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Shure KSM137 End-Address Cardioid Condenser Microphone Stereo Pair

SKU: # 178357   |   Model: # KSM137/SLSTEREO   |    Product Reviews0 Reviews  Write a Review

KSM137 End-Address Cardioid Condenser Microphone Stereo Pair

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KSM137 End-Address Cardioid Condenser Microphone Stereo Pair
KSM137 End-Address Cardioid Condenser Microphone Stereo Pair

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The KSM137/SLSTEREO is a complete stereo set of KSM137 microphones with an A27M mount. The Shure A27M allows you to securely mount two microphones on a single stand with a wide range of angles and vertical separations for a variety of coincident and closely-spaced stereo configurations.

The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording instruments.

Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar.

Includes:
- KSM137 Microphones (2)
- A100C Case (1)
- A27M Stereo Microphone Adapter (1)
- A100WS Windscreen (2)
- A57F Stand Adapter (2)

Features:
• A highly consistent cardioid polar pattern
• Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion
• Premium electronic components, including gold-plated internal and external connectors
• Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration
• Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)
• Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect

Performance Characteristics
• Extended frequency response
• Low self noise
• Exceptional reproduction of low-frequency sounds
• Can withstand high sound pressure levels (SPL)
• High output level
• No crossover distortion
• Uniform polar response
• Superior common mode rejection and suppression of radio frequency interference

Stereo Applications
Acoustic instruments - piano, guitar, drums, percussion, strings
Wind instruments - brass and woodwind
Low frequency instruments - such as double bass, electric bass, kick drum
Overhead miking - drums or percussion
Ensembles - choral or orchestral
Room ambiance pick-up - guitar amplifier or drums

Specifications:
Cartridge Type: Electret Condenser
Polar Pattern: Cardioid
Frequency Response: 20 to 20,000 Hz
Output Impedance: 150 ©
Sensitivity: 37 dBV/Pa[1] (14.1 mV)
Self Noise: 14 dB SPL-A
Attenuator Switch: 0, -15, -25 dB
Low-Frequency Filter Switch: Flat, 6 dB/octave below 115 Hz, or 18 dB/octave below 80 Hz

Media


KSM OverviewWatch Video
Youtube video product demo

Q & A


Question: I'm trying to record my baby grand piano. I have tried with Behringer C-2 condenser microphones which were not sensitive enough. I have tried with a Shure SM57 microphone but it was not sensitive enough. I want to know if these microphones will be able to record a baby grand piano using a Tascam US-2x2 audio interface.
- asked on Jun 2, 2024
Answer: Yes, a pair of small diaphragm condenser microphones like this is the most common way to mic a Grand Piano. If you find they're not loud enough, try changing their position and getting them closer to the strings/soundboard.
- answered by Ron Elliott, Moncton, New Brunswick
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Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
  • Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
  • No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
  • Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
  • Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
  • Loaners Available: A loaner product may be given while the product is being repaired.
  • Power Surge Protection: Your product is covered even if damaged from a power surge.
  • Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
  • Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
 

Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

  • NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
  • USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
  • GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
  • BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.