Cranborne Audio 500R8 28/30 USB Audio Interface & 8-slot 500 series Rack
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500R8 takes analogue electronics and USB integration to the next level by allowing you to utilise your favourite 500 series modules as your very own customisable tracking front-end directly into your DAW. Dedicated USB source selects for each slot and a discrete analogue summing mixer with it's own USB send allows you to bring your 500 series modules- such as EQs, compressors, and saturation devices -into your mixing process and bring analogue sound back into your workflow.
USB Audio Interface
Build your dream studio around 500R8's built-in 28-in/30-out channel USB audio interface that provides recording/playback of analogue and ADAT sources as well as connectivity via MIDI and clock distribution via Word-clock.
Monitor Controller
Control all aspects of your control room and artist monitoring setup by utilising 500R8's built-in monitor controller that includes options for Speaker A & B switching, Mono sum, Mute, Dim, and Talkback facilities.
Zero-Latency Artist Mixer
Move away from clunky software mixers and get your hands back onto the mix by using 500R8's analogue summing mixer to create artist mixes that can be blended with the DAW playback, and sent to your musicians with zero-latency.
Discrete Summing Mixer
Give your mix the final bit of analogue character and send instrument groups and stems back-through your 500 series modules, into the discrete analogue summing mixer, summed, and sent into your DAW via USB.
Digital Precision
500R8 features reference-class analogue-to-digital conversion with 121dB (unweighted) signal-to-noise ratio and a master-reference grade internal digital clock with ultra-low jitter (< 0.5 picoseconds). The combination of highly-accurate clocking and high-performance digital conversion ensures that every subtle nuance of your analogue signal is captured with the utmost detail, free of any unwanted digital artefacts from the conversion process and with a wide dynamic range due to 500R8's high-headroom and low-noise floor design.
KEY FEATURES
28-in/30-out USB 2.0 audio interface
• Ultra low-latency USB 2.0 interface with high-stability and compatibility with a wide range of devices.
• 16in/16out ADAT Interface
• 2in/2out S/PDIF Coaxial Interface
• MIDI I/O
High-performance AD/DA conversion
• ADCs = 121dB (unweighted) signal-to-noise ratio and - 112dB THD+N.
• DACs = 127dB (unweighted) signal-to-noise and -115dB THD+N.
• 0dBFs = 26.5dBu for huge headroom when recording and the ability to drive modules for a wider range of effects.
Master reference-quality internal clock
• Capable of 44.1, 48, 88.2, 96, and 192kHz operation.
• Sub 0.5 picoseconds of jitter.
• Dedicated Word Clock Input and Output via BNC.
• External sync options using Word Clock BNC, S/PDIF, or ADAT.
Monitor controller with talkback
• Speaker A/B switching, Mono check, Dim, mute, and 28-segment output meter.
• Dedicated talkback input with phantom power, push-to-talk activation, and automatic routing to all headphone and CAST facilities.
• Easy-access illuminated front panel controls for all monitor controller functions.
Analogue summing mixer
• 8-into-2 analogue summing mixer with 26.5dBu of headroom, dedicated ADC, and balanced 1/4" jack outputs.
• CAST link port for increasing summing mixer to 16-into-2 using Cranborne Audio 500ADAT (sold separately).
Zero-latency artist mixer
• Zero-latency analogue artist mixer with physical level/pan controls per channel and DAW return blend controls.
• 2 high-power headphone outputs with independent blend and level controls
High-current 8-slot 500 series rack
• < 250mA current per-slot with headroom.
• XLR inputs, XLR line outputs, TRS Inserts (pre-ADC) per 500 series slot.
• Module source switching options to send Analogue, USB or external CAST signals through your favourite 500 series modules.
• Module bypass switches per-slot allowing 500R8 to be used without 500 series modules inserted.
CAST Compatible
• CAST ports per channel for relocating analogue I/O around studio using passive or active CAST breakout boxes via standard shielded Cat 5 (boxes coming soon).
24v, 5 amp external locking power supply
• External power supply for improved analogue audio performance and heat dissipation.
Designed, Engineered, and Manufactured in the UK
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Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
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Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
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- BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.