PreSonus StudioLive 64S - 64-Channel Digital Mixer and USB Audio Interface
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Small Digital Mixer. Big Power.
The StudioLive 64S is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processorsincluding 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.The Scalable Digital Mixer.
The StudioLive 64S digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they're required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.
The Best Music Recording Software, Included!
Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 64S digital mixers allows you to control preamp levels and more right from the Studio One software console. Press the DAW button on your StudioLive 64S, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 64S, so you can start recording right out of the box.
Remote Control Your Digital Mixer from Anywhere- On Any Device.
PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS, Windows, iPad and Android. Control your monitor mixes with QMix-UC for iPhone, iPod touch, and Android devices. Whether you're adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier.
Reconfigure Your Mix Without Unplugging a Cable.
StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 64S as part of a complete networked audio system.
The Ultimate USB Audio Interface and Control Surface.
With 128 (64x64) channels of recording over USB, the StudioLive 64S is not just the best digital mixer for live sound recording; it's the best digital mixer for the studio as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While compatible with any DAW, Studio One and the StudioLive 64S are the perfect pair to elevate your studio recording environment. Remotely control your StudioLive 64S digital mixer's recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 64S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 64S the best mixing console for the modern recording studio.
Features
• Powered by the new dual-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class
• 76 input-channel digital mixer with 33 touch-sensitive motorized faders
• 64 channels (individually sourced from any of the 32 local digitally controlled XMAX mic/line inputs or any AVB, USB, or SD input)
• 43 mix buses
• 526 simultaneous processors
• State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus
• FLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses
• 24 DCAs to control groups of channels
• 128-channel (64x64) recording over USB
• Advanced Studio One integration (Studio One Artist Included)
Specifications
Microphone Preamplifier
Input Type: XLR Female, balanced
Frequency Response to Main Output (at unity gain): 20-20 kHz, 0.5 dBu
Input Impedance: 1 kΩ
THD to Main Output: < 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Common Mode Rejection Ratio (1 kHz at unity gain): 65 dB
Gain Control Range (+/-1 dB): 0 dB to +60 dB
Maximum Input Level (unity gain): +12 dBu
Phantom Power (+/-2 VDC): 48 VDC, switchable per channel
Line Inputs
Type: 1/4" TRS Female, balanced
Frequency Response to Main Output (at unity gain): 20-20 kHz, +/-0.5 dBu
Input Impedance: 10 kΩ
THD to Main Output: < 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd): 94 dB
Maximum Input Level: +18 dBu
Tape Inputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Input Level: +12 dBu, 0.5 dBu
XLR Outputs
Type: XLR Male, balanced
Maximum Output Level: +24 dBu, +/-0.5 dBu
Output Impedance: 100Ω
Line Outputs
Type: 1/4" TRS Female, balanced
Maximum Output Level: +18 dBu, +/-0.5 dBu
Output Impedance: 100Ω
Tape Outputs
Type: RCA Female, unbalanced (stereo pair)
Maximum Output Level: +18 dBu, +/-0.5 dBu
Output Impedance: 100Ω
Headphone Output
Type: 1/4" TRS Female, active stereo
Maximum Output: 100 mW/ch. @ 60Ω load
Frequency Response: 20 Hz 20 kHz (+/- 0.5 dB)
THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
S/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd
System Crosstalk
Input to Output: -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Adjacent Channels: -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)
Digital Audio and Control
ADC Dynamic Range: 115 dB (A-wtd, 48 kHz)
DAC Dynamic Range: 115 dB (A-wtd, 48 kHz)
USB Recording Port: USB 2.0, Type-B
Bluetooth Input: 4.1, stereo
AES/EBU Output: XLR Male
Network Control Port: RJ-45
AVB Audio Network Port: Locking XLR Ethernet
Internal Processing: 32-bit, floating point
Sampling Rate: 48 kHz, 44.1 kHz
A/D/A Bit Depth: 24
Reference Level for 0 dBFS: +18 dBu
Total System Latency: 1.9 ms (local routing, analog in-analog out, all processing active)
Clock
Jitter: < 20 ps RMS (20 Hz - 20 kHz)
Jitter Attenuation: > 60 dB (1 ns in, 1 ps out)
Power
Connector: IEC
Input-Voltage Range: 90 to 230 VAC (+/-10%)
Power Requirements (continuous): 85W
Physical
Dimensions: 32.37" x 22.97" x 6.51" (82.2 x 58.4 x 16.5 cm)
Weight: 37.2 lbs. (16.9 kg)
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
- Power Surge Protection: Your product is covered even if damaged from a power surge.
- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.