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Baerenreiter Verlag Sonata in A major op. 100 - Brahms/Brown/Da Costa - Violin/Piano - Book
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Composer: Johannes Brahms
Editors: Clive Brown, Neal Peres Da Costa
Format: Book, Urtext Edition
Instrumentation: Violin and Piano
An important part of this edition is the extensive preface. Firstly it informs about the works' origins, its compositional process, pre-publication performances, its publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.
Contents:
Editors: Clive Brown, Neal Peres Da Costa
Format: Book, Urtext Edition
Instrumentation: Violin and Piano
- A pioneering Urtext edition
- With an unmarked Urtext part
- With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms
- With an extensive Performance Practice Commentary
An important part of this edition is the extensive preface. Firstly it informs about the works' origins, its compositional process, pre-publication performances, its publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way, the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato. In this way, the edition offers an exciting and often surprising insight in Romantic musical interpretation.
Contents:
- Preface
- Performance Practice Commentary
- Sonata in A major op. 100
- Critical Report
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