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G. Henle Verlag Piano Concerto no. 2 in g minor op. 22 - Saint-Saens/Jost - Piano/Piano Reduction (2 Pianos, 4 Hands) - Book
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Composer: Camille Saint-Saens
Editor: Peter Jost
Piano Reduction: Johannes Umbreit
Fingering (Solo): Pascal Roge
Format: Softcover
Instrumentation: Solo Piano, Piano Reduction (2 Pianos, 4 Hands)
Given Saint-Saens' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the "concerto brilliant" that was dominant in France at that time, declaring instead that "the solo part of a concerto must be set out, and treated, like a dramatic role". He realised this concept of a "symphonic concerto" in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Roge supplies the fingerings for the solo part.
Editor: Peter Jost
Piano Reduction: Johannes Umbreit
Fingering (Solo): Pascal Roge
Format: Softcover
Instrumentation: Solo Piano, Piano Reduction (2 Pianos, 4 Hands)
Given Saint-Saens' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the "concerto brilliant" that was dominant in France at that time, declaring instead that "the solo part of a concerto must be set out, and treated, like a dramatic role". He realised this concept of a "symphonic concerto" in this second piano concerto, composed in 1868. The solo part is technically very challenging, and at the same time closely bound up with the orchestra. Johannes Umbreit is responsible for the piano reduction, based on the composer's own version for two pianos; Pascal Roge supplies the fingerings for the solo part.
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