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ASM Hydrasynth Keyboard 8 Voice Virtual Analog Synth, 49 Keys
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Your Price: $1,999.99 CDN
or from $117 CDN/mo
The HYDRASYNTH keyboard is both a sound designer's dream synth as well as a performing musician's ideal. The sound engine is designed for maximum flexibility. At the same time, the user interface was designed in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.
Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities of HYDRASYNTH are unmatched.
As for the performance capabilities, The HYDRASYNTH keyboard has ASM's proprietary Polytouch™ keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.
Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.
FEATURES
Polytouch™ keybed
The new ASM Polytouch® keybed allows not only the standard velocity and aftertouch found on other keybeds but supports fully polyphonic aftertouch. The Polytouch™ keybed features a high quality, standard sized keys, so you can start playing it instantly.
Oscillators
The tone generation capability is the heart of any synthesizer. Hydrasynth's 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.
Hydrasynth's oscillators 1 & 2 have ASM's WAVELIST mode. This mode allows you to pick and choose 8 waves from the bank of 219, arrange them in the order you want, and then morph from one to another.
Mutators
Oscillators 1 & 2 are routed into MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each MUTANT allows you to choose from the following processes:
FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.
Wavestack™ - creates 5 copies of the incoming sound and allows you to set a detune amount.
Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.
Pulse Width - This will pulse width modulate ANY input sound.
PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.
PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.
Harmonic Sweep - this will sweep the harmonics of the incoming sound.
The Mutants can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator... Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer/ filter routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The Mixer allows you to mix levels as well as pan the input source. There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2. The filters can be set to be parallel or series for ultimate flexibility.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The Hydrasynth has two filters that can be configured in series or parallel.
The first filter has 11 different filter models, giving you multiple options for tailoring your sound. The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.
LFO's
5 Low-Frequency Oscillators! The Hydrasynth LFO's feature a STEP mode that allows you to create patterns with up to 8 steps. Having 5 mini step sequencers gives you an amazing amount of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms to choose from.
The LFO's all have delay, fade in, 3 triggering modes, smoothing, start phase, one-shot mode so that they can act as envelopes and BPM sync.
Envelopes
An advanced sound engine needs plenty of modulation sources. The 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages. The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in sync to your song. You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.
Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator. The Modulation matrix points themselves can also become modulation destinations. Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC's.
Arpeggiator
The arpeggiator allows for standard note arpeggiations but also has a phrase arpeggio built-in. Parameters like RATCHET and CHANCE will generate other rhythmic patterns with some randomness to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator so imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time.
CV/GATE - MIDI - USB
There is the standard MIDI and USB/MIDI interfaces on the synth but it also allows the use of CV/GATE interfaces for connecting to the modular world. It supports the standard voltages for Eurorack modulars as well as some of the Japanese Volts > HZ products. The MOD in and outs allow for modulation from DC to full audio ranges, expanding your modulation capabilities.
Main Controls
The Main system controls are where you navigate your patches, configure system settings and see parameters like the envelopes, waveforms, filters in the OLED screen.
Init and Random buttons will allow you to initialize or randomize a complete patch or specific modules with a press & hold + module select button.
Master Controls
The Master Control section is where all parameter editing, patch naming, and Macro performing is done. Using OLED screens, high-resolution encoders with LED rings, and 8 buttons, this section is designed to give you good feedback on what is going on.
Macros
The patch MACROS are designed to allow the user deep control over the engine in live performance. The 8 assignable encoders and buttons can each be routed to 8 destinations. Complete sound transformations can take place with the press of a button or turn of a knob.
Patches
The Hydrasynth comes with 5 banks of 128 patches in total. Finding the patch you want and searching the library is made easy with the BROWSER. ASM's PC/MAC based Patch Manager plug-in also allows easy moving of patches to create your favourite order as well as load in new patch libraries in the future.
Effects
The effects chain goes beyond the typical ones found in other synths. Pre-effects and post-effects give you some unique ways to process your sound. The delays and reverbs were modeled on some of the most popular effects on the market. The effects are the perfect way to complete your sound, in the box.
