Opens in a new window
University Of Chicago Emotion And Meaning In Music - Meyer - Text Book
Author: Leonard B. Meyer (1919-2008)
Leonard B. Meyer was the Benjamin Franklin Professor Emeritus of Music at the University of Pennsylvania.
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."
David Kraehenbuehl, Journal of Music Theory
"This is the best study of its kind to have come to the attention of this reviewer."
Jules Wolffers, The Christian Science Monitor
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."
David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."
Marcus G. Raskin, Chicago Review
Contents:
I. Theory
II. Expectation and Learning
III. Principles of Pattern Perception: The Law of Good Continuation
IV. Principles of Pattern Perception: Completion and Closure
V. Principles of Pattern Perception: The Weakening of Shape
VI. The Evidence: Deviation in Performance and Tonal Organization
VII. The Evidence: Simultaneous and Successive Deviation
VIII. Note on Image Processes, Connotations, and Moods
Leonard B. Meyer was the Benjamin Franklin Professor Emeritus of Music at the University of Pennsylvania.
"Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."
David Kraehenbuehl, Journal of Music Theory
"This is the best study of its kind to have come to the attention of this reviewer."
Jules Wolffers, The Christian Science Monitor
"It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."
David P. McAllester, American Anthropologist
"A book which should be read by all who want deeper insights into music listening, performing, and composing."
Marcus G. Raskin, Chicago Review
Contents:
I. Theory
II. Expectation and Learning
III. Principles of Pattern Perception: The Law of Good Continuation
IV. Principles of Pattern Perception: Completion and Closure
V. Principles of Pattern Perception: The Weakening of Shape
VI. The Evidence: Deviation in Performance and Tonal Organization
VII. The Evidence: Simultaneous and Successive Deviation
VIII. Note on Image Processes, Connotations, and Moods
Q & A
There are currently no questions for this product.
Reviews
There are currently no reviews for this product. Be the first to write one!