Orange Amplifiers Super Crush 100W Head - Black
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Building on the huge success of Orange Amp's Crush Pro solid state amplifiers, the Super Crush 100 takes this now-classic recipe and goes a step further in the search for valve-like tone. Though equipped with all the same features as the original amp, the Super Crush 100 is a completely new design, proving that a lot of small improvements can make a BIG difference - and there's a CabSim balanced output too!
With its single-ended, 2-channel JFET preamp design and 100 Watt Class A/B power amp, the Super Crush 100 mimics the huge, rich and responsive tone of Orange Amp's flagship Rockerverb amps in solid state. From clean to heavy high gain, there's no shortage of Orange mojo. Touch-sensitive dynamics and lush harmonic overtones sing out of this amp with such authority and musicality that you'd swear there were valves inside!
HIGH GAIN, HIGH VERSATILITY
Two completely independent, all-analogue preamp channels give you instant access to a whole spectrum of warm, valve-like tones. From high-headroom clean to high-gain metal, every sound you could ever need is dialled in with ease, thanks to a versatile circuit and intuitively simple control layout.
The Dirty Channel boasts four cascading stages of proper Orange gain, along with a passive 3-band EQ. Just like its all-valve stablemates, the Super Crush 100's Dirty Channel can hammer out punishing heavy tones and also clean right up, whether you're riding the guitar volume knob or the amp's wide-ranging gain control.
The Clean Channel is a bright, vintage-flavoured, two-stage design. There's plenty of headroom, keeping your clean tones shimmering and clear at any level, with the option of cranking the volume up into fat, bluesy crunch.
100 WATTS OF SOLID STATE MOJO
Solid state doesn't have to be lifeless. The Super Crush 100 uses the tried and tested 100 Watt Class A/B power amp from the Pedal Baby 100 to deliver all the dynamics, presence and feel of a big valve amp. Filling big stages is not a problem thanks to massive headroom, fantastic articulation and relentless punch.
DIRECT AND TO-THE-POINT
The Super Crush 100 features a balanced XLR output with CabSim speaker emulation technology. Mimicking the sound of a 212 cab, this no-nonsense, all-analogue filter gives you instant access to a great D.I. guitar tone, straight into the P.A. or recording interface. The Cab Back switch selects between the sound of an open or closed back cab, homing in on your perfect direct sound quicker than you can say "I don't need a mic".
BUILT-IN REVERB AND FULLY-BUFFERED Fx LOOP
An on-board digital reverb module provides a lush, spring reverb ambience, adding a deep and shimmering finishing touch to your sound. Prefer your own pedals? The fully-buffered, ultra-transparent, series Fx Loop takes care of all your effects needs, accommodating even the most outlandish signal chains without ever compromising your carefully-crafted tone.
YOU CAN RUN ONE OF THREE CAB CONFIGURATIONS WITH THE SUPER CRUSH 100 HEAD:
• One 16 ohm cab connected to the one of the speaker outputs.
• Two 16 ohm cabs connected to both speaker outputs, or daisy-chained together from one of the speaker outputs.
• One 8 ohm cab connected to one of the speaker outputs.
NOTE: It's better to not daisy-chain, in case the first cable or cab in the chain were to fail during a performance; then you'd lose all your sound. Running a separate cable to each cab ensures at least one cab will still be going if a speaker cable or cab fails during a performance.
Features
• 2 Channel Amp Head
• All-analogue, Single-ended Preamp
• 100W Class A/B Power Amp
• Built-in Digital Reverb (Footswitchable)
• Fx Loop
• Balanced XLR-Out with CabSim
Specifications
Output Power: 100 Watts @ 8 Ohms, 70 Watts @ 16 Ohms
Controls: Master Volume, Reverb, Dirty Volume, Treble, Mid, Bass, Dirty Gain, Treble, Bass, Clean Volume
Output Impedance: 8 Ohms Minimum
Dimensions: 23cm x 55cm x 25cm (21.65" x 9.06" x 9.6")
Weight: 11.2kg (24.6lb)
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A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
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Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
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