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Les Productions d'Oz Intégrale des compositions pour guitare - Tarrega/Beauchamp - Guitar - Book
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Newly engraved, contains previously unpublished works.
Composer: Francisco Tarrega
Arranger: Michel Beauchamp
Format: Book
Instrumentation: Guitar
2009 marks the hundredth anniversary of the death of Francisco Tarrega. A performer who wishes to extend his knowledge of the works of this important composer will find that it is not a simple task; why should this be? You have to understand that, during his lifetime, Tarrega supervised the publication of only 21 of his compositions. The rest of his output was in the hands of his family and certain pupils and friends. These pages of music contain compositions, exercises, sketches and transcriptions. Over a period of a hundred years several published editions have seen the light of day, so much so that Tarrega must surely be the guitar composer with the most published editions as regards quantity, but the quality of many of these editions is in great doubt.
This is what I found in 2004, after being asked to present the complete works of Francisco Tarrega in concert. I was in no doubt, even then, about the complexity of the task. In the course of my research I came to realise that no "complete works" of Tarrega existed that would answer my requirements. Yet, not only is he a major composer for our instrument, but the very fate of the guitar in the 20th century actually depended on Francisco Tarrega. This was when I had the idea of recording and supervising the publication of the complete works for guitar of Francisco Tarrega.
These are the criteria that guided me throughout this process:
Composer: Francisco Tarrega
Arranger: Michel Beauchamp
Format: Book
Instrumentation: Guitar
2009 marks the hundredth anniversary of the death of Francisco Tarrega. A performer who wishes to extend his knowledge of the works of this important composer will find that it is not a simple task; why should this be? You have to understand that, during his lifetime, Tarrega supervised the publication of only 21 of his compositions. The rest of his output was in the hands of his family and certain pupils and friends. These pages of music contain compositions, exercises, sketches and transcriptions. Over a period of a hundred years several published editions have seen the light of day, so much so that Tarrega must surely be the guitar composer with the most published editions as regards quantity, but the quality of many of these editions is in great doubt.
This is what I found in 2004, after being asked to present the complete works of Francisco Tarrega in concert. I was in no doubt, even then, about the complexity of the task. In the course of my research I came to realise that no "complete works" of Tarrega existed that would answer my requirements. Yet, not only is he a major composer for our instrument, but the very fate of the guitar in the 20th century actually depended on Francisco Tarrega. This was when I had the idea of recording and supervising the publication of the complete works for guitar of Francisco Tarrega.
These are the criteria that guided me throughout this process:
- Using the oldest printed or manuscript sources as a basis.
- Excluding transcriptions, sketches and exercises.
- Giving a full account of my corrections.
- Regrouping pieces of the same type (preludes, studies, dances) in a coherent manner.
- Re-engraving everything in a modern, clear and precise manner.
- Revising, correcting, purging and supplementing the fingerings.
- Retracing the origin and details of each composition.
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