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Mel Bay Intermediate Pieces for Classical Guitar - Afshar - Book
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Arranger: Lily Afshar
Format: Book
Instrumentation: Classical Guitar
Level: Intermediate
Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions.
Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar's previous publication (Beginning Pieces for Classical Guitar), selections like "Carcassi Study #3" and "Sor Studies Nos. 5 and 6" require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, "Study No. 5" by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.
Contents:
Format: Book
Instrumentation: Classical Guitar
Level: Intermediate
Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions.
Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar's previous publication (Beginning Pieces for Classical Guitar), selections like "Carcassi Study #3" and "Sor Studies Nos. 5 and 6" require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, "Study No. 5" by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.
Contents:
- Aguado - Study No. 21 in E Minor
- Aguado - Lesson No. 2
- Anonymous - Romanza (Romance de Amor)
- Anonymous - Mi Favorita (Mazurka)
- Bach - Gavotte I (Cello Suite No. 6, BWV 1012)
- Bach - Bourree, BWV 1002 (from "Partita I for Solo Violin")
- Bach - Gavotte II (Cello Suite No. 6, BWV 1012)
- Bach - Sarabande (from "Partita I for Solo Violin", BWV 1002)
- Carcassi - Study No. 16, Op. 60
- Carcassi - Study No. 3, Op. 60
- Carcassi - Study No. 18, Op. 60
- Carcassi - Study No. 11, Op. 59
- Carcassi - Study No. 21, Op. 60
- Carulli - Andante Op. 241, No. 18
- De Visee - Suite in D Minor (9 movements)
- De Visee - Passacaille
- De Visee - Minuet in E Minor
- Dowland - Fantasia
- Dowland - Fortune My Foe
- Dowland - Melancholy Galliard
- Dowland - Queen Elizabeth's Galliard
- Dowland - Sir John Smith's Almain (Allemande)
- Sor - Waltz Op. 32, No. 2
- Giuliani - Allegretto Op. 51, No. 15
- Johnson - Alman
- Le Roy - Bransle de Bourgogne
- Mudarra - Fantasia X (que contrehaze la harpa en la manera de Luduvico from "Tres Libros")
- Narvaez - Cancion del Emperador
- Roncalli - Sarabande in E Minor
- Sanz - Pasacalle (Passacaille)
- Sanz - Suite Espanola (9 movements)
- Sor - Study No. 2 (Op. 35, No. 13, Andante)
- Sor - Study No. 6 (Op. 35, No. 17, Moderato)
- Sor - Study No. 10 (Op. 31, No. 19, Andante)
- Sor - Study No. 5 (Op. 35, No. 22, Allegretto)
- Sor - Andante (Op. 35, No. 1)
- Tarrega - Adelita (Mazurka)
- Weiss - Prelude
- Tarrega - Lagrima (Preludio)
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