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Hear Technologies Hear Back PRO Four Pack Personal Mixing System, MADI Input
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Your Price: $6,825.00 CDN
or from $316 CDN/mo
This is it - the most comprehensive digital solution to get everyone the mix they need to perform their best. This new system platform is completely modular and infinitely expandable, which means it is the last personal monitoring system you'll ever need.
Whether or not you've ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities.
The Hear Back PRO system consists of two main components: the Hub and the Mixer. The modular Hub consists of four card slots, which can be populated with any configuration of input and/or output cards to fit your exact needs. Each Hub has the ability to supply signal and power to as many as 32 Mixers (8 per Network Card), each over a single standard CAT6• cable. With the built-in HBUS In/ Out ports, multiple Hubs can be daisy-chained together, allowing for truly unlimited system expansion.
• NEW - PRO Digital Overlay compatibility
• NEW - PRO Connect web-based application compatibility
• NEW - Allows 32 channel digital input cards (e.g. Dante, Waves, MADI)
• NEW - Route-Assign-Submix up to 128 channels
• NEW - Submix up to 16 stereo channels on each of the 16 knobs per Mixer
• NEW - Up to 64 pairs of stereo-linked channels
• NEW - Up to 32 input channels per Hub
• Panning width and stereo placement
• Solo in place
• Multiple Intercom
• Preset copy and paste from one Mixer to another
• Signal present indication on all channels
• Mirroring function synchronizes all settings between multiple Mixers
• Remote control of all settings via another Mixer
MADI Input/Output Card
Placeholder imageProvides the ability to connect MADI-based audio equipment to a Hear Back PRO Hub for personal monitor mixing or to the WSG Bridge as a conduit for Waves plugins and a bridge between MADI and the Waves SoundGrid or Dante protocols for multi-channel interfacing. Simultaneously transmits and receives 32 channels when used with the Hear Back PRO System or 64 channels when used with the WSG Bridge.
• Compatible with Hear Back PRO Hub and WSG Bridge
• Coax or optional Fiber Optic connections for Input and Output
• Supports 44.1k, 48k, 88.2k, 96k, 176.4k, and 192k sampling rates
• Supports 56-channel and 64-channel framing
- (4) PRO Mixers
- (1) PRO Hub Frame
- (2) Analog cards
- (1) Network card
- (4) 50' Cat6 Cables
- (1) Tote Back
- (2) Analog DA-88 style cables
Mixer Aux Input
Line Input Configuration/Impedance: 1/8" Stereo, unbalanced, 10K ohms typical
Line Input Level: 0 dBu optimal, +18 dBu max
Mic Input Configuration/Impedance: XLR Mono, balanced, 150 ohms typical, 150 Hz high pass
Mic Input Level: -42 dBu optimal, -30 dBu max
Mixer Headphone Power
Load Impedance:THD less than 0.01%• / THD less than 0.1%
8 Ohms:1.2 W• / 1.5 W
16 Ohms: 1.6 W / 1.8 W
25 Ohms: 2.0 W / 2.2 W
32 Ohms: 1.8 W / 2.0 W
50 Ohms: 1.5 W / 1.6 W
100 Ohms: 1.1 W / 1.2 W
200 Ohms: 500 mW / 650 mW
600 Ohms: 220 mW / 250 mW
*THD AT 8 Ohms = 0.015% typical
IMD: Typically Less than 0.03%
Mixer Line Output
Freq Response: 20 Hz to 20 KHz, +/-0.15 dB
THD+N:
- 0.004% typical at 1 kHz, +15 dBu
- 0.008% typical, 20 Hz - 20 kHz, +4 dBu
IMD: 0.02% typical at +4 dBu, 60 Hz / 7 kHz
Crosstalk: Less than -93 dB @ 1 kHz
Propagation Delay:
- Analog Input to Analog Output: 0.248 mSec @ 192 kHz sample rate
- Digital Input to Analog Output: 0.092 mSec @ 192 kHz sample rate
- Digital Input to Digital Output: 0.0452 mSec @ 192 kHz sample rate
- Audio over Ethernet Protocol (HBUS): 0.000592 mSec
System Noise Performance
Noise, A-Weighted: -93 dBu @ 192 kHz sample rate
Dynamic Range: 117 dB typical
System I/O
Hub Line In, Analog: 8 balanced inputs on a DB-25 female (DA-88 pinout) per Analog Card
