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Behringer TD-3-SB Analog Bass Line Synthesizer
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Your Price: $179.00 CDN
or from $27 CDN/mo
Only produced from 1981 to 1984, the Roland TB-303 was a tremendous commercial flop as a replacement for the bass guitar, however it soon found its place as one of the most-loved synthesizers for what became known as Electronic Dance Music (EDM). An ultra-affordable and faithful homage to the iconic synthesizer that spawned house music, plus an all-new Distortion circuit, the TD-3-SB lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, 16-step Sequencer and authentic VCO, VCF and VCA filters, the TD-3-SB is sure to become one of your favorite synthesizers.
Pure Analog Signal Path
Great care has been taken in engineering the TD-3-SB, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-SB its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects all the way out to the otherworldly sounds of your imagination.
Rock Right Out of the Box!
Your TD-3-SB comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history or to design incredibly fat and original sounds that will make you a legend in your own right!
Versatile VCF
The very heart of TD-3-SB's sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.
Vintage Oscillator
TD-3-SB's authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.
Onboard Sequencer
The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-SB are fun, mesmerizing and totally addictive...
Kick it Into Distortion!
Behringer saved one of the most exciting features for the last stage in the all-analog signal path Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the "envelope" to the max. The crowd won't know what hit 'em!
16-Note Poly Chain Ready
While it is a monophonic instrument (one note at a time), TD-3-SB's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.
Controls & Connectivity
We just can't help ourselves like you, we're gear-heads, too. For those who want the numbers, TD-3-SB has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SBs tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!
Unleash Your Imagination
When it comes to not just pushing envelopes but creating them, TD-3-SB gives your imagination its voice and it's so very affordable. When modern performance calls for classic analog sound it calls for the Behringer TD-3-SB!
A Brief History of Analog Synthesis
The modern synthesizer's evolution began in 1919, when a Russian physicist named Lev Termen (also known as Leon Theremin) invented one of the first electronic musical instruments the Theremin. It was a simple oscillator that was played by moving the performer's hand in the vicinity of the instrument's antenna. An outstanding example of the Theremin's use can be heard on the Beach Boys iconic smash hit "Good Vibrations".
Ondioline
In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon's "Runaway".
Storytone Piano
Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World's Fair. Hailed as the world's first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound only 500 or so were ever built.
Mellotron
Finding a high level of acceptance in the 1960s, Harry Chamberlin's Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues "Days of Future Passed", the Beatles "Strawberry Fields Forever", and the Rolling Stones "She's a Rainbow" are prime examples.
Arp 2600
Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2.
Minimoog
Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument "absolutely changed the face of music."
Yamaha CS-80
In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song.
Sequential Circuits Prophet 5
Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others.
A Passion for Keyboards
Behringer founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends the Behringer legacy had begun. The rest, as they say, is history...
• Authentic reproduction of original circuitry with matched transistors
• Pure analog signal path based on legendary VCO, VCF and VCA designs
• Sawtooth and square waveform VCO with transistor wave-shaping circuitry
• Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
• Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
• Arpeggiator with wide patterns for great sound effects
• Distortion circuitry modeled after the DS-1 adds insane spice and edge to your sounds
• 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
• 11 controls and 28 switches to give you direct and real-time access to all important parameters
• MIDI and USB implementation with MIDI channel and Voice Priority selection
- Number of voices: Monophonic
- Type: Analog
- Oscillators: 1
- VCF: 1 low pass
- Envelopes: 1
Connectivity
- Power input: DC input connector
- Power switch: Push button on/of
- MIDI In/Thru: MIDI In and MIDI Thru, 5-pin DIN
- USB (MIDI): USB 2.0, type B
- Outputs: Line output: 1/4" TRS, unbalanced, max. + 8 dBu
- Output impedance: 1. 5 kΩ
- Headphones: 3 . 5 mm TRS, max. 50 mW/ 32 Ω (1 KHz, 1% THD)
- Headphones output impedance: 1 5 Ω
USB
- Type: Class compliant USB 2.0, type B
- Supported Operating Systems: Windows 7 or higher, Mac OS X 10. 6 . 8 or higher
Inputs and Outputs (TS 3.5 mm )
- Inputs: Filter in: +12 dBu Sync in: More than: 2. 5 V
- Outputs: C V out: +1 V to + 5 V (1 volt/oct) Gate out: OFF: 0 V; ON: +12 V
Power Requirements
- External power adaptor (use only the supplied adapter): 9 VDC 670 mA
- Power consumption: 2 W Maximum
- Indicator: Power LED
Environmental
- Operating temperature range: 5°C 40°C ( 41°F 10 4°F)
Physical
- Dimensions (H x W x D): 56 x 3 0 5 x 165 mm (2.2 x 12 x 6 . 5")
- Weight: 0. 8 kg (1. 8 lbs)
Pure Analog Signal Path
Great care has been taken in engineering the TD-3-SB, including the true to the original VCO, VCF and VCA designs and pure analog circuitry with matched transistors. This highly-focused attention to detail is what gives TD-3-SB its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects all the way out to the otherworldly sounds of your imagination.
