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Behringer 1273 2-Channel Microphone Preamplifier with 3-Band Equalizers
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Your Price: $969.00 CDN
or from $102 CDN/mo
1273
Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of '70s rock and roll, to the polished pop of the '80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin's "When the Levee Breaks" as well as The Who's "Who's Next."
Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.
Versatile Operation
The 1273 is built around a Class A discrete circuit which ensures the highest signal integrity with minimal coloration. Each input and output stage is equipped with a high-quality, custom-built Midas transformer that's great for maintaining signal clarity and integrity. The 1273 also has versatile gain controls for each channel for various input types such as mic, line and instrument, providing comprehensive control and flexibility for different recording scenarios. And if you're switching between different mics like a dynamic to a ribbon, pressing the tone switch adjusts the transformer impedance for whatever mic is in use. Great for when your using vintage microphones.
The First Steps
The 1273 includes an electronically controlled, resistor-stepped rotary gain switch that offers up to 80 dB of gain adjustment. This allows you to precisely set optimal input levels with the least amount of noise and is also great for recalling your settings consistently for every mix scenario.
Precision Equalization
Taking a closer look at the 3-band EQ section, low frequencies can be set at 35, 60, 110 or 220 Hz; mid frequencies at 360, 700, 1600, 3200, 4800 or 7200 Hz; while highs can be set at 10, 12 or 16 kHz. This section and its inductor based rotary switches and are key to bringing out that lush, vintage sound in any mix. Combine this with the 5-position high-pass filter with selectable 50, 80, 160 or 300 Hz settings and you can get really creative, vocals can be made more intimate and present, guitars given a warm, woody sound, and bass tracks the thump and funk they deserve. Having fixed frequency settings and the ability to finely boost or cut specific frequencies is also very helpful in recreating configurations precisely.
Additional Controls
The 1273 also allows you to compare your current mix to the original with the EQ switch that bypasses the gain and EQ settings on board so you can toggle between the mixed and unaltered track with ease. And for quick level monitoring, a 7-segment LED and level knob is available at the end of the signal chain.
Ready for Your Studio!
The 2U rackmount chassis of the 1273 is extremely sturdy and while born for taking up just a few units of your precious rack real estate, it happily sits in a rack case if you sometimes record on location or want to use it for live sound applications where portability and mobility are key. Either way, 1273 is sure to be a perfect fit in your studio.
An Amazing Value
The Behringer 1273 imbues your sound palette with the depth, detail, and sonic richness reminiscent of classic modules. It's perfect for recording vocals, instruments, or full bands, and infuses your studio with the timeless analog warmth and textured layers that have defined generations of music.
• Class A, all discrete circuitry for highest signal integrity
• Custom-built Midas input and output transformers
• Versatile gain controls to handle various type of inputs including mic, line and instrument
• Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
• Tone function changes input transformer impedance for mic optimization
• Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
• Inductor-based switchable equalizers section with a passive third-order high-pass filter
• Low-frequency boost/cut at 35, 60, 110 or 220 Hz
• Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
• High-frequency boost/cut at 10, 12 or 16 kHz
• 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
• Transformer-balanced inputs and outputs on XLR/combo connectors
• High-precision 7-segment LED signal level meter for each channel
• Rugged 2U rack mount chassis for durability in portable applications
• Auto-ranging universal switchmode power supply
Microphone
- Type: 2 x XLR, transformer balanced front, 2 x XLR, transformer balanced rear
- Impedance: 300 Ω / 1200 Ω, balanced
- Max. input level: +19 dBu
- Gain: -20 to 80 dB
- Mic EIN @ 80 dB gain, 22 Hz to 22 kHz: -125 dBu Unweighted
- CMRR @ 60 dB gain: > 90 dB
Line