Specifications
Physical
• Metal Chassis, w/Steel top and bottom, Aluminum side panels
• PolyTouch© Keybed: Polyphonic aftertouch, Velocity
• 4 octave (67 cm, 26.4) Ribbon controller
- Pitch bend mode
- CC control mode modulation source
- Theremin mode - triggers envelopes and plays pitch (Continuous pitch or choose from multiple scales)
• 5 banks of 128 patch memories
CV gate input and oututs:
• Support multiple CV/GATE standards
CV
- 1v per octave +/-5V
- 1V per octave 0-10V
- Hz to Volts +/-5V
- Hz to Volts 0-10V
Gates
- V-trig, S-trig
- 3V, 5V, 10V
Mod In/Out range
- +/5V, 0-10V, 0-5V, 0-1V
• Clock in and out
1PPS, 2PPQ, 24PPQ, 48 PPQ
Clock Voltage - 3v, 5V, 10V
• MIDI IN/OUT/THRU: Voice overflow mode for expanding voices with another Hydrasynth
• Expression pedal input
• Sustain pedal input: Polarity sensing input
• DC input jack
• USB port: Supports USB MIDI In/Out
• Dimensions: 80 x 35 x 10.3 cm (31.5 x 13.78 x 4.05 inches)
• Weight: 10kg (22.05 lbs)
Sound Path Specifications
• 8 Voice Advanced Wavetable synthesis
• 2 Wavemorphing Oscillators
• 1 fixed Wave OSC
• Dual Mutators per oscillator
• Noise Generator: White, Pink, Brown noise sources
• Ring modulator: Selectable input sources; Depth control
• Sound source mixer
• Two Filters with Series or parallel routing
Modulation Specifications
5x Low Frequency Oscillators
• 10 static waves: Sine, triangle, Square, Saw up, Saw down, S&H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%
• Step Wave 8 steps that the user can set (like a step sequencer)
• Clock sync
• Starting phase
• Start delay
• Fade in
• Master output gain
• Trigger modes mono, poly, free
• One shot mode
5x Envelope Generators
• 6 stage DAHDSR envelopes: Delay, Attack, Hold, Decay, Sustain, Release
• Slope curves for ADR stages: Variable from full exponential to full logarithmic
• Tempo or Time option for setting length of each stage.
• Looping of AHD stages for creating LFO types of modulations.
• Trigger modes Legato, Reset, Retrigger
Matrix modulation
• 32 slots for source-destination mod routings with amount
• Modulation matrix slots can be mod destinations
8x Macro knobs and buttons
• Each macro knobs allows positive and negative of up to 8 destination controls
Arpeggiator
• Arp parameters can be modulation destinations.
• Modes: Up, down, up/down, Up&down, random, note order, chord, pattern
• Octave: Range, 1,2,3,4
• Play order: Up, down, up/down
• Swing
• Gate time
• Ratchet repeats notes
• Chance sets how often the ratchet takes place
Effects Specifications
Pre-effects before Delay and Reverb
• Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
Delay
• Tape, Ping-pong, Analog, PitchShift, Reverse, Filter delay
Reverb
• Room, Hall, Shimmer, Cloud, DarkSpace
Post-effects after Delay and Reverb
• Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities of HYDRASYNTH are unmatched.
As for the performance capabilities, The HYDRASYNTH keyboard has ASM's proprietary Polytouch™ keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.
Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.
FEATURES
Polytouch™ keybed
The new ASM Polytouch® keybed allows not only the standard velocity and aftertouch found on other keybeds but supports fully polyphonic aftertouch. The Polytouch™ keybed features a high quality, standard sized keys, so you can start playing it instantly.
Oscillators
The tone generation capability is the heart of any synthesizer. Hydrasynth's 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.
Hydrasynth's oscillators 1 & 2 have ASM's WAVELIST mode. This mode allows you to pick and choose 8 waves from the bank of 219, arrange them in the order you want, and then morph from one to another.
Mutators
Oscillators 1 & 2 are routed into MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.
Each MUTANT allows you to choose from the following processes:
FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.
Wavestack™ - creates 5 copies of the incoming sound and allows you to set a detune amount.
Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.
Pulse Width - This will pulse width modulate ANY input sound.
PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.
PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.
Harmonic Sweep - this will sweep the harmonics of the incoming sound.
The Mutants can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator... Of course, the routing is flexible so you can choose the other oscillators as mod sources if you like.
Mixer/ filter routing
The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator. The Mixer allows you to mix levels as well as pan the input source. There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2. The filters can be set to be parallel or series for ultimate flexibility.
