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Baerenreiter Verlag Berceuse, op. 57 - Chopin/Schilling-Wang - Piano - Book
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Composer: Frederic Chopin
Editor: Britta Schilling-Wang
Notes on Performance Practice: Hardy Rittner
Format: Book, Urtext Edition
Instrumentation: Piano
This Urtext edition reflects the latest state of Chopin research, offering a definitive musical text based on a careful evaluation of the sources. Readings and editorial decisions are documented in the Critical Commentary (Eng) and a detailed Foreword (Ger/Eng) provides information on the work. Hardy Rittner, a Chopin specialist as well as Professor of Piano at the Hochschule fur Musik Freiburg, has supplemented the composer's fingering from a historically informed perspective. His chapter on performance practice contains valuable notes, particularly on Chopin's pedal indications which clearly diverge in the sources, on rubato, the execution of ornaments as well as on tonal nuance, voice-leading and cantabilita.
Contents:
Editor: Britta Schilling-Wang
Notes on Performance Practice: Hardy Rittner
Format: Book, Urtext Edition
Instrumentation: Piano
- Urtext edition based on the cutting edge of scholarship
- Historically informed fingering and notes on performance practice by Hardy Rittner (Ger/Eng)
- Well-presented engraving
This Urtext edition reflects the latest state of Chopin research, offering a definitive musical text based on a careful evaluation of the sources. Readings and editorial decisions are documented in the Critical Commentary (Eng) and a detailed Foreword (Ger/Eng) provides information on the work. Hardy Rittner, a Chopin specialist as well as Professor of Piano at the Hochschule fur Musik Freiburg, has supplemented the composer's fingering from a historically informed perspective. His chapter on performance practice contains valuable notes, particularly on Chopin's pedal indications which clearly diverge in the sources, on rubato, the execution of ornaments as well as on tonal nuance, voice-leading and cantabilita.
Contents:
- Preface
- Notes on Performance Practice
- Berceuse op. 57
- Critical Commentary
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