- Type: 2 x 1/4" TRS in combi socket, transformer balanced front, 2 x 1/4" TRS, transformer balanced rear
- Impedance: 10 kΩ, balanced
- Max. input level: +30 dBu (attenuated -34 dB)
- Gain: -20 to 80 dB
- CMRR @ 0 dB gain: > 80 dB
Instrument
- Type: 2 x 1/4" TRS, front, hi-Z via transformer
- Impedance: 600 kΩ, unbalanced
- Max. input level: +30 dBu (attenuated -20 dB)
- Gain: -20 to 80 dB
- Insert return: 2 x 1/4" TS
Audio Outputs
- Type: 2 x XLR, 1/4" TRS, transformer balanced
- Impedance: < 80 Ω balanced
- Max. output level: +28 dBu
- Insert send: 2 x 1/4" TS
System Specifications
- Frequency response (microphone): 20 Hz to 20 kHz, 0.5 dB
- Frequency response (line and instrument): 20 Hz to 20 kHz, +1 dB
- Distortion (THD+N): < 0.01% @ 1 kHz, +4 dBu, 102 dB typical (20 Hz to 20 kHz unweighted)
- Circuit: Class-A amplifiers, inductor based EQ
EQ Section
- Hi pass filter: 50 / 80 / 160 / 300 Hz (18 dB/octave)
- Low-band frequency range: 35 / 60 / 110 / 220 Hz
- Boost / cut: +15 dB
- Mid-band frequency range: 360 / 700 / 1600 / 3200 / 4800 / 7200 Hz
- Boost / cut: +15 dB
- High-band frequency range: 10 / 12 / 16 kHz
- Boost / cut: +15 dB
Controls
Buttons
- 2 x 48 V phantom power
- 2 x Polarity invert
- 2 x Tone
- 2 x Line
- 2 x Insert
- 2 x Inst
- 2 x EQ in
Controls
- 2 x Gain - 20 to 80 dB
- 2 x Low +15 dB, off to 220 Hz
- 2 x Mid +15 dB, off to 7.2 kHz
- 2 x High +15 dB, off to 16 kHz
- 2 x Hi pass, off, 50 Hz, 80 Hz, 160 Hz, 300 Hz
- 2 x Output level, zero (off) to 0 dB
Switch
- On/off power switch
Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of '70s rock and roll, to the polished pop of the '80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin's "When the Levee Breaks" as well as The Who's "Who's Next."
Today, we pay homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.
Versatile Operation
The 1273 is built around a Class A discrete circuit which ensures the highest signal integrity with minimal coloration. Each input and output stage is equipped with a high-quality, custom-built Midas transformer that's great for maintaining signal clarity and integrity. The 1273 also has versatile gain controls for each channel for various input types such as mic, line and instrument, providing comprehensive control and flexibility for different recording scenarios. And if you're switching between different mics like a dynamic to a ribbon, pressing the tone switch adjusts the transformer impedance for whatever mic is in use. Great for when your using vintage microphones.
The First Steps
The 1273 includes an electronically controlled, resistor-stepped rotary gain switch that offers up to 80 dB of gain adjustment. This allows you to precisely set optimal input levels with the least amount of noise and is also great for recalling your settings consistently for every mix scenario.
Precision Equalization
Taking a closer look at the 3-band EQ section, low frequencies can be set at 35, 60, 110 or 220 Hz; mid frequencies at 360, 700, 1600, 3200, 4800 or 7200 Hz; while highs can be set at 10, 12 or 16 kHz. This section and its inductor based rotary switches and are key to bringing out that lush, vintage sound in any mix. Combine this with the 5-position high-pass filter with selectable 50, 80, 160 or 300 Hz settings and you can get really creative, vocals can be made more intimate and present, guitars given a warm, woody sound, and bass tracks the thump and funk they deserve. Having fixed frequency settings and the ability to finely boost or cut specific frequencies is also very helpful in recreating configurations precisely.
Additional Controls
The 1273 also allows you to compare your current mix to the original with the EQ switch that bypasses the gain and EQ settings on board so you can toggle between the mixed and unaltered track with ease. And for quick level monitoring, a 7-segment LED and level knob is available at the end of the signal chain.
Ready for Your Studio!
The 2U rackmount chassis of the 1273 is extremely sturdy and while born for taking up just a few units of your precious rack real estate, it happily sits in a rack case if you sometimes record on location or want to use it for live sound applications where portability and mobility are key. Either way, 1273 is sure to be a perfect fit in your studio.
An Amazing Value
The Behringer 1273 imbues your sound palette with the depth, detail, and sonic richness reminiscent of classic modules. It's perfect for recording vocals, instruments, or full bands, and infuses your studio with the timeless analog warmth and textured layers that have defined generations of music.
