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Breitkopf & Hartel Piano Sonatas K. 331-547a (Instructive Edition), Volume II - Mozart/Teichmuller - Piano - Book
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Composer: Wolfgang Amadeus Mozart (1756 - 1791)
Editor: Robert Teichmuller
Format: Book
Instrumentation Piano
This edition of Mozart's piano sonatas has been prepared for practical use. The editor Robert Teichmuller (1863-1939) was a student of Carl Reinecke and worked as a pianist and professor for piano at the Leipzig Academy of Music "Felix Mendelssohn Bartholdy" (at that time Royal Conservatory and from 1924 State Conservatory of Music in Leipzig). Among his students were great names such as Gunther Ramin, Sigfrid Karg-Elert and Rudolf Mauersberger. The publication of his instructive editions on Mozart's and Reger's piano works testifies to his esteem in musical life at the beginning of the 20th century.
With this printing of Mozart's piano sonatas, Breitkopf & Hartel offers an insight into the performance practice of around 1900. Since Teichmuller took the musical text of the Urtext edition (Breitkopf & Hartel) and the then current Mozart Complete Edition as a basis marking all his additions, this edition is interesting for pianists not only for educational and interpretative, but also for historical reasons. In addition to fingerings and additional articulations, the musical text also contains examples of the execution of the numerous ornaments.
Editor: Robert Teichmuller
Format: Book
Instrumentation Piano
This edition of Mozart's piano sonatas has been prepared for practical use. The editor Robert Teichmuller (1863-1939) was a student of Carl Reinecke and worked as a pianist and professor for piano at the Leipzig Academy of Music "Felix Mendelssohn Bartholdy" (at that time Royal Conservatory and from 1924 State Conservatory of Music in Leipzig). Among his students were great names such as Gunther Ramin, Sigfrid Karg-Elert and Rudolf Mauersberger. The publication of his instructive editions on Mozart's and Reger's piano works testifies to his esteem in musical life at the beginning of the 20th century.
With this printing of Mozart's piano sonatas, Breitkopf & Hartel offers an insight into the performance practice of around 1900. Since Teichmuller took the musical text of the Urtext edition (Breitkopf & Hartel) and the then current Mozart Complete Edition as a basis marking all his additions, this edition is interesting for pianists not only for educational and interpretative, but also for historical reasons. In addition to fingerings and additional articulations, the musical text also contains examples of the execution of the numerous ornaments.
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