shout chorus. It is a terrific introduction to the blues for young bands. A part of the Jazz in Concert Series, The Night of the Coyote is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
Straight Up
Jim Cifelli
The straight-ahead shuffle packs a wallop! A minor blues progression makes for swinging melody lines and very approachable solos. A part of the Jazz in Concert Series, Straight Up is flexibly orchestrated so that it can be played with as few as 9 players. Additionally, everyone in the ensemble has an opportunity to improvise in the open solo section, and the set includes two suggested solos and a CD with a solo practice track to facilitate successful improvisation.
A Band's Gotta Do What a Band's Gotta Do
Paul Clark
Just like John Wayne said, “A band's gotta do what a band's gotta do”, your band will have lots of fun doing it with this great mid-level chart in the happy, swinging Basie tradition. Following the opening piano solo (written), everybody plays the unison melody. The saxes then take over with background punches in the brass. The open solo section for any instrument is over a simple blues in F. A very cool soli for tenors, bari, bones and bass sets up a finish that will have everybody tapping their feet and clapping their hands.
Blue Train (Blue Trane)
John Coltrane, arr. Paul Murtha
Composed and recorded by jazz legend John Coltrane, this medium tempo blues tune features an easy-to-play melody and solid tutti-style rhythms for the ensemble. In addition, the blues changes and moderate tempo make it a comfortable setting for developing soloists.
The Blues Walk
Clifford Brown, arr. Paul Murtha
Every band needs to experience the blues! Here's a classic riff tune by Clifford Brown set in a terrific arrangement for developing bands. Great for learning to improvise, and the ensemble figures are repetitive and easy to learn.
Cubano Chant
Ray Bryant, arr. Mike Story
This “gotta-have-it” chart is a very catchy Latin melody scored in a hip yet playable arrangement that is exceptional in every way. Some nice piano lines echoed by the ensemble, written solos for tenor sax, trumpet and trombone, easy ranges and solid writing throughout.
Chili Pepper 101
Doug Beach & George Shutack
With the release of this chart, beginning jazz bands finally have a chance to jump on the famous Chili Pepper bandwagon. Featuring all the rhythmic and melodic elements that have made its predecessors so popular, it's playable by 12-17 pieces.
The Creeper
Neal Hefti, arr. Roy Phillippe
This cool swing chart has a tempo that's right on target, around 120 bpm. No solos, just ensemble with modest brass ranges with 1st trumpet range to written E-flat, top space. And don't forget to check out the "misterioso" bridge section.
Elijah Rocks
arr. Chris Sharp
This interpretation of the classic spiritual is just right for younger groups. Lots of unison writing and modest ranges make it an easy introduction to rock and swing styles. The solo section features room for your drummer to play an ad lib or written solo.
Follow My Lead
Les Sabina
Why not add this terrific tenor sax feature to your next program? Notated rhythms, abundant articulation and dynamic markings, and the “as is” or ad lib tenor solo are highlights in this medium-fast swing chart for developing groups. It’s playable with as few as 9 pieces and expandable all the way to a 17-piece big band and beyond (optional flute, clarinet, horn in F, tuba and vibes parts are also included). A guitar chord chart by Jim Greeson is included in each set.
Get Smart
Irving Szathmary, arr. Roger Holmes
With its tongue-in-cheek spy music flavor, this familiar TV theme from the '60s (and summer movie sensation) will be a memorable selection for your band and audiences alike.
Grit Your Teeth
Neil Yorke-Slader
Commissioned by the Ottawa-Carleton District School Board Intermediate Music Subject Council for their 2008 Grade 8 All-Star Jazz Ensemble, this catchy swing chart will be a hit with your young jazz musicians! Rhythm parts are fully notated. For maximum educational value, solo chords are provided for all instruments. Written ranges: trumpet G5, trombone F4.
Jericho
arr. Mike Lewis
Just about everyone has heard the melody to “Joshua Fought the Battle of Jericho,” right? Arranger Mike Lewis took this traditional melody and scored it for the young band. With a rubato sax and piano intro, Mike moves his chart right into an easy swing feel. There are no individual improvised solos, just ensemble with some section work, with some nice parts for the trombones. Optional parts are included but this chart will sound full with reduced instrumentation. Easy ranges, accessible rhythms and the rubato ending can be as dramatic as you like.
Pescados frescos
Armando Rivera
Here’s a great new chart with an infectious montuno-style groove. In addition to flexible instrumentation that makes the music playable by big or not-so-big bands, you’ll find plenty of helpful articulations and notated rhythm parts. The composer offers detailed rehearsal suggestions designed to streamline preparation. Although scored with accessibility in mind, the piece teaches sectional independence, balance, blend, and dynamic contrast. Scored with Kendor Konvertible instrumentation for 9-17 players, each set also includes a guitar chord chart by Jim Greeson and optional parts for flute, clarinet, horn in F, tuba, and vibes.
