Royer R-10 Ribbon Microphone and dBooster Bundle
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The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hand-built in the Burbank California factory, the R-10's sound and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz. The R-10's compact size and mounting system allows for flexible, unobtrusive positioning.
The R-10's 2.5-micron aluminium ribbon element is formed with a patented direct-corrugation process and is protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The ribbon transducer is wired for humbucking to reject electromagnetically induced noise.
The R-10's built-in windscreen provides superior protection from air blasts and plosives. It also reduces proximity effect (bass buildup from close miking) so guitar cabinets and acoustic instruments can be close-miked with less bass buildup. The R-10s internally shockmounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon elements durability.
The R-10 utilises a David Royer custom designed transformer for high overload threshold, minimising saturation at even extremely high sound pressure levels. You'll never overload an R-10! The mic's open grill design minimises standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.
dBooster In-Line Signal Booster
The Royer model R-DB20 is a phantom-powered ribbon and dynamic microphone signal booster and impedance buffer. It increases the level of passive low-output ribbon and dynamic microphones with a minimum of distortion or colouration. Designed for professional applications, the dBooster provides two levels of clean gain boost; 12dB and 20dB, selectable by a front panel switch. The dBooster maintains headroom and gain regardless of load. The dBooster's Class A input stage delivers crystal clean gain with virtually no noise or self-distortion.
The dBooster's low-impedance output keeps things clean in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and vintage-style preamps with no loss of gain, no increased distortion, and excellent headroom.
R-10 Features
• High SPL capabilities for electric guitar, brass and other close miking applications
• Multi-layered wind screen provides superior protection to ribbon element
• Internally shock-mounted ribbon transducer gives increased durability
• Passive design and custom transformer minimise high SPL overload
• Hum-bucking transducer design delivers extremely low residual noise
• Ribbon element not affected by heat or humidity
• Absence of high-frequency peaks, ringing and phase shifts
• Equal sensitivity from front or back of the element
dBooster Features
• Switchable 12dB/20dB gain
• Ultra-low noise, ultra-low distortion
• Class A input stage
• Safe for use on all ribbon mics
• Wide frequency bandwidth
• Retains sound quality on long cable runs
• Maintains headroom and gain regardless of load
R-10 Specifications
• Acoustic Operating Principle: Electrodynamic pressure gradient
• Polar Pattern: Figure-8
• Generating Element: 2.5-micron aluminium ribbon
• Magnets: Rare Earth Neodymium (Grade 52)
• Frequency Response: 30Hz-15,000Hz +/- 3dB
• Sensitivity: -54dBv (re. 1v/pa)
• Output Impedance: 100 Ohms
• Maximum SPL: 135dB @ 50 Hz, 160dB @ 1kHz
• Recommended Load Impedance: 700 Ohms (or greater)
• Output Connector: Male XLR 3-pin (Pin 2 Hot)
• Dimensions: Length including mounting base: 5 7/8 inches (149 mm) Width 1 3/8 inches (35 mm)
• Weight: 13 oz (368 grams)
• Accessories: Microphone Holder, Mic Sock, Carrying Case
• Microphone: Adjustable Swivel Mount (Black)
• Microphone Warranty: Five Year, First Re-ribbon free in first year
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A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
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