Opens in a new window
G. Henle Verlag Overture no. 2 for the Opera ''Leonore'' (1805) - Beethoven/Luhning - Study Score - Book
![Overture no. 2 for the Opera \'\'Leonore\'\' (1805) - Beethoven/Luhning - Study Score - Book](http://cdn.long-mcquade.com/files/322306/lg_e839f8bacae9bddd4ef19307e5d03937.jpg)
Additional Photos:
![Overture no. 2 for the Opera \'\'Leonore\'\' (1805) - Beethoven/Luhning - Study Score - Book](http://cdn.long-mcquade.com/files/322306/md_f41a5acdf888ebe503bc6142590bbcf4.jpg)
![Overture no. 2 for the Opera \'\'Leonore\'\' (1805) - Beethoven/Luhning - Study Score - Book](http://cdn.long-mcquade.com/files/322306/md_33dfb0b5dae8cdd2d6cb594504aa69c5.jpg)
Composer: Ludwig van Beethoven
Editor: Helga Luhning
Format: Softcover, Urtext Edition
Version: Study Score (pocket score)
Beethoven wrote a total of four overtures for his only opera, 'Leonore'/'Fidelio'. The so-called Leonore Overture no. 2 is first in the series by chronology and was written in 1805 for the premiere of the opera in Vienna. It follows the concept of a summary of integral moments in the subsequent dramatic work, eschewing a formal closing by means of a recapitulation of the exposition. Instead, the double clarion call, which suggests the resolution of the conflict in the opera, leads directly to transition into the coda. Featuring a new preface, it now appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition.
Editor: Helga Luhning
Format: Softcover, Urtext Edition
Version: Study Score (pocket score)
Beethoven wrote a total of four overtures for his only opera, 'Leonore'/'Fidelio'. The so-called Leonore Overture no. 2 is first in the series by chronology and was written in 1805 for the premiere of the opera in Vienna. It follows the concept of a summary of integral moments in the subsequent dramatic work, eschewing a formal closing by means of a recapitulation of the exposition. Instead, the double clarion call, which suggests the resolution of the conflict in the opera, leads directly to transition into the coda. Featuring a new preface, it now appears as a study edition prepared on the basis of the musical text of the Beethoven Complete Edition.
Q & A
There are currently no questions for this product.
Reviews
There are currently no reviews for this product. Be the first to write one!