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G. Henle Verlag Harmonies poetiques et religieuses - Liszt/Heinemann/Schilde - Piano - Book
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Composer: Franz Liszt
Editor: Ernst-Gunter Heinemann
Fingering: Klaus Schilde
Format: Softcover
The substantial cycle, published in 1853, unites splendid concert pieces (Benediction and Funerailles) and simple, short compositions, which partly make use of Gregorian modes. The volume was composed over a long period of time. As early as 1835 No. 4 was published in a compositionally revolutionary first version entitled Harmonies poetiques et religieuses after the volume of poetry with the same title by Lamartine. In 1853 Liszt distanced himself from the important early piece, presenting it in a slightly smoother form as Pensees des morts, although it still had considerable impact. Henle has reproduced the bold early work in the appendix to this volume (Benediction and Funerailles are available as separate editions HN 984 and 748).
Contents:
Editor: Ernst-Gunter Heinemann
Fingering: Klaus Schilde
Format: Softcover
The substantial cycle, published in 1853, unites splendid concert pieces (Benediction and Funerailles) and simple, short compositions, which partly make use of Gregorian modes. The volume was composed over a long period of time. As early as 1835 No. 4 was published in a compositionally revolutionary first version entitled Harmonies poetiques et religieuses after the volume of poetry with the same title by Lamartine. In 1853 Liszt distanced himself from the important early piece, presenting it in a slightly smoother form as Pensees des morts, although it still had considerable impact. Henle has reproduced the bold early work in the appendix to this volume (Benediction and Funerailles are available as separate editions HN 984 and 748).
Contents:
- Invocation
- Ave Maria
- Benediction de Dieu dans la solitude
- Pensee des morts
- Pater noster
- Hymne de l'enfant a son reveil
- Funerailles
- Miserere d'apres Palestrina
- Andante lagrimoso
- Cantique d'amour
- Appendix: Pensee des morts (first version)
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