Rock Right Out of the Box!
Your TD-3-SB comes ready to rock, thanks to its default signal routing that doesn't require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and '90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history or to design incredibly fat and original sounds that will make you a legend in your own right!
Versatile VCF
The very heart of TD-3-SB's sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound.
Vintage Oscillator
TD-3-SB's authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation.
Onboard Sequencer
The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-SB are fun, mesmerizing and totally addictive...
Kick it Into Distortion!
Behringer saved one of the most exciting features for the last stage in the all-analog signal path Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the "envelope" to the max. The crowd won't know what hit 'em!
16-Note Poly Chain Ready
While it is a monophonic instrument (one note at a time), TD-3-SB's 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony plus provides vastly improved reliability and stability over its 1970s and '80s predecessors.
Controls & Connectivity
We just can't help ourselves like you, we're gear-heads, too. For those who want the numbers, TD-3-SB has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SBs tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices!
Unleash Your Imagination
When it comes to not just pushing envelopes but creating them, TD-3-SB gives your imagination its voice and it's so very affordable. When modern performance calls for classic analog sound it calls for the Behringer TD-3-SB!
A Brief History of Analog Synthesis
The modern synthesizer's evolution began in 1919, when a Russian physicist named Lev Termen (also known as Leon Theremin) invented one of the first electronic musical instruments the Theremin. It was a simple oscillator that was played by moving the performer's hand in the vicinity of the instrument's antenna. An outstanding example of the Theremin's use can be heard on the Beach Boys iconic smash hit "Good Vibrations".
Ondioline
In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon's "Runaway".
Storytone Piano
Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World's Fair. Hailed as the world's first electric piano, the Storytone is prized by musicians and collectors alike for its realistic piano sound only 500 or so were ever built.
Mellotron
Finding a high level of acceptance in the 1960s, Harry Chamberlin's Mellotron was an electro-mechanical keyboard that generated sounds by playing back pre-recorded tape loops. Although tempermental and prone to pitch and mechanical issues, the Mellotron was used extensively by many U.K. artists. Classic tracks from the Moody Blues "Days of Future Passed", the Beatles "Strawberry Fields Forever", and the Rolling Stones "She's a Rainbow" are prime examples.
Arp 2600
Manufactured by ARP Instruments, Inc., the Arp 2600 was one of the most successful synthesizers to come out of the 1970s. They were ideal for players new to the synth world, and allowed patches to be changed via switches or 1/8" audio cables. The list of recordings and artists that used the venerable Arp 2600 reads like a veritable Who's Who of rock, pop and jazz, and includes The Who, David Bowie, John Lennon, Depeche Mode, Edgar Winter, Frank Zappa and Herbie Hancock to name just a few. An Arp 2600 was even used to create the voice of the Star Wars character R2-D2.
Minimoog
Designed to replace the large, modular synths being used in pop music at the time, Bill Hemsath and Robert Moog developed the Minimoog in 1971. The monophonic instrument became the first truly all-in-one, portable analog synthesizer. Thanks to its 3 oscillators and 24 dB/octave filter, the Minimoog produces an extremely rich and powerful bass sound and is still in high demand today. Yes keyboardist Rick Wakeman said the instrument "absolutely changed the face of music."
