Lauten Audio Large Diaphragm FET Tom Microphone

SKU: # 805554   |   Model: # LS-508   |    Product Reviews0 Reviews  Write a Review

Large Diaphragm FET Tom Microphone

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Large Diaphragm FET Tom Microphone
Your Price: $517.00 CDN
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Tom Mic is the world's first large diaphragm condenser microphone custom-crafted for use on toms. Equipped with Lauten Audio's newly designed Supercardioid capsule and award-winning dual-bias circuitry, Tom Mic captures pure, high-definition rack and floor tom sonics with maximum impact and tone while minimizing cymbal bleed. In addition to its tom-tailored frequency response, Tom Mic also features onboard analog sound-shaping, which allows you to musically rebalance the attack and body of any tom on any drum kit at the flip of a switch.

SKIP THE EQ
Tom Mic's tom-tailored frequency response captures each rack and floor tom with drummer-perspective speed, power, and tone, making EQ an afterthought rather than a must-have.

TOMS, NOT CYMBALS
Lauten Audio's bleed-blocking head design and dual bias circuitry work together to provide Tom Mic with up to 28dB of off-axis rejection. This means crisp, clear tom sounds with far less cymbal bleed than a traditional dynamic or condenser microphone.

SUPER-POWERED
Whether stand or rim-mounted, Tom Mic's newly designed Supercardioid capsule is hand-tuned and vibration-resistant to ensure a powerful balance of transient, body, and tone while minimizing inharmonic overtones from neighboring drums and tuning inconsistencies.

BUILT TO WORK
Each Tom Mic has a solid brass headframe and mildew-resistant dust filter to protect against stick hits, dust, and debris, whether in the studio or on stage.

FIND YOUR PLACE
Because of its unique design, Tom Mic is ideal for a wide array of placement positions while minimizing off-axis sounds. From the slap and isolation of proximity to the lifelike sonics of separation, each placement position offers a wealth of new sonic possibilities. It's even great on resonant heads as well.

SWITCH IT UP
Tom Mic's filters impact the overall performance of the microphone and play a critical role in its overall sonic versatility.

Flat High Cut
Tom Mic's frequency response boosts from 1kHz-2kHz, dips sharply at 3kHz for snap, then rises around 5k for smack and attack. Sensitivity is also reduced from 9kHz through 14kHz to minimize the sizzle and harshness of cymbal bleed.

12kHz High Cut
Reduce perceived attack from overly bright tom strikes for a slightly rounder and more balanced note. This setting is also helpful for bringing up the perceived body of a floor tom while further reducing bleed from the surrounding cymbals.

5kHz High Cut
Minimize bleed in harsh environments while preserving the essential impact and tone of a tom. This setting allows you to reintroduce presence and attack through post-EQ without accentuating unwanted high-frequency elements.

Flat Low Cut
Allow all low-frequency information generated by a rack or floor to pass through Tom Mic's dual-bias circuitry unaltered.

80Hz Low Cut
Gently reduce low-frequency buildup while improving perceived clarity from each note. This setting enables toms to stand out in a mix without sacrificing density and low end.

140Hz Low Cut
Significantly reduce low-frequency buildup while enhancing the perceived impact and clarity of each note. This setting is particularly useful in close-mic applications where toms need to assertively cut through a dense mix with precision and clarity.

Specifications


- Type: Side-address pressure gradient FET condenser
- Capsule: 32mm
- Polar Patterns: Super-Cardioid
- Freq. Response: 20Hz-20KHz
- High Pass Filter: Flat / 80Hz / 140Hz
- Low Pass Filter: Flat / 5kHz / 12kHz
- Dynamic Range: 135dB minimum
- SPL Handling: 135DB (0.5%THD@1000Hz)
- Impedance: 150 ohms
- Self-noise level: 15dB-A
- Signal-to-Noise Ratio: 79dB
- Sensitivity: -58.0dBV/Pa (0dB=1V/Pa 1KHz)
- Connector: 3-pin XLR
- Power: Requires 48v Phantom Power
- Dimensions: 127 x 60mm (mic only) 131 x 106mm (with mount)
- Weight: 348g (mic only) 450g (with mount)

Includes

- Tom Mic
- Articulating Swivel Mount
- Cordura Padded Bag

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Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

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