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Baerenreiter Verlag Lieder, Volume 6 - Schubert/Durr - High Voice/Piano - Book
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Composer: Franz Schubert
Editor: Walther Durr
Format: Book, Urtext Edition
Voicing: High Voice Singing Score
The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With "Nachtgesang" (D 119) and "Trost in Tranen" (D120) Schubert turns to the "Strophenlied" in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert, during this period an assistant teacher at his father's school, orientated himself towards the so-called "Berliner Liederschule", particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Korner; however he regularly still produced settings for the poetry of Goethe and Schiller.
Contents:
Editor: Walther Durr
Format: Book, Urtext Edition
Voicing: High Voice Singing Score
- Based on the Urtext of the "New Schubert Edition"
- Newly engraved, clearly presented musical layout
- Foreword by Walther Durr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger)
- Includes English translations of lieder texts by Richard Wigmore
The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With "Nachtgesang" (D 119) and "Trost in Tranen" (D120) Schubert turns to the "Strophenlied" in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe. Schubert, during this period an assistant teacher at his father's school, orientated himself towards the so-called "Berliner Liederschule", particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Korner; however he regularly still produced settings for the poetry of Goethe and Schiller.
Contents:
- Prefatory Note
- Preface
- Song Texts
- Nachtgesang D 119
- Trost in Tranen D 120
- Ammenlied D 122
- Sehnsucht D 123
- Am See D 124
- Szene aus "Faust" D 126 - 2nd version
- Don Gayseros D 93
- Ballade op. 126 D 134
- Klage um Ali Bey D 496 A
- Der Mondabend op. post. 131,1 D 141
- Genugsamkeit op. post. 109,2 D 143
- Der Sanger op. post. 117 D 149 - 2nd version
- Lodas Gespenst D 150
- Auf einen Kirchhof D 151
- Minona D 152
- Als ich sie erroten sah D 153
- Das Bild op. post. 165,3 D 155
- Die Erwartung op. post. 116 D 159 - 2nd version
- Sangers Morgenlied D 163 - 1st setting
- Sangers Morgenlied D 165 - 2nd setting
- Amphiaraos D 166
- Gebet wahrend der Schlacht D 171 - 1st version
- Das war ich D 174
- Die Sterne D 176
- Vergebliche Liebe op. post. 173,3 D 177
- Liebesrausch D 179
- Sehnsucht der Liebe D 180
- Appendix I (Alternative Versions):
- Szene aus "Faust" D 126 - 1st version
- Der Sanger D 149 - 1st version
- Die Erwartung D 159 - 1st version
- Gebet wahrend der Schlacht D 171 - 2nd version
- Appendix II:
- Am See D 124 - lower Transposition
- Index
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