L.R Baggs Stadium Bass DI

LR Baggs is excited to announce the launch of the new electric bass DI, Stadium. Based on their ground-breaking proprietary technology developed for Session DI, Stadium is a world class electric bass DI that uses all analog circuitry to offer innovative electric bass audio processing for both studio and live use. Passing the signal through Stadium is a world-class, clean bass DI. When engaged, the following tone shaping controls allows the user to sculpt their sound in almost limitless combinations. In addition, Stadium features controls to allow the most flexibility on stage or in the studio, including battery, DC, or Phantom Power, input gain and output volume controls.

Studio-Grade Bass DI for the Stage

Originally developed by the bass playing engineers at LR Baggs for their own use, the Stadium Electric Bass DI infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools. Composed of carefully selected, top shelf components, the all-discrete electronics provide a level of fidelity that rivals even the most sought after studio DIs. Then engage the effects to unveil an expansive range of colorful tones shaped by just a few powerful and easy-to-use controls. Built in a rugged enclosure constructed of aluminum, steel, and ABS plastic, the Stadium DI ensures over-the-top reliability for life on the road. Hand assembled in California.

Tone Shaping Tools

GROWL
Unlike overdrives that employ full-range distortion, the Growl saturates a focused range of low frequencies, enhancing warmth and creating harmonically rich overtones without too much breakup. The effect compliments dynamics and is responsive to even the lightest touch, providing just the right amount of edge to cut through the mix. For added versatility, a paired Drive button pushes the Growl to a full-range overdrive.

COMP EQ
The Comp EQ features 3 bands of compression for bringing evenness to your tone while retaining the natural feel of your playing dynamics. The low, mid, and high frequency compressors are essentially touch-sensitive EQs that respond in real time as you play. The harder you dig in, the more they compress and vice versa.

ATTACK
This highly specific EQ affects a unique, medium sized bandwidth to adjust the attack of the strings for a wide range of tones, covering all playing styles. Sweep left for warmer, muted jazz tones or right for added clarity and a punchier attack.

FEATURES

• Growl control adds low end distortion for thickness and rich, harmonic content
• Drive button pushes the Growl to a full overdrive
• Comp EQ enhances the feel of playing while evening out your tone
• Attack sweeps between a wide range of warmth, clarity, and everywhere in between
• Fat switch boosts 150Hz +3dB or +6dB for a fuller, rounded tone
• VU meter visually optimizes gain for passive and active pickups
• All-discrete signal path with XLR and quarter inch outputs
• 48V phantom power, 9V battery, or 9V DC powering options
• Pad boosts or cuts XLR out (-10dBV or +4dBu) to meet the needs of the PA
• Ground lift switch effectively eliminates ground-loop noise
• Rugged enclosure constructed of aluminum, steel, and ABS plastic
• Includes custom LR Baggs carrying case