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Dangerous Music Master Processor
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Your Price: $7,025.00 CDN
or from $325 CDN/mo
THE DEEP LEGACY OF DANGEROUS MASTERING EQUIPMENT
Before co-founding Dangerous Music, their lead product designer, Chris Muth, became an industry legend for his custom mastering consoles built for the most elite studios. Decades later, these consoles are still coveted for their incredible headroom, their robust, musical sound, and the crystal clear sonics demanded by top-tier pros. Costing tens-of-thousands of dollars, those legendary consoles have been used to master thousands of hit records.
Dangerous Music offered Muth's designs to the public at affordable prices for the first time, and the MASTER quickly became a staple in mastering rooms everywhere. Through meticulous research, development and design they were able to offer the MASTER in just two rack spaces while sacrificing absolutely nothing in the sound or build quality. Since its introduction, the MASTER has continued the Muth legacy as well as the endless stream of hits to pass through his circuits.
TYING IT ALL TOGETHER
The role of a mastering console is to tie together all of your equipment into an elegant and rock solid system that delivers crystal clear accuracy and robust musicality. With sonics you can rely on all day, every day, for decades, the MASTER's signal routing offers up sophisticated control over gain staging, front-panel switching of three analog inserts, Mid/Side processing, input/output monitor level matching, and multiple outputs to reach all the destinations in your mastering suite.
INDIVIDUAL L-R INPUT LEVEL CONTROLS
Use these controls to perfectly set the stereo image, delicately compensating for any embedded imbalances in the mix. These controls use stepped attenuators that offer 0.5 dB steps with .01dB of gain-tracking accuracy between channels for perfect stereo imaging at all volumes. The deep craftsmanship of working in analog is gain-staging, and the MASTER's separate input controls allow you to hit your outboard gear's sweet spot and compensate at the main stereo output stage feeding your recording A/D converter, tape machine, or other capture device for optimal sound from your rig.
INPUT MONITOR OFFSET
This critical feature allows you to match levels between your processed signal (output) and unprocessed signal (input) so that you can make comparative judgements without misleading volume changes. Once input and output levels are matched, simply use the In/Out switch to objectively compare your mastering work to the original. Additionally, you can more accurately use a peak-over-average meter array (such as the one found in the Dangerous Music CONVERT-2 mastering D/A converter) to visually confirm your MASTER's loudness density. These are all important strategies used by top professionals to delicately manage the creation of a thoroughly professional production master.
THREE FRONT-PANEL SWITCHABLE INSERTS
These stereo inserts tie all of your EQs, compressors, limiters and de-essers together into an elegant, rock-solid mastering rig. The MASTER's front-panel switches give you functionality previously only available on very expensive, custom-built mastering consoles. And on Insert 2, you get Chris Muths ground breaking Mid/Side processing.
ON-BOARD MID/SIDE PROCESSING
Residing on Insert 2, the Mid/Side processor inside the MASTER is an audiophile-grade sum-and-difference matrix. By "encoding" and then "decoding" the stereo signal, this matrix allows you to obtain separate control over the center and the sides of the stereo mix. A tool employed by deeply experienced mastering engineers to address specific issues in a mix without compromising other aspects of the stereo image, Mid/Side processing is the most powerful mastering tool available. For example, manage a harsh vocal or a strident snare in the middle of a mix while not affecting the instruments panned to the sides. Or perhaps one needs to tame some widely-panned cymbals while maintaining vocal air and articulation at the center of the mix. Further, on some occasions, mastering engineers might be processing the middle and the sides with completely different processors.
WIDTH CONTROL
This allows you to use the MASTER's Mid/Side matrix to control the level of the "sides" of the mix, which changes the perceived stereo width. This is incredibly helpful when deploying any Mid/Side processing, but even when you're not engaging outboard gear, the width control allows you to "focus" the stereo image perfectly. Ever come across a song that's not sitting well among the others on the record? How about mastering a compilation where the width varies greatly? Whether you're tightening or widening the stereo field, the width control is often exactly the right tool for pulling all the songs together into a coherent record.
TWO INPUTS & THREE OUTPUTS
A dedicated monitor output accompanies two stereo output paths that can be routed to A/D converters, tape machines, patch bays, or wherever the signal needs to go to get the job done. Many MASTER owners use the dual outputs to make direct A/B comparisons between different A/D units, listening for the vibe that best suits that particular record. The two inputs, selectable on the front panel, make it easy to have a D/A normaled to the first input and the second input wired to a patchbay or tape machine.
• Legendary circuit design from Chris Muth's pristine mastering pedigree
• Stepped controls throughout
• Transparent and simple operation
• Seamless connection with the Dangerous LIAISON
• Integrated Mid/Side processing
• 2 stereo inputs, 3 stereo outputs (one for monitoring)
• 3 insert loops
- 2 stereo inputs, 3 stereo outputs (one for monitoring)
- 3 insert loops
- 2nd insert capable of MS matrix operation
- Input and Output controls: + 5dB in 0.5dB steps
- Input Monitor Offset: -2 to +8dB in 0.5dB steps
- Width control: -4 to +6dB in 0.5dB steps
- Attenuator accuracy: 0.01dB
- THD+Noise in audio band: 0.0018%
- IMD 60Hz + 4kHz 4:1: 0.0025%
- Crosstalk rejection: Better than 111dB @ 1kHz
- Headroom: +27dBu, +23dBu in the matrix under worst case conditions
- Frequency response: Better than 0.2dB down @ 1Hz and 100kHz
- Noise floor: -92dBu total energy in the audio band
Before co-founding Dangerous Music, their lead product designer, Chris Muth, became an industry legend for his custom mastering consoles built for the most elite studios. Decades later, these consoles are still coveted for their incredible headroom, their robust, musical sound, and the crystal clear sonics demanded by top-tier pros. Costing tens-of-thousands of dollars, those legendary consoles have been used to master thousands of hit records.
