Solid State Logic Stereo Bus Compressor Module
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The legendary sound of the SSL Stereo Bus Compressor has been glueing mixes together for 40+ years. Often imitated but never equaled, the centre section compressor from the 1980's Solid State Logic G-Series analogue console is an audio production legend. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive.
The Stereo Bus Compressor brings cohesion and strength to your mix unlike any other processor. To this day it remains a key element of the SSL sound and has become not just a tool for production but a part of top engineers and producers creative process.
Features
• Legendary SSL G Series Stereo Bus Compressor
• THE glue and punch maker
• Additional compression ratio settings 1.5 / 3 / 10
• Renowned "Auto" release
• HPF in sidechain switchable to 30Hz / 60Hz / 106Hz / 125Hz / 185Hz
• Sidechain In / Out switch
Q & A
Reviews
I am still experimenting with it and have yet to print a mix other than a redo of one to compare the prints of the two comps. I think there is clearer mids but what I like is there is not a pile of options. My purpose is the two buss only so 50:1 etc is not needed. I don’t want parallel compression features cause I am just not that gifted.
I want mixes to sound finished and compete with pro mixes that I like. I feel too many engineers try to mix and master at the same time. What became apparent is that I need to mix to the compressor to get it to work and sound right , which means enough level so I don’t have to jam the threshold to get it pumping.
Bus compressors always bring about buyers remorse because they are so subtle in nature when used for their purpose. The final say on any mix is if the listener adjust the volume in the playlist.
This thing has the mids I am looking for and too me , mids are everything.
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