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Fluid Audio FX50v2 5'' Active 2-Way Studio Monitor (Single)
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Your Price: $199.00 CDN
or from $29 CDN/mo
Keeping true to the original F-Series "keyhole" design, the FX enclosure has been updated with a complex radius front baffle, which not only looks pretty cool, it improves cabinet diffraction.
Coaxial driver
Mounted in the center of the woofer is a 25mm silk dome tweeter in a coaxial configuration. Using this technology (unique in its price range) makes it a "point source" device, meaning that all the sound emanates from a single point not points that are 10" apart. This is crucial for improving off-axis response, but also allows for a more compact footprint cabinet. Another benefit of coaxial studio monitors is phase coherence, which greatly improves sound clartiy and imaging.
Boundary compensation DIP switches
Sometimes the spaces where we mix aren't the most forgiving acoustically (especially if you're in a home studio). The FX series monitors come equipped with DSP controlled boundary control EQ switches, that allow you to compensate for spaces that may not have been "tuned" or just need to be adjusted due to their proximity to the wall behind them. There is also a guide conveniently printed on the rear panel to show how the DIP switches work, and a more detailed explanation in the user guide.
Class D and DSP powered
The FX50v2 is a Class-D bi-amplified studio monitor.Class-D benefits are clean, reliable power, more headroom, less power consumption and heat. It also employs a powerful DSP standalone integration. The digitally controlled crossover makes each monitor more even and consistent. The new FX series is truly a 21st Century reference monitor at home in any recording studio.
LED indicator on front baffle
The illuminated LED on the front panel is not only a status indicator, displaying whether the FX monitor is on, off or in standby, but also acts as an alignment beacon which allows you to properly align your speakers to your ear level.
V2 Improvements
Fluid Audio has listened to the constructive feedback from their customers and implemented a few improvements to the FX series. The biggest being a general flatting of the frequency response. Fluid Audio uncovered a few more EQ biquads and applied them to areas that could use flattening. The result is a more even response, optimum for mixing. The other improvement is updating the panel artwork to be a little bigger and clearer to read.
Is This The Most Cost Effective Dolby Atmos Speaker Solution?
Read what Pro Tools Expert think about the FX50 as your next rear or height channels. For larger rooms we would recommend using our FX80 studio monitor.
A Coaxial Monitor for the 21st Century
The Fluid Audio Coaxial speaker design is notably different from traditional coaxial designs. Coaxial studio monitors in the 50's and 60's placed the high frequency driver behind the woofer, "porting" the high frequency through the woofer's voice coil opening. This design effectively used the woofer's cone as the wave guide, or horn. Since the woofer's cone is constantly moving (sometimes dramatically as it plays bass frequencies), there is a significant amount of Intermodulation distortion and audible smearing that happens as the high frequency radiates off the woofers cone.
The coaxial design of the Fluid Audio FX series places the high frequency device in front of the woofer, secured to a fixed post. The tweeter is mounted in a hard plastic wave guide that allows the high frequencies to flow uninterrupted, so there is no audio smearing from the woofer's movements. By using the on-board DSP, 48 and 36db per octave Linkwitz-Riley slopes not only perfectly blend the low and high frequencies, but are also used to filter out acoustic anomalies inherent in coax designs (as the tweeter does not have a full size baffle to radiate from.)
In addition to these unique benefits, users get all the other known benefits of a coaxial driver Symmetrical off-axis response (which creates a bigger, more even and consistent sweet spot) and that of being a "point source" device, which allows better phase coherence between drivers resulting in extremely realistic imaging. Whether upright or laid on its side, the Fluid Coaxial design will perform identically making studio positioning easier and more user friendly.
Front-loaded slot port design
The bass-reflex slot port tunes the cabinet to maximize the bass output efficiency of the speaker. It is placed on the front panel not only to directly radiate the bass energy towards the listener, but also for flexibility of placement in your studio.
Updated Tweeter Grille protection
The FX coax design, with the tweeter suspended in the middle of the woofer, is very robust. As such, it provides outstanding protection for the woofer itself. However, the tweeter needs protection as well, this is why we added a small, steel perforated grille to protect the delicate silk diaphragm of the tweeter.
"Imaging and Depth"
It's one thing to put high quality speaker drivers in a cabinet with an amplifier and call it a great speaker. But for a transparent reference monitor, that is only the beginning.
Painstaking crossover design and listening sessions were undertaken to optimize not only a flat on-axis frequency response, but a depth of soundstage that has become the hallmark of Fluid Audio monitors. This ensures that your mix will not only sound great on your FX speakers, but will translate to speaker systems outside the studio as well.