Sway (Quién será)
Pablo Beltrán Ruiz, arr. Rick Stitzel
This smooth Latin favourite has been around for more than 50 years and recorded countless times, including recently by Michael Bublé. The easy rhythms and infectious groove make this a great choice for beginning bands.
Undecided
Sid Robins & Charlie Shavers, arr. Michael Sweeney
Over the years this classic standard from the '30s has been recorded by countless jazz artists and big bands. Here in the hands of Michael Sweeney is a medium swing chart designed for young players that features a nice mix of feature spots for saxes as well as brass. Includes short written or ad lib solos for alto sax and trumpet.
Black Pearls
arr. Dave Mills
This up tempo Latin jazz waltz burns from start to finish. While the rhythm section grooves, the brass and saxes blow a rousing fanfare before the saxes introduce the melody. The trumpets join in to reinforce the melody and heighten the intensity before the fanfare theme returns. The improvised solo section features changes for 1st Alto Sax, 4th Trumpet and 1st Trombone. After the solo section it’s time to really heat up as each section introduces a new theme and rhythmic figure that fit together like a jigsaw puzzle of a bull fight in progress. The saxes state the melody one more time before the fanfare leads into a short drum solo to culminate the piece.
Chameleon
Herbie Hancock, arr. Victor López
Finally, there is a Herbie Hancock piece for the younger band! From Hancock’s famous Headhunter recording, here is a great opportunity to play the biggest jazz-rock hit of all time. The melody is first played by alto, tenor, trumpet and trombone, then by the trumpet section. Next up is a flexible open solo section with a solo line written for all the winds, so anyone or everyone can solo! Top note for lead trumpet is written G on top of the staff.
Cheesecake
Dexter Gordon, arr. Rick Stitzel
This catchy jazz standard from Dexter Gordon is masterfully arranged for younger players by Rick Stitzel. Featuring the saxes on the head, brass on the bridge, plus a solo for tenor and a full ensemble shout chorus, this medium swing chart will make your band sound great!
Double Play
Carl Strommen
This is a medium blues shuffle in the Basie style, with emphasis on the rhythm section in the intro.
Dreamin' Out Loud
Bob Washut
"Dreamin’ Out Loud" is a very accessible calypso chart that is reminiscent of Sonny Rollins’ well-known calypso tunes. An introductory chorale gives way to a happy, toe-tapping groove over which a tuneful melody is presented. The basic chord progression will accommodate multiple soloists. Great vehicle for exploring different rhythms and providing variety to a concert or festival program.
Energy Crisis
arr. Rick Woolworth
Electric bass, piano and guitar share the groovy bass line to get the mood started in this “funk-a-licious” chart. Horns and rhythm section continue to develop rhythmic hits around the bass line before the saxes soli on the melody. There is room for your drummer to show off with a few solo fills at the end of two more choruses of the theme before the solo section features written or improvised solos by 1st tenor sax, 2nd trumpet or 1st trombone. Another drum solo takes us from the solo section to the re-introduction of the funky fresh theme. The tune closes as the band riffs again, adding rhythmic figures to peak with a powerful ending.
Fancy Pants
Sammy Nestico
Brought back to the forefront of the jazz library, this is a funky blues original that audiences and bands will love, just like we did when we played it as students.
Front Burner
Sammy Nestico
Typical of the Basie/Nestico writing partnership, this is a medium blues shuffle in the Basie style. You won’t want to miss this great classic chart!
High Fives
Howard Rowe
There will be high fives all around at your next performance when you showcase your group performing this unique chart that features a 5/4 melody with a gospel flavor. Also features a section in 4/4 with an open solo section and lots of spirited ensemble work. Suggested solos are included.
Killer on the Keys
Larry Neeck
A smokin’ rock ‘n rollin’ romp, "Killer on the Keys" features your keyboard player, à la Jerry Lee Lewis, the "Killer" himself. All the riffs and solos are completely written out so that your budding keyboardist will feel right at home with the bluesy rock ‘n roll shuffle style. Although the keys are featured, this full-sounding arrangement has plenty of licks for the rest of the band, including a section for solos (written solos are included).
Lester Leaps In
Lester Young, arr. Rich Sigler
This great tune by legendary saxophonist Lester Young is a simple and familiar melody that lends itself to many well known jazz quotes and licks. A tenor sax solo is written out and the lead trumpet range is written to G on top of the staff. Arranger Rich Sigler incorporates some clever musical devices to create an interesting yet accessible chart.