Hub Maximum Input Level, Analog: +8 dBu with analog card pad jumpers populated, +18 dBu with jumpers removed (up to +38dBu upon special request)
Hub HBus In, Out: 8-pin RJ45 jack (standard Ethernet pinout)
Hub USB Port: USB 2.0 (for firmware updates and editing configuration settings)
Hub Card Slots (4x): Each slot can accept an analog or digital input card, output card, or 8 port Mixer network card
Mixer to Hub Connection: 8-pin RJ45 jack (8x Mixer connections per network card)
Mixer Headphone Out: 1x TRS 1/4" and 1x TRS 1/8" unbalanced stereo
Mixer Line Out: 2x TRS 1/4" balanced (left/mono and right)
Mixer Max Output Level, Analog: +24 dBu (mixed output)
Mixer Aux Input: 1x TRS 1/8" unbalanced stereo and 1x XLR balanced mono (with 15 volts phantom power)
Mixer Card Slot: For future digital or analog input/output expansion capabilities or side-car add-on
Physical, Mixer
Size: 9.5" (241 mm) H x 5.95" (152 mm) W x 2.71" (68.8 mm) D
Unit Weight: 1.6 lb. (0.72 kg)
Mounting: Standard mic stand (5/8" 27 threads per inch) or desk mounted
Physical, Hub
Size: 1.75" (44.5 mm) H x 19" (483 mm) W x 8.5" (216 mm) D
Unit Weight: 6.3 lb. (2.8 kg)
Mounting: Standard rack mount, 1 RU
Power
Hub Power Requirements: 48VDC, 150 Watts (each external power supply powers up to 16 Mixers)*
Mixer Power Requirements: Power over Ethernet (PoE) 36-52 volts DC, 15 Watts max provided by Hub through Cat5e/6 network cabling
External Power Supply Requirements: Input Voltage: 90VAC to 264VAC 50/60 Hz
Cabling, Mixers and HBUS
*CAT6 cables used for Mixers or for HBUS can be run up to 500 feet in ideal conditions (one piece of solid conductor CAT6 with no breaks or couplings). The more breaks/connections/couplings in a cable run, the more limited this distance will be. Poor quality cabling will also limit the maximum distance.
Note: 0 dBu = 0.775 Vrms. Specifications and features subject to change without notice.
*Hub is capable of powering up to 32 Mixers with an additional power supply.
Whether or not you've ever used a personal monitor mixer, the simple layout of this powerful system makes getting the right mix a quick and effortless experience. Based in Gigabit Ethernet, this framework paves the way for an impressive range of future possibilities.
The Hear Back PRO system consists of two main components: the Hub and the Mixer. The modular Hub consists of four card slots, which can be populated with any configuration of input and/or output cards to fit your exact needs. Each Hub has the ability to supply signal and power to as many as 32 Mixers (8 per Network Card), each over a single standard CAT6• cable. With the built-in HBUS In/ Out ports, multiple Hubs can be daisy-chained together, allowing for truly unlimited system expansion.
System Features
• NEW - PRO Digital Overlay compatibility
• NEW - PRO Connect web-based application compatibility
• NEW - Allows 32 channel digital input cards (e.g. Dante, Waves, MADI)
• NEW - Route-Assign-Submix up to 128 channels
• NEW - Submix up to 16 stereo channels on each of the 16 knobs per Mixer
• NEW - Up to 64 pairs of stereo-linked channels
• NEW - Up to 32 input channels per Hub
• Panning width and stereo placement
• Solo in place
• Multiple Intercom
• Preset copy and paste from one Mixer to another
• Signal present indication on all channels
• Mirroring function synchronizes all settings between multiple Mixers
• Remote control of all settings via another Mixer
MADI Input/Output Card
Placeholder imageProvides the ability to connect MADI-based audio equipment to a Hear Back PRO Hub for personal monitor mixing or to the WSG Bridge as a conduit for Waves plugins and a bridge between MADI and the Waves SoundGrid or Dante protocols for multi-channel interfacing. Simultaneously transmits and receives 32 channels when used with the Hear Back PRO System or 64 channels when used with the WSG Bridge.
