Neumann TLM 103 w/ Shockmount & Case - Satin Nickel Finish

SKU: # 210735   |   Model: # TLM 103 SET   |    Product Reviews1 Reviews  Write a Review

TLM 103 w/ Shockmount & Case - Satin Nickel Finish

Additional Photos:

TLM 103 w/ Shockmount & Case - Satin Nickel Finish
TLM 103 w/ Shockmount & Case - Satin Nickel Finish
Your Price: $1,950.00 CDN
or from $115 CDN/mo
2 models to choose from:
Notify Me

Buy Online

 Add to Cart

Buy In-Store

The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.

Includes:

• TLM 103 Microphone in satin nickel or matte black finish
• Swivel mount
• EA 1 Elastic Suspension Shockmount
• Adapter for all common microphone stand threads
• Aluminum Case

Applications

Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios. Common applications include:

  • Vocalist recording

  • Announcer's mic for broadcasting/voice over

  • Due to minimal self-noise: on-air mic for radio/broadcast, very low amplitude signals, radio drama, sampling, foley/sound effects

  • Home recording and project studios

  • Spot mic for: wind instruments, strings, percussion, guitar amps, drum overhead

Polar pattern

The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.

Acoustic features

The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost.

The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.

Electrical features

With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. It is capable of handling sound pressure levels up to 138 dB without distortion.

The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.

Operational safety

The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without colouration.

Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. For most situations it is recommended to use the elastic suspension EA 1, and the windscreen WS 87 is an optional accessory. For close vocal use, the PS 15 or PS 20 pop screens are recommended.

Q & A


There are currently no questions for this product.

Reviews


3.145.163.138
Mozilla/5.0 AppleWebKit/537.36 (KHTML, like Gecko; compatible; ClaudeBot/1.0; [email protected])
Great Workhorse 0 of 0 customers found this review helpful
Features  
Quality  
Value  
Overall  
Product Experience   I've tried it
Closest Store   Vancouver, British Columbia
This mic is great. Its a very flat mic up to 3k, and then has a rise in HF from about 3K up until about 12-13K where it rolls off at a pretty aggressive slope(about 12db/OC). Its a very smooth sounding lift and doesnt sound overly bright or harsh. Quite similar to a U87ai but has abit more hype in the high end than a U87. The U87ai is even flatter, and one of the reasons it is a common and sought after studio staple, because it just captures the truth. This mic almost reminds me of some AKG C414's but just abit smoother and less airy. Its also a very good choice for drums and stuff where you have fast transients. I like this mic on OH's or Mono OH without a doubt, and a great choice for tom's, outside kick etc where you want to capture a very natural image and process it how you want. On the right vox, it can be real nice, and on guitar and bass it captures what the amp sounds like very well. I definitely reccomend it.
Posted by J.Cassidy on May 28, 2020
Was this review helpful? Vote helpful Vote not helpful flag this review

Performance Warranty Banner

Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
  • Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
  • No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
  • Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
  • Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
  • Loaners Available: A loaner product may be given while the product is being repaired.
  • Power Surge Protection: Your product is covered even if damaged from a power surge.
  • Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
  • Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
 

Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

  • NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
  • USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
  • GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
  • BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.

Great Additions