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Baerenreiter Verlag The Creation Hob. XXI:2 - Haydn/Oppermann - Vocal Score - Book
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Composer: Joseph Haydn
Editor: Annette Oppermann
Piano Reduction: August Eberhard Muller, Andreas Kohs
Format: Book
Version: Vocal Score
At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.
The plot is divided into three parts; Part One portrays the first four days of creation with the genesis of the world, the plants and the firmament, and in Part Two the animals are included. Part Three takes as its theme the life of the first people, Adam and Eve, with the oratorio culminating in two major closing choruses of praise and thanks. The text, translated from the English original by Baron van Swieten , Prefect of the imperial court library in Vienna, combines prose texts of the creation story in Luther's translation of the bible with complementary excerpts from John Milton's "Paradise Lost" (Duration: approx. 110 mins ).
Editor: Annette Oppermann
Piano Reduction: August Eberhard Muller, Andreas Kohs
Format: Book
Version: Vocal Score
- New edition based on the Urtext from the Complete Edition of "Joseph Haydn's Works", published by G. Henle Verlag
- Vocal score with a contemporary piano reduction by A. E. Muller, revised by A. Kohs
- Excellent presentation on the page
At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for a new kind of choral oratorio which became one of the standard features of developing bourgeois concert life.
The plot is divided into three parts; Part One portrays the first four days of creation with the genesis of the world, the plants and the firmament, and in Part Two the animals are included. Part Three takes as its theme the life of the first people, Adam and Eve, with the oratorio culminating in two major closing choruses of praise and thanks. The text, translated from the English original by Baron van Swieten , Prefect of the imperial court library in Vienna, combines prose texts of the creation story in Luther's translation of the bible with complementary excerpts from John Milton's "Paradise Lost" (Duration: approx. 110 mins ).
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