• Compatible with Hear Back PRO Hub and WSG Bridge
• Coax or optional Fiber Optic connections for Input and Output
• Supports 44.1k, 48k, 88.2k, 96k, 176.4k, and 192k sampling rates
• Supports 56-channel and 64-channel framing
In the Box:
- (4) PRO Mixers
- (1) PRO Hub Frame
- (2) Analog cards
- (1) Network card
- (4) 50' Cat6 Cables
- (1) Tote Back
- (2) Analog DA-88 style cables
Specifications
Mixer Aux Input
Line Input Configuration/Impedance: 1/8" Stereo, unbalanced, 10K ohms typical
Line Input Level: 0 dBu optimal, +18 dBu max
Mic Input Configuration/Impedance: XLR Mono, balanced, 150 ohms typical, 150 Hz high pass
Mic Input Level: -42 dBu optimal, -30 dBu max
Mixer Headphone Power
Load Impedance:THD less than 0.01%• / THD less than 0.1%
8 Ohms:1.2 W• / 1.5 W
16 Ohms: 1.6 W / 1.8 W
25 Ohms: 2.0 W / 2.2 W
32 Ohms: 1.8 W / 2.0 W
50 Ohms: 1.5 W / 1.6 W
100 Ohms: 1.1 W / 1.2 W
200 Ohms: 500 mW / 650 mW
600 Ohms: 220 mW / 250 mW
*THD AT 8 Ohms = 0.015% typical
IMD: Typically Less than 0.03%
Mixer Line Output
Freq Response: 20 Hz to 20 KHz, +/-0.15 dB
THD+N:
- 0.004% typical at 1 kHz, +15 dBu
- 0.008% typical, 20 Hz - 20 kHz, +4 dBu
IMD: 0.02% typical at +4 dBu, 60 Hz / 7 kHz
Crosstalk: Less than -93 dB @ 1 kHz
Propagation Delay:
- Analog Input to Analog Output: 0.248 mSec @ 192 kHz sample rate
- Digital Input to Analog Output: 0.092 mSec @ 192 kHz sample rate
- Digital Input to Digital Output: 0.0452 mSec @ 192 kHz sample rate
- Audio over Ethernet Protocol (HBUS): 0.000592 mSec
System Noise Performance
Noise, A-Weighted: -93 dBu @ 192 kHz sample rate
Dynamic Range: 117 dB typical
System I/O
Hub Line In, Analog: 8 balanced inputs on a DB-25 female (DA-88 pinout) per Analog Card
Hub Maximum Input Level, Analog: +8 dBu with analog card pad jumpers populated, +18 dBu with jumpers removed (up to +38dBu upon special request)
Hub HBus In, Out: 8-pin RJ45 jack (standard Ethernet pinout)
Hub USB Port: USB 2.0 (for firmware updates and editing configuration settings)
Hub Card Slots (4x): Each slot can accept an analog or digital input card, output card, or 8 port Mixer network card
Mixer to Hub Connection: 8-pin RJ45 jack (8x Mixer connections per network card)
Mixer Headphone Out: 1x TRS 1/4" and 1x TRS 1/8" unbalanced stereo
Mixer Line Out: 2x TRS 1/4" balanced (left/mono and right)
Mixer Max Output Level, Analog: +24 dBu (mixed output)
Mixer Aux Input: 1x TRS 1/8" unbalanced stereo and 1x XLR balanced mono (with 15 volts phantom power)
Mixer Card Slot: For future digital or analog input/output expansion capabilities or side-car add-on
Physical, Mixer
Size: 9.5" (241 mm) H x 5.95" (152 mm) W x 2.71" (68.8 mm) D
Unit Weight: 1.6 lb. (0.72 kg)
Mounting: Standard mic stand (5/8" 27 threads per inch) or desk mounted
Physical, Hub
Size: 1.75" (44.5 mm) H x 19" (483 mm) W x 8.5" (216 mm) D
Unit Weight: 6.3 lb. (2.8 kg)
Mounting: Standard rack mount, 1 RU
Power
Hub Power Requirements: 48VDC, 150 Watts (each external power supply powers up to 16 Mixers)*
Mixer Power Requirements: Power over Ethernet (PoE) 36-52 volts DC, 15 Watts max provided by Hub through Cat5e/6 network cabling
External Power Supply Requirements: Input Voltage: 90VAC to 264VAC 50/60 Hz
Cabling, Mixers and HBUS
*CAT6 cables used for Mixers or for HBUS can be run up to 500 feet in ideal conditions (one piece of solid conductor CAT6 with no breaks or couplings). The more breaks/connections/couplings in a cable run, the more limited this distance will be. Poor quality cabling will also limit the maximum distance.
Note: 0 dBu = 0.775 Vrms. Specifications and features subject to change without notice.
*Hub is capable of powering up to 32 Mixers with an additional power supply.
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Hear Back PRO Four Pack Personal Mixing System, MADI Input | 775316 |