Filters
If oscillators and tone generators are the heart of a synthesizer, the filters are the soul. The Hydrasynth has two filters that can be configured in series or parallel.
The first filter has 11 different filter models, giving you multiple options for tailoring your sound. The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.
LFO's
5 Low-Frequency Oscillators! The Hydrasynth LFO's feature a STEP mode that allows you to create patterns with up to 8 steps. Having 5 mini step sequencers gives you an amazing amount of possibilities for further shaping your sound.
Of course, there are also 10 standard waveforms to choose from.
The LFO's all have delay, fade in, 3 triggering modes, smoothing, start phase, one-shot mode so that they can act as envelopes and BPM sync.
Envelopes
An advanced sound engine needs plenty of modulation sources. The 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages. The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in sync to your song. You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.
Modulation Matrix
The modulation capabilities on the Hydrasynth are endless. With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.
Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator. The Modulation matrix points themselves can also become modulation destinations. Modulation sources & destinations include the CV Mod In & Out jacks as well as MIDI CC's.
Arpeggiator
The arpeggiator allows for standard note arpeggiations but also has a phrase arpeggio built-in. Parameters like RATCHET and CHANCE will generate other rhythmic patterns with some randomness to add life and spontaneity to your performance.
You can also modulate most of the parameters in the arpeggiator so imagine using LFOs, Envelopes, Polyphonic Aftertouch or the Ribbon controller to modify your arpeggios in real time.
CV/GATE - MIDI - USB
There is the standard MIDI and USB/MIDI interfaces on the synth but it also allows the use of CV/GATE interfaces for connecting to the modular world. It supports the standard voltages for Eurorack modulars as well as some of the Japanese Volts > HZ products. The MOD in and outs allow for modulation from DC to full audio ranges, expanding your modulation capabilities.
Main Controls
The Main system controls are where you navigate your patches, configure system settings and see parameters like the envelopes, waveforms, filters in the OLED screen.
Init and Random buttons will allow you to initialize or randomize a complete patch or specific modules with a press & hold + module select button.
Master Controls
The Master Control section is where all parameter editing, patch naming, and Macro performing is done. Using OLED screens, high-resolution encoders with LED rings, and 8 buttons, this section is designed to give you good feedback on what is going on.
Macros
The patch MACROS are designed to allow the user deep control over the engine in live performance. The 8 assignable encoders and buttons can each be routed to 8 destinations. Complete sound transformations can take place with the press of a button or turn of a knob.
Patches
The Hydrasynth comes with 5 banks of 128 patches in total. Finding the patch you want and searching the library is made easy with the BROWSER. ASM's PC/MAC based Patch Manager plug-in also allows easy moving of patches to create your favourite order as well as load in new patch libraries in the future.
Effects
The effects chain goes beyond the typical ones found in other synths. Pre-effects and post-effects give you some unique ways to process your sound. The delays and reverbs were modeled on some of the most popular effects on the market. The effects are the perfect way to complete your sound, in the box.
Specifications
Physical
• Metal Chassis, w/Steel top and bottom, Aluminum side panels
• PolyTouch© Keybed: Polyphonic aftertouch, Velocity
• 4 octave (67 cm, 26.4) Ribbon controller
- Pitch bend mode
- CC control mode modulation source
- Theremin mode - triggers envelopes and plays pitch (Continuous pitch or choose from multiple scales)
• 5 banks of 128 patch memories
CV gate input and oututs:
• Support multiple CV/GATE standards
CV
- 1v per octave +/-5V
- 1V per octave 0-10V
- Hz to Volts +/-5V
- Hz to Volts 0-10V
Gates
- V-trig, S-trig
- 3V, 5V, 10V
Mod In/Out range
- +/5V, 0-10V, 0-5V, 0-1V
• Clock in and out
1PPS, 2PPQ, 24PPQ, 48 PPQ
Clock Voltage - 3v, 5V, 10V
• MIDI IN/OUT/THRU: Voice overflow mode for expanding voices with another Hydrasynth
• Expression pedal input
• Sustain pedal input: Polarity sensing input
• DC input jack
• USB port: Supports USB MIDI In/Out
• Dimensions: 80 x 35 x 10.3 cm (31.5 x 13.78 x 4.05 inches)
• Weight: 10kg (22.05 lbs)
Sound Path Specifications
• 8 Voice Advanced Wavetable synthesis
• 2 Wavemorphing Oscillators
• 1 fixed Wave OSC
• Dual Mutators per oscillator
• Noise Generator: White, Pink, Brown noise sources
• Ring modulator: Selectable input sources; Depth control
• Sound source mixer
• Two Filters with Series or parallel routing
Modulation Specifications
5x Low Frequency Oscillators
• 10 static waves: Sine, triangle, Square, Saw up, Saw down, S&H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%
• Step Wave 8 steps that the user can set (like a step sequencer)
• Clock sync
• Starting phase
• Start delay
• Fade in
• Master output gain
• Trigger modes mono, poly, free
• One shot mode
5x Envelope Generators
• 6 stage DAHDSR envelopes: Delay, Attack, Hold, Decay, Sustain, Release
• Slope curves for ADR stages: Variable from full exponential to full logarithmic
• Tempo or Time option for setting length of each stage.
