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Breitkopf & Hartel Liebeslieder Op. 52 - Brahms/Hauschildt - SATB/Piano (Two Hands)
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Composer: Johannes Brahms (1833-1897)
Lyrics: Georg F. Daumer
Editor: Jakob Hauschildt
Format: Book, Urtext
Voicing: SATB with Piano (Two Hands version)
The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and piano for two hands. Brahms made this arrangement himself in November 1874 after the conductor Hermann Levi, for whom it had initially been commissioned, had rejected it. Brahms had previously immersed himself in the pieces again for the four-hand version without voice op. 52a, so that he was now able to create the new arrangement in a few days. Here, Brahms explicitly intended the voices no longer as "ad libitum," since the vocal parts are not completely incorporated in the piano part any more. In the spring of 1875, this version was published by Simrock, but it could not prevail against the popular original version and was presumably mainly performed in a domestic setting.
The present edition would like to invite musicians to rediscover, practically test and perform this still little-known form of the Liebeslieder op. 52. The musical text follows the new Brahms Complete Edition, on which the informative preface is also based.
Duration: 26:00
Contents:
Lyrics: Georg F. Daumer
Editor: Jakob Hauschildt
Format: Book, Urtext
Voicing: SATB with Piano (Two Hands version)
The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and piano for two hands. Brahms made this arrangement himself in November 1874 after the conductor Hermann Levi, for whom it had initially been commissioned, had rejected it. Brahms had previously immersed himself in the pieces again for the four-hand version without voice op. 52a, so that he was now able to create the new arrangement in a few days. Here, Brahms explicitly intended the voices no longer as "ad libitum," since the vocal parts are not completely incorporated in the piano part any more. In the spring of 1875, this version was published by Simrock, but it could not prevail against the popular original version and was presumably mainly performed in a domestic setting.
The present edition would like to invite musicians to rediscover, practically test and perform this still little-known form of the Liebeslieder op. 52. The musical text follows the new Brahms Complete Edition, on which the informative preface is also based.
Duration: 26:00
Contents:
- 01. Rede, Madchen, allzu liebes
- 02. Am Gesteine rauscht die Flut
- 03. O die Frauen, wie sie Wonne tauen!
- 04. Wie des Abends schone Rote, mocht' ich, arme Dirne, gluh'n
- 05. Die grune Hopfenranke, sie schlangelt auf der Erde hin
- 06. Ein kleiner, hubscher Vogel nahm den Flug zum Garten hin
- 07. Wohl schon bewandt war es vorehe
- 08. Wenn so lind dein Auge mir und so lieblich schauet
- 09. Am Donaustrande, da steht ein Haus
- 10. O wie sanft die Quelle sich durch die Wiese windet
- 11. Nein, es ist nicht auszukommen mit den Leuten
- 12. Schlosser auf, und mache Schlosser
- 13. Vogelein durchrauscht die Luft
- 14. Sieh', wie ist die Welle klar, blickt der Mond hernieder!
- 15. Nachtigall, sie singt so schon, wenn die Sterne funkeln
- 16. Ein dunkeler Schacht ist Liebe
- 17. Nicht wandle, mein Licht, dort aussen im Flurbereich!
- 18. Es bebet das Gestrauche
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