Yamaha CS-80
In 1976, Yamaha released their CS-80 8-voice polyphonic synthesizer, which provided velocity-sensitive keys and aftertouch that worked on individual voices. The analog instrument featured a ribbon controller, which allowed the user to perform polyphonic pitch bends and smooth glissandos. Composer Vangelis used the CS-80 extensively in the Blade Runner and Chariots of Fire soundtracks. The CS-80 also provided the bass line heard in the BBC 1980 series Doctor Who theme song.
Sequential Circuits Prophet 5
Sequential Circuits introduced the Prophet 5, which was the first analog 5-voice polyphonic synthesizers to provide onboard memory storage of all patch settings for instant recall. The great-sounding Prophet 5 revolutionized the synthesizer world and, in spite of its rather expensive price tag, became one of the most successful synths of all time. Designed by Dave Smith and J owen, the Prophet 5 was the keyboard of choice by a very long list of performers that includes Peter Gabriel, Philip Glass, Journey, The Cars, Thomas Dolby, Duran Duran, Gary Numan, Pink Floyd, and countless others.
A Passion for Keyboards
Behringer founder, Uli Behringer has a deep passion for keyboards. Born in the small town of Baden, Switzerland in 1961, Uli grew up in a musical family where his mother taught him to play the piano at the tender age of four. His father was a scientist who built a massive organ in the family home and taught the young lad all about electronics. So at the age of 17, Behringer built his first synthesizer the UB-1. Later, while attending college to seek a degree in audio engineering, Uli put his electronics knowledge to use, building his own equalizers and signal processors to fill the gap left by the university's inability to provide enough proper studio gear. Word soon spread about how good his products were, and he began building gear for his friends the Behringer legacy had begun. The rest, as they say, is history...
Features
• Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds• Authentic reproduction of original circuitry with matched transistors
• Pure analog signal path based on legendary VCO, VCF and VCA designs
• Sawtooth and square waveform VCO with transistor wave-shaping circuitry
• Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls
• Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns
• Arpeggiator with wide patterns for great sound effects
• Distortion circuitry modeled after the DS-1 adds insane spice and edge to your sounds
• 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony
• 11 controls and 28 switches to give you direct and real-time access to all important parameters
• MIDI and USB implementation with MIDI channel and Voice Priority selection
Specification
Synthesizer Architecture- Number of voices: Monophonic
- Type: Analog
- Oscillators: 1
- VCF: 1 low pass
- Envelopes: 1
Connectivity
- Power input: DC input connector
- Power switch: Push button on/of
- MIDI In/Thru: MIDI In and MIDI Thru, 5-pin DIN
- USB (MIDI): USB 2.0, type B
- Outputs: Line output: 1/4" TRS, unbalanced, max. + 8 dBu
- Output impedance: 1. 5 kΩ
- Headphones: 3 . 5 mm TRS, max. 50 mW/ 32 Ω (1 KHz, 1% THD)
- Headphones output impedance: 1 5 Ω
USB
- Type: Class compliant USB 2.0, type B
- Supported Operating Systems: Windows 7 or higher, Mac OS X 10. 6 . 8 or higher
Inputs and Outputs (TS 3.5 mm )
- Inputs: Filter in: +12 dBu Sync in: More than: 2. 5 V
- Outputs: C V out: +1 V to + 5 V (1 volt/oct) Gate out: OFF: 0 V; ON: +12 V
Power Requirements
- External power adaptor (use only the supplied adapter): 9 VDC 670 mA
- Power consumption: 2 W Maximum
- Indicator: Power LED
Environmental
- Operating temperature range: 5°C 40°C ( 41°F 10 4°F)
Physical
- Dimensions (H x W x D): 56 x 3 0 5 x 165 mm (2.2 x 12 x 6 . 5")
- Weight: 0. 8 kg (1. 8 lbs)
Q & A
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
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- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
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| Product | SKU | Qty |
|---|---|---|
| TD-3-SB Analog Bass Line Synthesizer | 803081 |
