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EarthQuaker Devices Aqueduct Vibrato
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Aqueduct Vibrato
Welcome to your new EarthQuaker Devices Aqueduct Vibrato!
Contrary to what's written on the faceplate of certain famous deluxe amplifiers, Vibrato is a form of frequency (or wavelength) modulation which we hear as a variation in pitch. It is often confused with Tremolo, which among other things, is a type of amplitude modulation our ears hear as a change in volume.
Aqueduct uses a short delay line with eight different methods of modulation to deliver gentle rolling pitch-wobbles, steady kosmiche pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, and anything else your pitch-warped brain can picture in your murky mind's eye.
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitchrises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.
Aqueduct's eight modes in order from "not that weird" to "wow, that's weird."
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.
Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.
Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.
Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.
Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.
Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.
Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.
Env P: This is Envelope-Controlled Pitch mode, which has been nicknamed "The My Bloody Valentine setting." If your instrument doesn't have a tremolo bar, it does now. In this mode, the frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favour and try this one with Flexi-Switching.
o Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
o Rate sets the sensitivity and overall range of the pitch bend. Depth is a wet/dry mix. When set all the way counterclockwise, there is no wet signal. Noon is a 50/50 blend. Depth settings above noon fade out the dry signal until only the wet remains.
Pro Tip:
When using any of the envelope modes, we recommend placing the Aqueduct first in the signal chain and/or before any effects that increase volume or gain. The Aqueduct was designed for low to medium output pickups. Any increase in output will make the envelope settings more responsive at lower settings thus making them less dynamic.
Flexi-Switching
This device features Flexi-Switch Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching-style switching.
• For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
• For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.
Since the switching is relay based, it requires power to pass signal.
Power
This Device should be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!
Current Draw: 68mA
Input Impedance: 1M Ohms
Output Impedance: < 10K Ohms
Dimensions: 4.75" x 2.50" x 2.25"
Warranty: This Device has a limited lifetime warranty. If it breaks, EarthQuaker Devices will fix it. Should you encounter any issues, please email [email protected].
Welcome to your new EarthQuaker Devices Aqueduct Vibrato!
Contrary to what's written on the faceplate of certain famous deluxe amplifiers, Vibrato is a form of frequency (or wavelength) modulation which we hear as a variation in pitch. It is often confused with Tremolo, which among other things, is a type of amplitude modulation our ears hear as a change in volume.
Aqueduct uses a short delay line with eight different methods of modulation to deliver gentle rolling pitch-wobbles, steady kosmiche pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, and anything else your pitch-warped brain can picture in your murky mind's eye.
The controls are simple. Rate (1) adjusts the LFO speed which controls how quickly the pitchrises and falls. Depth (2) controls the LFO amplitude, adjusting the intensity of the vibrato effect. The rotary switch labeled Mode (3) selects between one of eight LFO waveshape and envelope combinations which drastically alter the character of the modulation and make Aqueduct adaptable to nearly any musical situation.
Aqueduct's eight modes in order from "not that weird" to "wow, that's weird."
Sine: The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin'.
Triangle: Triangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.
Ramp: Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.
Square: Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.
Random: This waveform isn't a waveform at all as much as it's a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a "warped record" effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.
Env D: This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.
Env R: This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.
Env P: This is Envelope-Controlled Pitch mode, which has been nicknamed "The My Bloody Valentine setting." If your instrument doesn't have a tremolo bar, it does now. In this mode, the frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favour and try this one with Flexi-Switching.
o Depth sets the wet/dry mix. This is the only mode that contains a wet/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50/50 mix with a small amount of phase cancellation.
o Rate sets the sensitivity and overall range of the pitch bend. Depth is a wet/dry mix. When set all the way counterclockwise, there is no wet signal. Noon is a 50/50 blend. Depth settings above noon fade out the dry signal until only the wet remains.
Pro Tip:
When using any of the envelope modes, we recommend placing the Aqueduct first in the signal chain and/or before any effects that increase volume or gain. The Aqueduct was designed for low to medium output pickups. Any increase in output will make the envelope settings more responsive at lower settings thus making them less dynamic.
Flexi-Switching
This device features Flexi-Switch Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching-style switching.
• For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.
• For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.
Since the switching is relay based, it requires power to pass signal.
Power
This Device should be powered by a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!
Current Draw: 68mA
Input Impedance: 1M Ohms
Output Impedance: < 10K Ohms
Dimensions: 4.75" x 2.50" x 2.25"
Warranty: This Device has a limited lifetime warranty. If it breaks, EarthQuaker Devices will fix it. Should you encounter any issues, please email [email protected].
Media
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Reviews
3.144.250.255
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versatile, quality 3 of 3 customers found this review helpful
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Closest Store Calgary Chinook, Alberta
if you want a simple great sounding vibrato, this is it.
if you want a lush chorusy detune effect, this is also it.
if you want your guitar to sound alien and resynthesized, this does that too.
it also has a random mode for confusing the sound tech and if you want the Kevin Shields whammy bar sound but have no trem bar, this can give you that too.
Posted by anonymous on Jul 15, 2019
Protect your investment with the Long & McQuade Performance Warranty
A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.
Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.
How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
- Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
- Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
- No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
- Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
- Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
- Loaners Available: A loaner product may be given while the product is being repaired.
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- Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
- Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.
Purchasing additional years of coverage
Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.
If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:
- NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.
- USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year. 4% for each additional year.
- GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
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| Product | SKU | Qty |
|---|---|---|
| Aqueduct Vibrato | 691864 |