• Looping of AHD stages for creating LFO types of modulations.
• Trigger modes Legato, Reset, Retrigger
Matrix modulation
• 32 slots for source-destination mod routings with amount
• Modulation matrix slots can be mod destinations
8x Macro knobs and buttons
• Each macro knobs allows positive and negative of up to 8 destination controls
Arpeggiator
• Arp parameters can be modulation destinations.
• Modes: Up, down, up/down, Up&down, random, note order, chord, pattern
• Octave: Range, 1,2,3,4
• Play order: Up, down, up/down
• Swing
• Gate time
• Ratchet repeats notes
• Chance sets how often the ratchet takes place
Effects Specifications
Pre-effects before Delay and Reverb
• Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
Delay
• Tape, Ping-pong, Analog, PitchShift, Reverse, Filter delay
Reverb
• Room, Hall, Shimmer, Cloud, DarkSpace
Post-effects after Delay and Reverb
• Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)
Media
Youtube video product demo
Youtube video product demo
Q & A
There are currently no questions for this product.
Reviews
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The last synth I will ever need... 1 of 1 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Owen Sound, Ontario
I have owned this amazing synth for a few months now and I am probably nowhere any closer to using even a fraction of this synths capabilities.
Thankfully I have already bought a few other decent synths before this one, For if this Hydrasynth had of been my first synth it might have well been my only synth.
Posted by Michael on Aug 22, 2022
The Most Expressive Synth In My Studio 3 of 3 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Toronto (Bloor St.), Ontario
The title really says it all. I bought an early unit sight unseen and I'm glad I did. It's one of the most well built synths in my studio; up there with my Moog Model D Reissue. It sounds gorgeous and can go into analog territory more than the factory sounds may at first indicate. If you need those kinds of sounds, don't be afraid to dig and program because while it is a very deep instrument, it is also very easy to navigate. I appreciate the extra touches given to the envelopes and LFOs that set it above other hardware synths. It sounds gorgeous, the polyphonic aftertouch and ribbon are fantastic and life changing. When you see what you get and how well it's made, it's a very good value too. If you need a truly great digital synth, take a long look at this. A future classic.
Posted by Peter Kadar Music on Dec 19, 2021
My Bucket List Synth. 6 of 6 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Calgary Chinook, Alberta
Bought this today at the Chinook store. They had a used model for me to try this out and it blew my mind. Am 65 and have been working with synths since I first tried the Moog modular at U of C when I was 14. This is the only non-modular synth I've tried that not only came close to that format but surpassed it because it's updatable and they update regularly. Thanks to Chris Fawcett, best keyboard manager ever!!!
Posted by anonymous on Jun 13, 2021
Crazy good capabilities and sound, however... 6 of 8 customers found this review helpful
Features
Quality
Value
Overall
Product Experience I own it
Closest Store Kingston, Ontario
I tried a few 3rd party sound banks to find better sounds than the factory presets, and finally found the Ultimate Patches packs on sale. Classic digital pads and classic analog sounds and crazy future stuff too. Found my desert island synth!
Posted by Jessa on Apr 2, 2021
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
- USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
Great Additions
Reserve in Store
| Product | SKU | Qty |
|---|---|---|
| Hydrasynth Keyboard 8 Voice Virtual Analog Synth, 49 Keys | 719604 |