Features
• Two-channel microphone preamplifier with 3-band equalizers, based on the classic 1073 design• Class A, all discrete circuitry for highest signal integrity
• Custom-built Midas input and output transformers
• Versatile gain controls to handle various type of inputs including mic, line and instrument
• Electronically controlled resistor-stepped 80 dB rotary gain switch for extreme precision and low noise
• Tone function changes input transformer impedance for mic optimization
• Dedicated Phase, Tone, Insert, Line, Instrument, and Phantom Power switches for each channel
• Inductor-based switchable equalizers section with a passive third-order high-pass filter
• Low-frequency boost/cut at 35, 60, 110 or 220 Hz
• Mid-frequency boost/cut at 360, 700, 1600, 3200, 4800 or 7200 Hz
• High-frequency boost/cut at 10, 12 or 16 kHz
• 5-position inductor-based high-pass filter, selectable for off, 50, 80, 160 or 300 Hz for each channel
• Transformer-balanced inputs and outputs on XLR/combo connectors
• High-precision 7-segment LED signal level meter for each channel
• Rugged 2U rack mount chassis for durability in portable applications
• Auto-ranging universal switchmode power supply
Specifications
Audio InputsMicrophone
- Type: 2 x XLR, transformer balanced front, 2 x XLR, transformer balanced rear
- Impedance: 300 Ω / 1200 Ω, balanced
- Max. input level: +19 dBu
- Gain: -20 to 80 dB
- Mic EIN @ 80 dB gain, 22 Hz to 22 kHz: -125 dBu Unweighted
- CMRR @ 60 dB gain: > 90 dB
Line
- Type: 2 x 1/4" TRS in combi socket, transformer balanced front, 2 x 1/4" TRS, transformer balanced rear
- Impedance: 10 kΩ, balanced
- Max. input level: +30 dBu (attenuated -34 dB)
- Gain: -20 to 80 dB
- CMRR @ 0 dB gain: > 80 dB
Instrument
- Type: 2 x 1/4" TRS, front, hi-Z via transformer
- Impedance: 600 kΩ, unbalanced
- Max. input level: +30 dBu (attenuated -20 dB)
- Gain: -20 to 80 dB
- Insert return: 2 x 1/4" TS
Audio Outputs
- Type: 2 x XLR, 1/4" TRS, transformer balanced
- Impedance: < 80 Ω balanced
- Max. output level: +28 dBu
- Insert send: 2 x 1/4" TS
System Specifications
- Frequency response (microphone): 20 Hz to 20 kHz, 0.5 dB
- Frequency response (line and instrument): 20 Hz to 20 kHz, +1 dB
- Distortion (THD+N): < 0.01% @ 1 kHz, +4 dBu, 102 dB typical (20 Hz to 20 kHz unweighted)
- Circuit: Class-A amplifiers, inductor based EQ
EQ Section
- Hi pass filter: 50 / 80 / 160 / 300 Hz (18 dB/octave)
- Low-band frequency range: 35 / 60 / 110 / 220 Hz
- Boost / cut: +15 dB
- Mid-band frequency range: 360 / 700 / 1600 / 3200 / 4800 / 7200 Hz
- Boost / cut: +15 dB
- High-band frequency range: 10 / 12 / 16 kHz
- Boost / cut: +15 dB
Controls
Buttons
- 2 x 48 V phantom power
- 2 x Polarity invert
- 2 x Tone
- 2 x Line
- 2 x Insert
- 2 x Inst
- 2 x EQ in
Controls
- 2 x Gain - 20 to 80 dB
- 2 x Low +15 dB, off to 220 Hz
- 2 x Mid +15 dB, off to 7.2 kHz
- 2 x High +15 dB, off to 16 kHz
- 2 x Hi pass, off, 50 Hz, 80 Hz, 160 Hz, 300 Hz
- 2 x Output level, zero (off) to 0 dB
Switch
- On/off power switch
Media
Youtube video product demo
Q & A
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
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- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
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| Product | SKU | Qty |
|---|---|---|
| 1273 2-Channel Microphone Preamplifier with 3-Band Equalizers | 808512 |