Now's the Time
Charlie Parker, arr. Allen Gray
One of Charlie Parker’s most recognizable compositions, this tune has been a jam session standard for many years. The chart opens with the saxes stating the melody followed by another chorus of the melody with hits from the brass. The solo section is open for improvisation over this 12-bar blues in F and features some subtle background figures in the brass and saxes. Coming out of the solo section, the saxes play a chorus harmonizing a quote from Bird’s original solo. The chart ends with a restatement of the melody with brass hits galore to build to a rousing finale.
Out of the Doghouse
Erik Morales
A swing shuffle groove with a hint of gospel, this chart is simply fun to play with a sax soli, some independent bari sax lines and optional (written) solos for alto, tenor and guitar. Lead trumpet range is to written A above the staff. It also has an optional ending with lead trumpet notes up to C.
Sugar Blues
Clyde McCoy, arr. Andy Clark
Andy Clark’s superb new arrangement of this popular swing era classic is perfect for developing bands. Starts out as a trumpet solo (written) in a slow blues tempo and then segues into a classic big band shuffle feel that lets the whole band shine. Solidly scored and full of vitality, this fun arrangement brings new life to Clyde McCoy’s timeless tune.
That Warm Feeling
Sammy Nestico
What is there to say about this classic Sammy Nestico chart? A Warm Feeling will add a touch of class to any program.
Wind Chill Factor
arr. Rich Woolworth
This up-tempo minor blues is so cool it’s on fire from the opening bass solo. Even though the pace is fast, the skillful writing keeps it playable. The saxes are featured on the melody, followed by the trumpets, before big brass hits lead into the solo section that vamps on blues changes in A minor and provides space to play written or improvised solos with 1st tenor sax or 2nd trumpet. The drummer gets his fill on during a chorus of soloing before we surprisingly switch up the feel with a funky half-time groove. It’s back to double-time swing as the chart features the melody again followed by more drum solos to build the intensity for a frosty finish.
Medium/Advanced
Ascending
Fred Sturm
Commissioned by the Gates Chili High School Jazz Ensemble in Rochester, New York, this original for proficient groups alternates between a Latin and straight 8th-note feel, and draws on the ascending melodic minor scale and its related modes for its source material. This is a sophisticated chart with moderate range demands and notated rhythm section parts. Soloists can navigate the 16-measure solo using just a single scale over hip jazz chords!
Category 4
Jeff Jarvis
This Jeff Jarvis chart alternates between twelve eight rock and half-time funk feels. The winding melodies and driving grooves depict the downside of life in the tropics, namely a full-strength hurricane.
Cousin Jeff
Les Hooper
Good old cousin Jeff must have been some funky relative! This Les Hooper original features a moderate tempo and attitude-driven funky 2-beat as it churns through a piano opening, sax melody and brass stabs. Also included is solo space for tenor and some spicy ensemble licks near the end.
Isfahan
Billy Strayhorn, arr. Alan Baylock
Put together the brilliant composer Billy Strayhorn and superb arranger Alan Baylock, and you will have an outstanding musical experience. This is the alto sax feature you have been looking for – not technically difficult, but lush and full of moving lines and nuances. Lead trumpet range is to written A above the staff. No improvisation for the alto soloist, just a beautiful Strayhorn melody.
Self-Portrait in Three Colors
Charles Mingus, arr. Sy Johnson
Originally recorded by Charles Mingus on his Mingus Ah Um album in 1959, Sy Johnson has transformed this through-composed ballad into a stunningly beautiful setting for full jazz ensemble. Featuring effective dynamic contours, a nice variety of textures, and solos for trumpet and tenor, this will become a focal point for concerts or festivals.
Shiny Stockings
Frank Foster, arr. Greg Yasinitsky
Frank Foster’s composition, Shiny Stockings, is one of the greatest jazz tunes for big band. Arranged by Greg Yasinitsky and scored for an accessible grade 3 level, this chart has all the ingredients you expect, plus a few short section solis and an ensemble shout chorus. Other features are a written-out solo for 2nd trumpet and the lead trumpet range is to written A above the staff. A wonderful new chart on a Basie classic.
Side Effects
Neil Slater
Written for and recorded by the famous University of North Texas One O’Clock Lab Band, this brilliant swing chart is a masterpiece of textures and colors. The straight-ahead groove is the perfect setting for both the soloists and the ensemble work.
Wave
Antonio Carlos Jobim, arr. Michael Philip Mossman
Here is one of the most tuneful of Jobim's many familiar Latin standards in a marvelous setting featuring a baritone sax soloist. The style is a laid-back Latin groove and Michael incorporates a wealth of creative harmonic and textural devices in this distinctive arrangement. Also included is a sax soli and a lush tutti ensemble chorus to round things out.
