Gamechanger Audio MOTOR Synth MKII Electro-Mechanical Desktop Synthesizer
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Motor Synth MKII Overview
• Eight electromotor oscillator system with custom-built brushless DC motors• Two fully independent MOTOR Voices with Separate Amp Envelope, Pitch Envelope and Analog multi-mode Filters
• Additional third DIGITAL VOICE (DCO) with full functionality
• Powerful modulation section with assignable mod destinations;
• Built-in performance interface with ARP, SEQUENCER and MOTION REC engines;
• MIDI & CV control
• Input Signal Processing: VOCODER, GATE, SIDECHAINING, FILTERING
• Power supply included
MOTOR Oscillators
The MOTOR SYNTH's central feature is the innovative ELECTROMOTOR OSCILLATOR SYSTEM. The spinning motors can be used to generate electromagnetic inductive signal (M wave), as well as three types of optical waves (sine, square, saw) via a specially designed system of reflective rotating discs.
Modulating the rotational speed of individual motors enables the creation of musical pitches. The eight MOTOR Oscillator block comprises two MOTOR VOICES, with four Motors per Voice, capable of playing notes either in unison (four motors per note per voice) or with four-note paraphony (due to a single analog filter stage per voice).
Each voice has independent controls for volume, scale, waveform, amp envelope and pitch envelope. The analog amp envelopes can be run in multiple modes (ADSR, AD, AR, DADSR, ADSHR) with adjustable curve parameters.
The Motor oscillators take full advantage of the innovative pitch envelope system with detailed controls for ACCELERATION & BRAKE functions.
DCO
In addition to the two MOTOR Voices, the MOTOR Synth includes a third Digital voice known as DCO. This voice consists of four digital oscillators that can be played in unison or with four-note paraphony. Similar to the MOTOR Voices, the DCO Voice also has independently controllable amp and pitch envelope sections, as well as a dedicated multi-mode digital analog filter. However, it also has additional tone-shaping options, including a wider variety of waveshapes, wave folding, pulse width modulation, and hard syncing. The DCO is not the MOTOR Synth's main feature, but it serves very well for adding precision and tonal range to the MOTOR Oscillators.
• fully independent controls of all parameters;
• virtual-analog oscillator and noise engine with waveshaping (PW, fold);
• adjustable four note polyphony
• dedicated multi-mode digital filter;
• multiple routing options for Filter and Output
Filter Section
Signal produced by the MOTOR Voices is further shaped by two multi-mode analog filters. While the filter control section is shared, all filter parameters for each voice can be adjusted separately, including cutoff, drive, resonance, envelope amount, envelope shape, type etc.
The ability to control each voices filter separately is very rarely found in traditional instruments and it offers a huge amount of sound shaping possibilities.
The Digital Voice (DCO) uses a separate digital filter (with shared controls), however it can be easily routed to pass through either of the two analog filters.
• four filter modes: 24 dB Low Pass, 12 dB Band Pass, 12 dB Hi Pass, 24 dB All Pass with self-oscillating resonance
• analog drive circuit
• multi-mode analog filter envelopes (ADSR, AD, AR, DADSR, ADSHR) with adjustable CURVE parameters
• keytrack engine with gradual control over amount, direction, and GLIDE
The MKII offers a flexible MODULATION SECTION with:
• two destination slots each (A, B) assignable to any parameter
• MOD Shape selector and detailed editing menu with extensive wave-shaping options for each LFO
• independently adjustable clock sources and subdivisions per modulator
• multi-mode modulation envelopes (ADSR, AD, AR, DADSR, ADSHR) with adjustable CURVE parameters
• additional CROSS MOD and DRIFT/DETUNE master effects with accessible front panel knobs
Built-in PERFORMANCE INTERFACE:
• eight non-velocity sensitive KEYPAD for inputting notes, sequences, patterns
• four rotary PITCH ENCODERS for editing note values and microtonal pitch adjustments
• innovative CLUTCH function (temporary parameter editing buffer)
MIDI & CV control
• MIDI IN & MIDI OUT connectors for sending and receiving Note and Clock info
• multiple mod wheel and channel pressure slots assignable to any parameter with depth control
• three assignable CV inputs (3.5 mm)
• three assignable Trigger Inputs (3.5 mm)
• USB for MIDI in/out and for file transfer to MICRO SD card
I/O
• single TRS 1/4" OUTPUT Jack with adjustable Split Voice Routing (can be used as MONO Out)
• two Separate SEND/RETURN loops jacks (3.5 mm TRS) for each MOTOR voice (pre-VCF, post-VCA)
• headphone output
• single MONO 1/4" INPUT Jack for Input Signal processing
Product Dimensions (L x W x H): 8.3 x 11.4 x 2.17 inches / 21 x 29 x 5.5 cm
Product Height with knobs: 2.96 inches / 7.5cm
Product Weight: 7.17 lbs / 3.25 kg
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
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