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Baerenreiter Verlag Late Piano Pieces - Schubert/Durr - Book
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Composer: Franz Schubert
Editor: Walther Durr,
Fingering/Performance Practice: Mario Aschauer
Format: Book, Urtext Edition
Instrumentation: Piano
Suggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert's time as well as the performance on modern concert pianos are all included in this edition.
Mario Aschauer
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian "Calamus-Consort", and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the "New Schubert Edition" since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historical performance practice of European art music of the 17th-19th centuries.
Contents:
Editor: Walther Durr,
Fingering/Performance Practice: Mario Aschauer
Format: Book, Urtext Edition
Instrumentation: Piano
- Based on the Urtext of the "New Schubert Edition"
- Newly engraved Urtext edition with optimum page turns
- With fingering and information on performance practice (Ger/Eng)
- In-depth foreword (Ger/Eng) and critical commentary (Eng)
Suggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert's time as well as the performance on modern concert pianos are all included in this edition.
Mario Aschauer
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian "Calamus-Consort", and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the "New Schubert Edition" since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historical performance practice of European art music of the 17th-19th centuries.
Contents:
- Preface
- Ungarische Melodie in B minor D 817
- Allegretto in C minor D 915
- Drei Klavierstucke D 946:
- I. Allegro assai in E flat minor
- II. Allegretto in E flat major
- III. Allegro in C major
- Critical Commentary
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