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ABRSM Saxophone Exam Pack from 2022, ABRSM Grade 4 - Book/Audio Online
Format: Book with Audio Online
Instrumentation: Saxophone
Level: 4
This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 4 Saxophone syllabus from 2022.
Key features:
The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 4 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.
Contents:
Instrumentation: Saxophone
Level: 4
This book brings together selected exam pieces, scales and arpeggios, sight-reading and audio downloads, to support ABRSM's Grade 4 Saxophone syllabus from 2022.
Key features:
- Nine pieces in a range of styles, chosen from Lists A, B and C
- Classic repertoire and newly commissioned pieces and arrangements
- Piano accompaniments for both E- and B- instruments included
- Scales and arpeggios, and sample sight-reading tests, for requirements from the current syllabus
- Audio performances of the nine pieces on alto saxophone and piano by expert musicians, plus accompaniment-only tracks for both E- and B- instruments for use when practising (download code included in the book)
The Exam Pack is an ideal resource for preparation for ABRSM's Practical Grade 4 Saxophone exam, as well as providing an excellent toolkit for the general development of technical skills at this level.
Contents:
- Valse sous le vent (No. 1 from Couleurs Caraibe) [Valerie Rousse & Joel Littorie]
- Allegro (fourth movement from Sonata in F, HWV 369, Op. 1 No. 11), arr. David Blackwell [George Frideric Handel]
- A la Gavotte (No. 1 from Street Beats) [Karen Street]
- Chanson de matin, Op. 15 No. 2, arr. Jerry Lanning [Edward Elgar]
- Bess, you is my woman now (from Porgy and Bess), arr. Nikki Iles [George Gershwin, DuBose Heyward, Dorothy Heyward & Ira Gershwin]
- Pas de deux [Errollyn Wallen]
- Abracadabra [Ruth Byrchmore]
- Tango (from All Styles) [Mark Fielding]
- Entry of the Gladiators, Op. 68, arr. Ian Denley [Julius Fucik]
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