Dangerous Music offered Muth's designs to the public at affordable prices for the first time, and the MASTER quickly became a staple in mastering rooms everywhere. Through meticulous research, development and design they were able to offer the MASTER in just two rack spaces while sacrificing absolutely nothing in the sound or build quality. Since its introduction, the MASTER has continued the Muth legacy as well as the endless stream of hits to pass through his circuits.
TYING IT ALL TOGETHER
The role of a mastering console is to tie together all of your equipment into an elegant and rock solid system that delivers crystal clear accuracy and robust musicality. With sonics you can rely on all day, every day, for decades, the MASTER's signal routing offers up sophisticated control over gain staging, front-panel switching of three analog inserts, Mid/Side processing, input/output monitor level matching, and multiple outputs to reach all the destinations in your mastering suite.
INDIVIDUAL L-R INPUT LEVEL CONTROLS
Use these controls to perfectly set the stereo image, delicately compensating for any embedded imbalances in the mix. These controls use stepped attenuators that offer 0.5 dB steps with .01dB of gain-tracking accuracy between channels for perfect stereo imaging at all volumes. The deep craftsmanship of working in analog is gain-staging, and the MASTER's separate input controls allow you to hit your outboard gear's sweet spot and compensate at the main stereo output stage feeding your recording A/D converter, tape machine, or other capture device for optimal sound from your rig.
INPUT MONITOR OFFSET
This critical feature allows you to match levels between your processed signal (output) and unprocessed signal (input) so that you can make comparative judgements without misleading volume changes. Once input and output levels are matched, simply use the In/Out switch to objectively compare your mastering work to the original. Additionally, you can more accurately use a peak-over-average meter array (such as the one found in the Dangerous Music CONVERT-2 mastering D/A converter) to visually confirm your MASTER's loudness density. These are all important strategies used by top professionals to delicately manage the creation of a thoroughly professional production master.
THREE FRONT-PANEL SWITCHABLE INSERTS
These stereo inserts tie all of your EQs, compressors, limiters and de-essers together into an elegant, rock-solid mastering rig. The MASTER's front-panel switches give you functionality previously only available on very expensive, custom-built mastering consoles. And on Insert 2, you get Chris Muths ground breaking Mid/Side processing.
ON-BOARD MID/SIDE PROCESSING
Residing on Insert 2, the Mid/Side processor inside the MASTER is an audiophile-grade sum-and-difference matrix. By "encoding" and then "decoding" the stereo signal, this matrix allows you to obtain separate control over the center and the sides of the stereo mix. A tool employed by deeply experienced mastering engineers to address specific issues in a mix without compromising other aspects of the stereo image, Mid/Side processing is the most powerful mastering tool available. For example, manage a harsh vocal or a strident snare in the middle of a mix while not affecting the instruments panned to the sides. Or perhaps one needs to tame some widely-panned cymbals while maintaining vocal air and articulation at the center of the mix. Further, on some occasions, mastering engineers might be processing the middle and the sides with completely different processors.
WIDTH CONTROL
This allows you to use the MASTER's Mid/Side matrix to control the level of the "sides" of the mix, which changes the perceived stereo width. This is incredibly helpful when deploying any Mid/Side processing, but even when you're not engaging outboard gear, the width control allows you to "focus" the stereo image perfectly. Ever come across a song that's not sitting well among the others on the record? How about mastering a compilation where the width varies greatly? Whether you're tightening or widening the stereo field, the width control is often exactly the right tool for pulling all the songs together into a coherent record.
TWO INPUTS & THREE OUTPUTS
A dedicated monitor output accompanies two stereo output paths that can be routed to A/D converters, tape machines, patch bays, or wherever the signal needs to go to get the job done. Many MASTER owners use the dual outputs to make direct A/B comparisons between different A/D units, listening for the vibe that best suits that particular record. The two inputs, selectable on the front panel, make it easy to have a D/A normaled to the first input and the second input wired to a patchbay or tape machine.
Features
• Hand built in the USA with the world's finest components• Legendary circuit design from Chris Muth's pristine mastering pedigree
• Stepped controls throughout
• Transparent and simple operation
• Seamless connection with the Dangerous LIAISON
• Integrated Mid/Side processing
• 2 stereo inputs, 3 stereo outputs (one for monitoring)
• 3 insert loops
Specifications
- All connections are Balanced XLR, +4dBu nominal operating level- 2 stereo inputs, 3 stereo outputs (one for monitoring)
- 3 insert loops
- 2nd insert capable of MS matrix operation
- Input and Output controls: + 5dB in 0.5dB steps
- Input Monitor Offset: -2 to +8dB in 0.5dB steps
- Width control: -4 to +6dB in 0.5dB steps
- Attenuator accuracy: 0.01dB
- THD+Noise in audio band: 0.0018%
- IMD 60Hz + 4kHz 4:1: 0.0025%
- Crosstalk rejection: Better than 111dB @ 1kHz
- Headroom: +27dBu, +23dBu in the matrix under worst case conditions
- Frequency response: Better than 0.2dB down @ 1Hz and 100kHz
- Noise floor: -92dBu total energy in the audio band
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Master Processor | 331587 |