Bracket Mounts on rear panel
M6 screw mounts and included screws enable wall or ceiling mounting using LD Systems SAT WMD 10 bracket. This, along with the lightweight class-D amplifiers, make the perfect solution for Dolby ATMOS and other immersive systems that require overhead or surround channels of audio.
Front-loaded slot port design
The bass-reflex slot port tunes the cabinet to maximize the bass output efficiency of the speaker. It is placed on the front panel not only to directly radiate the bass energy towards the listener, but also for flexibility of placement in your studio.
Updated Tweeter Grille protection
The FX coax design, with the tweeter suspended in the middle of the woofer, is very robust. As such, it provides outstanding protection for the woofer itself. However, the tweeter needs protection as well, this is why we added a small, steel perforated grille to protect the delicate silk diaphragm of the tweeter.
"Imaging and Depth"
It's one thing to put high quality speaker drivers in a cabinet with an amplifier and call it a great speaker. But for a transparent reference monitor, that is only the beginning.
Painstaking crossover design and listening sessions were undertaken to optimize not only a flat on-axis frequency response, but a depth of soundstage that has become the hallmark of Fluid Audio monitors. This ensures that your mix will not only sound great on your FX speakers, but will translate to speaker systems outside the studio as well.
Bracket Mounts on rear panel
M6 screw mounts and included screws enable wall or ceiling mounting using LD Systems SAT WMD 10 bracket. This, along with the lightweight class-D amplifiers, make the perfect solution for Dolby ATMOS and other immersive systems that require overhead or surround channels of audio.
- Tweeter: 1" silk dome tweeter
- Frequency response: 49Hz 22KHz (+/- 2db)
- Crossover frequency: 2.9kHz
- HF Power: 40 watts
- LF Power: 50 watts
- Max SPL: 110 dB Max SPL (@1m free space)
- Mains Voltage Input: 85 VAC to 265 VAC universal
- Protection: RF interference, output current limiting, Over temperature, Turn-on/off transient, Subsonic filter, External mains fuse
- Cabinet: Vinyl-laminated MDF
- Size (single monitor): 9.2" x 6.9" x 9.1" , 234mm x 176mm x 230mm
- Weight (each): 8.37 lbs / 3,8 kg
Coaxial driver
Mounted in the center of the woofer is a 25mm silk dome tweeter in a coaxial configuration. Using this technology (unique in its price range) makes it a "point source" device, meaning that all the sound emanates from a single point not points that are 10" apart. This is crucial for improving off-axis response, but also allows for a more compact footprint cabinet. Another benefit of coaxial studio monitors is phase coherence, which greatly improves sound clartiy and imaging.
Boundary compensation DIP switches
Sometimes the spaces where we mix aren't the most forgiving acoustically (especially if you're in a home studio). The FX series monitors come equipped with DSP controlled boundary control EQ switches, that allow you to compensate for spaces that may not have been "tuned" or just need to be adjusted due to their proximity to the wall behind them. There is also a guide conveniently printed on the rear panel to show how the DIP switches work, and a more detailed explanation in the user guide.
Class D and DSP powered
The FX50v2 is a Class-D bi-amplified studio monitor.Class-D benefits are clean, reliable power, more headroom, less power consumption and heat. It also employs a powerful DSP standalone integration. The digitally controlled crossover makes each monitor more even and consistent. The new FX series is truly a 21st Century reference monitor at home in any recording studio.
LED indicator on front baffle
The illuminated LED on the front panel is not only a status indicator, displaying whether the FX monitor is on, off or in standby, but also acts as an alignment beacon which allows you to properly align your speakers to your ear level.
V2 Improvements
Fluid Audio has listened to the constructive feedback from their customers and implemented a few improvements to the FX series. The biggest being a general flatting of the frequency response. Fluid Audio uncovered a few more EQ biquads and applied them to areas that could use flattening. The result is a more even response, optimum for mixing. The other improvement is updating the panel artwork to be a little bigger and clearer to read.
Is This The Most Cost Effective Dolby Atmos Speaker Solution?
Read what Pro Tools Expert think about the FX50 as your next rear or height channels. For larger rooms we would recommend using our FX80 studio monitor.
