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Avantone Pro MixCube Active Full-Range Mini Reference Monitor (Mono) - Red

SKU: # 526035   |   Model: # AV-AREDM   |    Product Reviews2 Reviews  Write a Review

MixCube Active Full-Range Mini Reference Monitor (Mono) - Red

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MixCube Active Full-Range Mini Reference Monitor (Mono) - Red
MixCube Active Full-Range Mini Reference Monitor (Mono) - Red
Your Price: $379.00 CDN
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While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.

Performance Objective
Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small bass-challenged systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.

Cabinet Design
The original 5C Sound Cubes were made of 1/2" particleboard covered with a glue-on wood grain contact paper. Anantone chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. They started with a 165mm (6 1/2") sealed cube design with radiused edges then chose an elegant Polyurethane high gloss RETRO-CREAM finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. They upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next Avantone added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8"-27 mic stand mount into the base.

Driver Design
The originals were a basic 5" stamped frame design. They designed a proprietary 5.25" die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.

Amplifier Design
Avantone designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates overkill concepts in component selection as well as safety. The result is a no-compromise amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Specifications

• System Type: Active (Self-powered) shielded full-range stereo pair
• Frequency Response: 90Hz - 17,000Hz (useful musical range)
• Impendance: Nominal 8 ohms
• Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)
• Amplifier Type: Class A/B
• Amplifier Power: 60 watts RMS@ .005% THD (1KHz)
• Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB)
• Noise: S/N -113 dB
• Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL
• Driver: Proprietary design 5.25" cast aluminum frame / paper cone / shielded
• Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing
• Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced
• Weight: 7.13 lbs (per monitor)
• Dimensions: 6.5" x 6.5" x 6.5"

*Sold individually.

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Reviews


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Parfait 4 of 4 customers found this review helpful
Features  
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Overall  
Product Experience   I own it
Closest Store   Québec, Quebec
Prenont en compte que mon audition a 34 ans atteint 16khz maximum. Le mixcube se rend jusqua 14khz percue et environ 45hz pour les basse. En mono je trouve que c'est une très bonne représentation d'une écoute général ( auto, radio, off axis, dans la cuisine -- toi ailleur, speaker bluethoot, laptop).Très très bonne outil pour mixer les mid. Impardonnable pour des erreurs de phase ou des problèmes de fréquence. J'aime beaucoup.
Posted by Gabriel Meunier on Mar 6, 2020
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WOW GREAT !! JUST GREAT!!! 2 of 2 customers found this review helpful
Features  
Quality  
Value  
Overall  
Product Experience   I own it
Closest Store   Toronto (LM Pro), Ontario
hi, I just got these monitors for college and I am absolutely pleased with everything that these have to offer. they sound crystal clear and very accurate and they are loud for their size. no issues with this monitor and im thrilled with the quality.
Posted by Thereoum Deseoul on Aug 24, 2018
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Protect your investment with the Long & McQuade Performance Warranty

A warranty can be a very important factor when making a buying decision. Because repairs can be very expensive in terms of parts and labour costs, manufacturers usually only provide one year limited warranties that generally only cover items that malfunction due to a manufacturer’s defect. With an important purchase such as a musical
instrument or piece of studio gear, however, many people want to have the peace of mind in knowing that their investment will be protected should the product no longer be performing at 100%.

Because of this, Long & McQuade provides our customers with a FREE one-year Performance Warranty on most of our products. The Long & McQuade Performance Warranty supplements the manufacturer’s warranty to ensure that our customers receive complete “no hassle” warranty coverage within their first year.

How does the Long & McQuade Performance Warranty differ from most manufacturers' warranties?
  • Performance Guarantee: Normal wear and tear is covered, so your product will be performing as well as the day you purchased it for the entire duration of the coverage. Band and Orchestral Performance Warranty does not include replacing pads or cleaning for woodwind instruments, unless deemed necessary by our repair staff. Ultrasonic cleaning for brass instruments will be provided if deemed necessary by our repair staff, but is not routinely offered under the Performance Warranty.
  • Product Replacement: If your product cannot be fixed or costs too much to fix, we will replace it with the equivalent model for no additional charge. If this is not possible, a full refund will be provided.
  • No Lemon Policy: Your product will be replaced should the same problem occur multiple times.
  • Convenient: Easy drop off and pick up of the product at any Long & McQuade location.
  • Guitar Setup: Guitars purchased at Long & McQuade come with 1 free setup, to be redeemed within 1 year for new guitars and 90 days for used guitars.
  • Loaners Available: A loaner product may be given while the product is being repaired.
  • Power Surge Protection: Your product is covered even if damaged from a power surge.
  • Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e. foot pedal, case) are also covered.
  • Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.
 

Long & McQuade reserves the right to restrict the purchase of additional years of Performance Warranty. Used products come with a 3-month Long & McQuade Performance Warranty. Some products (i.e. computers, software, cymbals and other items) are covered only by the manufacturer‘s warranty. Consumables (i.e. strings, reeds, drum sticks, batteries, tubes, cross faders) are excluded as they are designed to be replaced. Cosmetic Damage, Accidental Damage, or problems caused by Humidity or Temperature Issues are not covered. Speakers damaged by overpowering are generally not covered. Our coverage does not provide compensation for loss of use. As of June 2018 the Performance Warranty is no longer transferable. The warranty is only valid in Canada.

Purchasing additional years of coverage

Some manufacturers provide warranties for longer than 1 year; however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty.

If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. The pricing is as follows:

  • NEW products: Starting at 4% of the current new selling price to double the warranty from 1 year to 2 years. Starting at 4% for each additional year.
  • USED products: Starting at 4% of the current new selling price to increase the warranty from 3 months to 1 year. Starting at 4% for each additional year.
  • GUITARS: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year. $45 maximum. An additional free setup is not included with additional purchased years of Performance Warranty.
  • BAND and ORCHESTRAL instruments: 4% of the current new selling price to double the warranty from 1 year to 2 years. 4% for each additional year.

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