A Coaxial Monitor for the 21st Century
The Fluid Audio Coaxial speaker design is notably different from traditional coaxial designs. Coaxial studio monitors in the 50's and 60's placed the high frequency driver behind the woofer, "porting" the high frequency through the woofer's voice coil opening. This design effectively used the woofer's cone as the wave guide, or horn. Since the woofer's cone is constantly moving (sometimes dramatically as it plays bass frequencies), there is a significant amount of Intermodulation distortion and audible smearing that happens as the high frequency radiates off the woofers cone.
The coaxial design of the Fluid Audio FX series places the high frequency device in front of the woofer, secured to a fixed post. The tweeter is mounted in a hard plastic wave guide that allows the high frequencies to flow uninterrupted, so there is no audio smearing from the woofer's movements. By using the on-board DSP, 48 and 36db per octave Linkwitz-Riley slopes not only perfectly blend the low and high frequencies, but are also used to filter out acoustic anomalies inherent in coax designs (as the tweeter does not have a full size baffle to radiate from.)
In addition to these unique benefits, users get all the other known benefits of a coaxial driver Symmetrical off-axis response (which creates a bigger, more even and consistent sweet spot) and that of being a "point source" device, which allows better phase coherence between drivers resulting in extremely realistic imaging. Whether upright or laid on its side, the Fluid Coaxial design will perform identically making studio positioning easier and more user friendly.
Front-loaded slot port design
The bass-reflex slot port tunes the cabinet to maximize the bass output efficiency of the speaker. It is placed on the front panel not only to directly radiate the bass energy towards the listener, but also for flexibility of placement in your studio.
Updated Tweeter Grille protection
The FX coax design, with the tweeter suspended in the middle of the woofer, is very robust. As such, it provides outstanding protection for the woofer itself. However, the tweeter needs protection as well, this is why we added a small, steel perforated grille to protect the delicate silk diaphragm of the tweeter.
"Imaging and Depth"
It's one thing to put high quality speaker drivers in a cabinet with an amplifier and call it a great speaker. But for a transparent reference monitor, that is only the beginning.
Painstaking crossover design and listening sessions were undertaken to optimize not only a flat on-axis frequency response, but a depth of soundstage that has become the hallmark of Fluid Audio monitors. This ensures that your mix will not only sound great on your FX speakers, but will translate to speaker systems outside the studio as well.
Bracket Mounts on rear panel
M6 screw mounts and included screws enable wall or ceiling mounting using LD Systems SAT WMD 10 bracket. This, along with the lightweight class-D amplifiers, make the perfect solution for Dolby ATMOS and other immersive systems that require overhead or surround channels of audio.
Front-loaded slot port design
The bass-reflex slot port tunes the cabinet to maximize the bass output efficiency of the speaker. It is placed on the front panel not only to directly radiate the bass energy towards the listener, but also for flexibility of placement in your studio.
Updated Tweeter Grille protection
The FX coax design, with the tweeter suspended in the middle of the woofer, is very robust. As such, it provides outstanding protection for the woofer itself. However, the tweeter needs protection as well, this is why we added a small, steel perforated grille to protect the delicate silk diaphragm of the tweeter.
"Imaging and Depth"
It's one thing to put high quality speaker drivers in a cabinet with an amplifier and call it a great speaker. But for a transparent reference monitor, that is only the beginning.
Painstaking crossover design and listening sessions were undertaken to optimize not only a flat on-axis frequency response, but a depth of soundstage that has become the hallmark of Fluid Audio monitors. This ensures that your mix will not only sound great on your FX speakers, but will translate to speaker systems outside the studio as well.
Bracket Mounts on rear panel
M6 screw mounts and included screws enable wall or ceiling mounting using LD Systems SAT WMD 10 bracket. This, along with the lightweight class-D amplifiers, make the perfect solution for Dolby ATMOS and other immersive systems that require overhead or surround channels of audio.
Specifications
- Woofer: 5" paper cone woofer- Tweeter: 1" silk dome tweeter
- Frequency response: 49Hz 22KHz (+/- 2db)
- Crossover frequency: 2.9kHz
- HF Power: 40 watts
- LF Power: 50 watts
- Max SPL: 110 dB Max SPL (@1m free space)
- Mains Voltage Input: 85 VAC to 265 VAC universal
- Protection: RF interference, output current limiting, Over temperature, Turn-on/off transient, Subsonic filter, External mains fuse
- Cabinet: Vinyl-laminated MDF
- Size (single monitor): 9.2" x 6.9" x 9.1" , 234mm x 176mm x 230mm
- Weight (each): 8.37 lbs / 3,8 kg
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
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- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
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| Product | SKU | Qty |
|---|---|---|
| FX50v2 5'' Active 2-Way Studio Monitor (Single) | 814139 |
